从清代《持国天王》与现代《四臂观音》对比研究看唐卡艺术保护与传承

发布时间：2018-07-12 12:39

本文选题：唐卡 + 持国天王　；参考：《中国艺术研究院》2017年硕士论文

【摘要】：唐卡既是一种宗教用品也是一种艺术形式,更多的时候是作为一种宗教崇拜的法物而不是艺术品。唐卡的绘制及材料、程序和形式都有着严格的宗教意义。随着时代的变化和文化环境的变迁,唐卡在不同文化环境中有着不同的文化意义,作为艺术品和文物的唐卡同样面临着被保护和技艺传承的问题。故宫博物院收藏了2000多幅唐卡,主要是明清两代作品。这些明清唐卡一方面是明清两代中央王朝和西藏、青海、蒙古等地文化交流的结果,另一方面也体现了藏传佛教历史的变化。现代唐卡一方面体现了文化的传承,另一方面也体现了艺术的变化和文化的变迁。目前,明清两代的唐卡由于年代原因,一些唐卡出现了各种病害。本文结合故宫博物院收藏的清代《持国天王》和现代《四臂观音》两件唐卡作品,对比清代唐卡和现代唐卡的文化意义和艺术技巧,分别从图像学的角度、宗教学研究的角度、文物保护与修复的角度对这两件作品进行分析,试图以这两件作品为切入点探讨古今唐卡之间在艺术传承中共性和变化,为现代保护修复明清唐卡提供了可靠的技术路线。
[Abstract]:Thangka is not only a kind of religious articles, but also an artistic form. More often, it is a religious object of worship instead of art. The drawing, materials, procedures and forms of Thangka have strict religious significance. With the change of the times and the change of cultural environment, the Tang card has different cultural significance in different cultural environment. The Tang Ka, as art and cultural relics, also faces the problem of being protected and inherited. The the Imperial Palace Museum has more than 2000 Tang cards, mainly the two generation of Ming and Qing Dynasties. On the one hand, the Tang and Qing Dynasties are the result of the cultural exchanges between the two dynasties of Ming and Qing Dynasty and Tibet, Qinghai, Mongolia and other places. On the other hand, the Tibetan Buddhism history also embodies the Tibetan Buddhism history. The modern Thangka embodies the cultural heritage on the one hand, on the other hand, it embodies the changes of art and culture. At present, the two generations of the Tang card in the Ming and Qing Dynasties, due to the reasons of the age, some diseases of the Tang card. This article is a comparison of the Qing Dynasty collection of the Qing Dynasty in the the Imperial Palace Museum, and the modern < four arm Guanyin > two pieces of Tang card. The cultural and artistic skills of the Tang Ka and modern Thangka in the Qing Dynasty were analyzed from the angle of iconology, the angle of religious studies, the protection and restoration of cultural relics, and the two pieces of work were made to explore the inheritance and change of the art inheritance between the ancient and modern Tang cards and the restoration of the Tang card of the Ming and Qing Dynasties for the modern protection and the restoration of the Tang card for the modern protection and the Qing and Qing Dynasties. A reliable technical route is provided.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J219

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