论“陆氏童”的“神”与“韵”

发布时间：2018-07-12 15:27

本文选题：陶瓷人物画 + “陆氏童”　；参考：《景德镇陶瓷学院》2013年硕士论文

【摘要】：伴随着西方文艺思潮的涌入，中国人物画面临着巨大的挑战，同样中国陶瓷人物画也面临着巨大的挑战。在多元文化的发展中，中国人物画，特别是陶瓷人物画也存在着一些问题和困惑。诸如：主题思想混乱，，笔墨功底薄弱，艺术格调不高，艺术与市场难以平衡等现象，人物画仅作为装饰出现在陶瓷上，使得一些陶瓷人物画迷失了方向，传统中的一些精神不见了，真正能体现中国陶瓷人物画精髓的东西不见了，这是我们在很多景德镇所谓“大师”的作品中能看到的。与此同时，多元文化也促使了“百花齐放，百家争鸣”文化格局的形成，上世纪的八十年代后，文化艺术界思潮运动高潮迭起，“西学东渐”影响了新一代“学院派陶瓷艺术家”的创作之路，传统陶瓷艺术的审美精神被质疑，当人们都在思考如何变化，如何改革陶瓷人物画时，以“陆军”为代表的陶瓷艺术家就坚持以内心感受来创作人物画，完全摆脱了过去童子绘画蓝本的影响，独辟蹊径地展示了既有现代审美情趣又不失中国文化传统意味的崭新艺术形式，创作出一批批“形神兼备”又富有“个人韵味”的“陆氏童”。“陆氏童”的出现，为中国现代陶艺创作提供了一种新样式，是陶瓷人物画的一大进步，是对现代审美和中国文化内涵的理性回归，也为中国人物画的进步作出了一定贡献。当然以“童子”为题材的陶瓷绘画还有很多，如李磊颖老师创作的具有童趣，童心的陶瓷作品，以及吕金泉老师创作的婴戏青花别样红的童子形象，本文就以“陆氏童”作为童子等人物形象的陶瓷绘画为开端，论述其人物形象的“神”与“韵”。
[Abstract]:With the influx of western literary and artistic trends, Chinese figure painting is facing great challenges, as well as Chinese ceramic figure painting. In the development of multiculturalism, there are some problems and puzzles in Chinese figure painting, especially ceramic figure painting. Such as: theme confusion, weak foundation, artistic style is not high, art and market difficult to balance and other phenomena, figure painting only as decoration on ceramics, so that some ceramic figure painting lost its direction. Some of the spirit of the tradition has disappeared, and what can truly reflect the essence of the Chinese ceramic figure painting has disappeared. This is what we can see in many of Jingdezhen's so-called "masters" works. At the same time, multiculturalism has also promoted the formation of a cultural pattern of "letting a hundred flowers blossom and a hundred schools of thought contend". Since the 1980s, the ideological movement of the cultural and artistic circles has been on the rise. The new generation of "academic-school ceramic artists" has been affected by the "gradual development of Western learning", and the aesthetic spirit of traditional ceramic art has been questioned. When people are thinking about how to change and how to reform ceramic figure paintings, Ceramic artists, represented by the Army, insisted on creating figure paintings with their inner feelings, completely getting rid of the influence of the original paintings of children's paintings in the past. The new art form of modern aesthetic interest and Chinese cultural tradition is displayed in a creative way, and a batch of "Lu's children" with both "form and spirit" and "personal charm" are created. The appearance of Lu Shi-tong provides a new style for the creation of Chinese modern pottery art. It is a great progress of ceramic figure painting, a rational return to modern aesthetics and the connotation of Chinese culture, as well as a certain contribution to the progress of Chinese figure painting. Of course, there are still many ceramic paintings with the theme of "Boy Scouts", such as the ceramic works with childlike interest and childlike heart created by Miss Li Gupta Ying, and the special red image of the baby play with blue and white flowers created by teacher Lu Jinquan. This paper begins with the ceramic painting of Lu Shitong as a child image, and discusses the "God" and "rhyme" of his character image.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】