中国画章法浅论

发布时间：2018-07-03 10:33

本文选题：构图 + 章法　；参考：《中国美术学院》2013年硕士论文

【摘要】：中国画的构图,具有它独特的规律。这是由中国画的观察方法和表现方式的特殊性所决定的,也是受中华民族艺术长河中的风尚和人们的欣赏眼光所影响的结果。中国画的构图论是我国民族绘画理论中的重要一页,国画的画法强调“胸有成竹”、“意在笔先”。就是说通过对物象的反复细致的观察后,经过构思,先明确表现意图,再进行构图。构思和构图是是“意”和“象”的关系,也是两者的结合过程,它们共同完成了笔墨的表现。艺术构思源自于生活中得到的灵感,在头脑中的意象经过再现、重组来进行的。构图则是扑捉意象中的闪光点并把它转移到纸面,进行形式结构的重组和形式美感的推敲而构成。当前的中国画理论研究在章法的范畴内阐述已尽完备,但是学画者却容易在理论和实践的函接过程中将两者分开对待,在这一领域理论联系实践并不能很好的应用,基于这一点,本文以图配文的形式深入简出地从三部分来分析中国画的构图在实际绘画中的应用。第一部分中国画中章法一词有历史记载的最早提出及各朝代的不断发展完善。第二部分从构图中宾主、呼应、开合、虚实、藏露、纵横六个要素及其相互关系来详解中国画的章法。第三部分从写生角度讲构图与气韵的关系,经营位置在讲究形式法则的同时需要画家胸中有丘壑,才能形神兼备。
[Abstract]:The composition of Chinese painting has its unique law. This is decided by the particularity of the observation method and expression way of Chinese painting, and it is also the result of the fashion in the long stream of Chinese art and people's appreciation vision. The composition theory of Chinese painting is an important page in Chinese national painting theory. That is to say, through the repeated and careful observation of the object image, after the conception, the intention is clearly expressed, and then the composition is carried out. The conception and composition are the relationship between meaning and image, and the process of combining them. The artistic conception originates from the inspiration of life, and the image in the mind is reconstructed and reorganized. Composition is composed of capturing the flash of image and transferring it to paper, reorganizing the formal structure and examining the aesthetic feeling of form. The current study of Chinese painting theory has been fully elaborated in the scope of the rules, but it is easy for those who study painting to treat them separately in the process of theory and practice, so it is not very good to apply the theory to practice in this field. Based on this, this paper analyzes the application of Chinese painting composition in actual painting from three parts. The first part of the Chinese painting of the word Zhang has the earliest historical records and the continuous development of each dynasty. The second part of the composition from the host, echo, open and close, virtual reality, hidden, vertical and horizontal six elements and their mutual relations to explain the Chinese painting in detail. The third part discusses the relationship between composition and charm from the perspective of sketching. The management position requires the artist to have a mound in his chest while paying attention to the rules of form, so that he can have both form and spirit.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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