中国漆画与油画绘画语言的比较研究

发布时间：2018-07-03 02:02

本文选题：绘画语言 + 材料　；参考：《华东师范大学》2013年硕士论文

【摘要】：绘画语言是艺术家以记录状态、反映认识、传达信息或表现思想为目的,运用笔、刀、墨、纸、颜料等材料工具为物质载体,以色彩、线条、明暗、肌理等视觉信号为媒介,通过造型艺术手段,创作描绘艺术形象造成视觉体验的表达方式。艺术家通过个人的艺术积累、生活体验、个性表达来构建自己的艺术语言,使观者从画面中可以找到特殊符号性的绘画语言。中国漆画与油画的绘画语言也在不断探索与继续发展中。中国漆画比较年轻,起步比较晚,制作工艺繁杂,创作团队薄弱,缺少完整的研究体系,但是在前进和发展的过程中,中国漆画能够发挥自身的优势,强调绘画与工艺的双重性,不断学习和借鉴其它画种的绘画语言,丰富了自己的绘画语言形式。艺术的多元,文化的发展,在中国漆画的发展过程中,对漆画影响最大的莫属当代油画,众所周知,油画作为舶来画种,中国油画显然是在学习西方油画的基础上逐渐形成了自己的绘画体系。中国油画较漆画起步早,创作团队强大,创作形式众多,逐渐形成了具有中国民族文化价值体系的中国当代油画。中国漆画在借鉴中国油画的基础上不断实践与创新,更新了创作理念,更多地注重操作实践,把技术与艺术紧密结合,将艺术家的个人情感与现实生活和审美价值结合起来,开辟出中国漆画的新篇章。本文在论述的过程中分为四个章节：第一章,总体概述漆画与油画的绘画语言；第二章,简述中国漆画与油画的发展现状和发展背景；第三章,主要从材料、色彩语言、画面构成、表现方式、以及绘制过程进行比较分析,来区别两种绘画语言之间的不同,从而得出两种绘画语言既有联系又有区别,能够更加全面的认识中国漆画与油画的绘画语言问题,对今后的学习和创作产生重大意义；最后-章对两种绘画语言比较研究的意义以及对中国漆画与油画的展望作总结阐述。以上这些将是笔者在本文中主要论述的内容。
[Abstract]:Painting language is an artist whose purpose is to record state, reflect knowledge, convey information or express thought, use material tools such as pen, knife, ink, paper and pigment as material carrier, and take visual signals such as color, line, light and shade, texture as media, etc. Through the plastic arts means, the creation depicts the artistic image to cause the visual experience the expression way. Artists construct their own artistic language through personal artistic accumulation, life experience and personality expression, so that the viewer can find the special symbolic painting language from the picture. The painting language of Chinese lacquer painting and oil painting is also continuously exploring and developing. Chinese lacquer painting is relatively young, starts late, has complicated production techniques, weak creative team, and lacks a complete research system. However, in the process of advancing and developing, Chinese lacquer painting can bring its own advantages into full play. Emphasizing the duality of painting and craftsmanship, learning and drawing on other painting languages enriches one's own painting language form. The diversity of art and the development of culture, in the development of Chinese lacquer painting, the greatest impact on the lacquer painting is the contemporary oil painting. As we all know, oil painting is a kind of imported painting. Chinese oil painting obviously formed its own painting system on the basis of studying western oil painting. Chinese oil painting started earlier than lacquer painting, with strong creative team and numerous forms of creation, and gradually formed a Chinese contemporary oil painting with Chinese national cultural value system. On the basis of drawing lessons from Chinese oil painting, Chinese lacquer painting has continuously practiced and innovated, updated its creative idea, paid more attention to operational practice, closely combined technology with art, and combined the artist's personal emotion with real life and aesthetic value. Open a new chapter in Chinese lacquer painting. This paper is divided into four chapters: the first chapter, the general overview of the painting language of lacquer painting and oil painting; the second chapter, the development of Chinese lacquer painting and oil painting and the development background; the third chapter, mainly from the material, color language, The composition of the picture, the way of expression, and the drawing process are compared and analyzed to distinguish the difference between the two painting languages, so as to draw the conclusion that the two painting languages have both connections and differences. More comprehensive understanding of the painting language of Chinese lacquer painting and oil painting is of great significance to the future study and creation. Finally the chapter summarizes the significance of the comparative study of the two painting languages and the prospect of Chinese lacquer painting and oil painting. The above will be the main content of the author in this article.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

【参考文献】