浅谈工笔花鸟画的线条与书法线条的相关性

发布时间：2018-07-03 03:40

本文选题：线条 + 融合与碰撞　；参考：《天津美术学院》2017年硕士论文

【摘要】：中国书画经过数千年的锤炼与发展,形成了特殊的以线造型的艺术表达方式。传统工笔花鸟画中线的重要性体现着我们东方绘画的审美特征。中国书法又是线条的艺术,二者有一共同点——线条。都是用线来表达内心的艺术感受和对自然美的理解和概括。线从工笔花鸟画的早期产生到独立自成体系再到工笔花鸟画的历史高峰等,“线”自始至终都扮演着无法替代的重中之重的角色,书法自产生之时便是线条的独角戏。对于“线条”选择与运用,也折射出中华民族传统文化中的哲学思想和美学思想。自春秋战国后毛笔的广泛应用,使线条的表达有了质的飞跃,共同的“用笔”特性使书法的线条与中国画的线条开始出现融合与碰撞,二者不同的个性又互相补充着彼此的不足,互相借鉴,共同发展。中国传统书画正是由于线条的独特表现力,才在世界艺术中独树一帜。二十世纪中国画的发展历程,是在熙熙攘攘的争辩中探索新出路的过程,也就是在这种中西文化的交融,传统与现代的碰撞中,工笔花鸟画才逐步由复兴到初步繁荣。在寻找和探索中拓展艺术的新面貌,但“历史向前一步的发展,往往是伴着向后一步的探木求源。”只有植根于博大的民族精神和对传统的深入探究后,才能保持住它独特的语言形式——线条,才能在保持中得以提纯,在开放和吸收中向前发展。
[Abstract]:After thousands of years of practice and development, Chinese calligraphy and painting have formed a special artistic expression with line modeling. The importance of the central line of the traditional fine brush flower and bird painting embodies the aesthetic characteristics of our oriental painting. Chinese calligraphy is the art of line, they have one thing in common-line. Are used to express the line of inner artistic feelings and natural beauty understanding and generalization. From the early stage of fine brushwork flower-and-bird painting to the independent system to the historical peak of fine brushwork flower-and-bird painting, "line" plays an irreplaceable important role from the beginning to the end, and calligraphy is the line monologue when it comes into being. The choice and application of line reflects the philosophical and aesthetic thoughts in Chinese traditional culture. Since the Spring and Autumn period and the warring States period, the extensive application of brush has made a qualitative leap in the expression of lines. The common characteristics of "using brush" make the lines of calligraphy and the lines of Chinese painting begin to merge and collide. The two different personalities complement each other's shortcomings, learn from each other, and develop together. Chinese traditional calligraphy and painting is unique in the art of the world because of the unique expression of lines. The development course of Chinese painting in the 20th century is the process of exploring a new way out in the bustling debate, that is, in the blending of Chinese and Western cultures, the collision between tradition and modern, the fine brushwork and bird painting gradually revives to the initial prosperity. In the search and exploration of the new face of art, but "the history of a step forward development, often accompanied by a step back to seek the source of wood exploration." Only when it is rooted in the broad national spirit and deeply explores the tradition, can it maintain its unique language form-line, be purified and develop in the course of opening up and absorbing.
【学位授予单位】：天津美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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