从绘画材料看当今语境下漆画艺术语言的重构

发布时间：2018-07-11 17:43

本文选题：当代漆画 + 艺术语言　；参考：《华东师范大学》2013年硕士论文

【摘要】：漆画源于一门古老的艺术,有着7000多年悠久历史的漆艺。中国当代漆画,在经历几千年传统漆艺的洗礼和几十年的发展之后,以其独特而具有魅力的艺术语言成为当代画坛一个不可忽视的绘画品种,并日趋走向成熟。同时,中国当代漆画的发展受到了国内外的瞩目,且产生一定的影响。同其他画种一样,当代漆画也面临种种划时代的艺术课题,诸如传统漆艺的传承与保护,漆画材料的当代转换与横向拓展,本土与世界的接轨,创作者思想观念的转变等等。如此形势下,漆画不得不面临诸多对立与互融的问题并开始自身的思索与重构。本文首先从当代漆画的特点以及在国内外的发展现状着手分析,然后对传统漆画材料性质特点以及发展现状进行论述,分析漆画艺术语言的工艺性与绘画性两大特征,探讨漆画语言本体论,指出纯化本体语言在重构当代漆画艺术语言这一课题中起到的主导作用,最后通过对绘画材料在当代漆画中的转换与发展的具体论述,探索重构当代漆画艺术语言的可行性与现实意义。漆画要发展,只有回归其自身本体语言的研究,以纯粹艺术语言为主导,合理运用传统艺术表现手段,通过调整创作思维与创作手段,扩大漆画在当代语境下的发展空间。这意味着一种旧的审美观念及表现系统的转变,更是漆画媒材的一场划时代革命。而完成传统绘画材料在当代语境下的发展与转换,对于漆画艺术语言的重构有着决定性的作用。
[Abstract]:Lacquer painting originated from an ancient art with a long history of more than 7000 years. Chinese contemporary lacquer painting, after thousands of years of traditional lacquer art and decades of development, has become a contemporary painting, with its unique and charming artistic language, and is becoming more mature. Meanwhile, Chinese contemporary lacquer painting is becoming more and more mature. The development has attracted the attention both at home and abroad, and has a certain influence. Like other paintings, contemporary lacquer painting also faces various epoch-making art topics, such as the inheritance and protection of traditional lacquer art, the contemporary transformation and lateral expansion of lacquer painting materials, the integration of local and the world, the change of the ideas of the creators and so on. Painting has to face many problems of confrontation and integration and begin its own thinking and reconstruction.
This paper begins with the analysis of the characteristics of contemporary lacquer painting and its development at home and abroad, then discusses the characteristics and development of traditional lacquer painting materials, analyses the two characteristics of the craft and painting of lacquer painting, discusses the ontology of lacquer painting language, and points out the reconstruction of the language of Contemporary lacquer painting by the purification of the language of the noumenon. The main role of this subject is to explore the feasibility and practical significance of reconstructing the language of contemporary lacquer painting through the concrete exposition of the transformation and development of the painting materials in the contemporary lacquer painting. The lacquer painting should be developed only by returning to its own language of the body, the YISHION art language as the dominant and the rational use of the traditional art table. In this way, by adjusting creative thinking and creative means, the development space of lacquer painting in the contemporary context is expanded. This means an old aesthetic concept and the transformation of the expression system, and an epoch-making revolution of lacquer painting medium. The development and transformation of traditional painting materials in the contemporary context and the reconstruction of the lacquer painting language are restructured. It has a decisive role.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213.9

【参考文献】