中国现当代油画对民间美术语言的借鉴运用

发布时间：2018-07-03 04:41

本文选题：中国现当代油画 + 民间美术　；参考：《曲阜师范大学》2013年硕士论文

【摘要】：本论文是对民间美术作为资源在中国现当代油画创作中的应用进行研究。选此课题原因也是由于中国现当代绘画的艺术追求正在发生悄然声息的变化,现当代油画家很多都是运用与汲取民间美术的语言来进行创作的,成为中国现当代油画艺术发展的一个现象。首先,本文的第一章对民间美术有一个完整、透彻、全面的了解,对民间美术的概况及其分类进行了较详细的分析与研究。第二章主要进一步分析中国现当代油画家们是如何巧妙地运用民间美术的造型元素来进行他们的油画创作的,具体到在他们各自油画创作时分别是怎样运用了民间美术中造型的平面性、完美性、简约性和程式性等特性的。本论文第三章研究中国现当代油画创作对民间美术色彩这一语言的运用,主要从民间美术色彩的装饰性、象征性、夸张性和原始性特征,结合油画家们的作品深入解读其画面的深层含义。最终本论文的落脚点是为了试图将民间美术诸因素的美学价值应用于中国现当代油画的实践创作中,为解决“中国现当代油画究竟是怎样对民间美术语言巧妙地运用和借鉴的”提供些思考。中国现当代油画从传统民间美术之中汲取营养,为中国油画奠定了坚实的本土基础,使油画这个外来的艺术形式在中国也开始有了自己的根,那么枝与叶的生长便是指民间美术中的造型规律、形式因素、色彩特性、审美特征以及艺术精神等在现当代油画创作的具体运用,这样民间美术元素与油画特有的材料特点相结合便形成了具有独特审美内涵的艺术形式,也充分证明了本论文在研究现当代油画对民间美术语言的运用与借鉴上还是非常有价值的。
[Abstract]:This paper is a study of the application of folk art as a resource in modern and contemporary Chinese oil painting. The reason for this topic is also because the artistic pursuit of modern and contemporary Chinese painting is changing quietly. Many contemporary oil paintings are used and drawn from the language of folk art to become China. First of all, the first chapter of this article has a complete, thorough and comprehensive understanding of folk art, and a detailed analysis and study of the general situation and classification of folk art. The second chapter is to further analyze how the Chinese contemporary oil painting artists use the modeling elements of folk art ingeniously. In the third chapters of this paper, the third chapters of the thesis study the application of the Chinese contemporary oil painting to the folk art color, mainly from the folk art color. Decorative, symbolic, exaggerated and primitive characteristics, combined with oil painting works, in-depth interpretation of the deep meaning of its picture.
The final point of this thesis is to try to apply the aesthetic value of the folk art factors to the practical creation of Chinese contemporary oil painting, and to provide some ideas to solve the "how the Chinese modern and contemporary oil paintings are skillfully used and learned from the folk art language". Nutrition, laying a solid foundation for Chinese oil painting, making the foreign art form of oil painting have its own roots in China, then the growth of branches and leaves refers to the rules of modeling in folk art, form factors, color characteristics, aesthetic characteristics and artistic essence and so on in the present and contemporary oil painting. The combination of the art elements and the characteristics of the oil painting has formed an artistic form with unique aesthetic connotation. It is also proved to be of great value in the study of the modern and contemporary oil painting on the use and reference of the folk art language.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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