朱仙镇木版年画造型语言的二维化解析与重构
发布时间：2018-07-14 19:04
【摘要】：朱仙镇木版年画，是我国民间艺术宝库中的璀璨明珠，以其独特的造型语言魅力在中国传统年画艺术中闪耀华彩，它的重要不光是历史意蕴和民俗文化的积淀，更多的是取之不尽用之不竭的艺术资源，并且对传统造型语言研究发挥着重要作用。在时代的快速发展中，朱仙镇木版年画的造型语言也在不断创新变化，通过对造型语言的解析与重构发展出丰富多变的表现形式和种类，不仅有助于理解传统文化的传承发展，对未来也具有一定的现实意义。笔者曾多次的实地考察，搜集大量的信息、图像、视频资料，借助多角度分析，反复比较实践，通过对朱仙镇造型语言的二维化解析与重构，更深层次的认知和理解了朱仙镇木版年画独特的文化艺术内涵。 论文一共分为五个章节，，分别论述了朱仙镇木版年画的造型溯源、朱仙镇木版年画造型语言的二维化解析、朱仙镇木版年画造型语言的二维化重构以及朱仙镇木版年画造型元素的创意应用实践等内容，并结合自己的实践对朱仙镇木版年画造型语言在现代语境中的应用进行探索。本课题从民间美术造型和民间传统审美观念的角度，结合实践过程中收集的第一手宝贵资料，通过新的视角着重解析在当下朱仙镇木版年画造型语言艺术。通过这种艺术研究体现了朱仙镇木版年画这种人性化的情感表达、回归自然和返璞归真的造物原则，具有本土文化特征的审美思想和造型语言丰富了现代设计的内容。 同时，通过对朱仙镇造型语言的二维化解析与重构的深入研究和分析，挖掘其间的形式变化，寻求新的视觉语言，将其艺术元素进行现代编码，完成传统造型语言在现代设计中的传承与转换的可能性。
[Abstract]:The wooden New year Pictures of Zhu Xianzhen are the bright pearl in the treasure-house of folk art of our country. With their unique modeling language charm, they shine brilliantly in the traditional Chinese New year painting art. Its importance is not only the accumulation of historical implication and folk culture, but also the accumulation of folk culture. More is the inexhaustible artistic resources, and plays an important role in the traditional modeling language research. In the rapid development of the times, the modeling language of the wooden New year Pictures of Zhu Xianzhen is constantly innovating and changing. Through the analysis and reconstruction of the modeling language, it develops rich and changeable forms and kinds of expression, which is not only helpful to understand the inheritance and development of the traditional culture. Also has certain realistic significance to the future. The author has visited the field for many times, collected a lot of information, images, video materials, through multi-angle analysis, repeated comparison of practice, through the analysis and reconstruction of Zhu Xianzhen modeling language two-dimensional, A deeper understanding and understanding of the unique cultural and artistic connotations of Zhu Xianzhen woodcut New year paintings. The paper is divided into five chapters, respectively discussed the origin of Zhu Xianzhen woodblock New year Pictures, Zhu Xianzhen woodblock New year painting modeling language two-dimensional analysis, This paper discusses the reconstruction of the modeling language of Zhuxianzhen woodblock New year Picture and the creative application of the elements of Zhuxianzhen New year Picture, and probes into the application of Zhuxianzhen woodblock New year painting modeling language in the modern context in combination with its own practice. From the angle of folk art modeling and folk traditional aesthetic concept, combining with the first-hand valuable information collected in practice, this subject focuses on the analysis of language art of wooden New year paintings in Zhuxian Town at present through a new perspective. Through this kind of artistic research, this humanized expression of emotion, returning to nature and returning to nature, and the aesthetic thought and modeling language with native cultural characteristics have enriched the content of modern design, such as the humanized expression of emotion in the woodcut New year painting of Zhu Xianzhen, the principle of returning to nature and returning to nature. At the same time, through the in-depth study and analysis of the two-dimensional analysis and reconstruction of Zhu Xianzhen's modeling language, the author excavates the form changes between them, seeks for a new visual language, and encodes the artistic elements of the language in a modern way. The possibility of inheritance and transformation of traditional modeling language in modern design is completed.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217
本文编号：2122659
[Abstract]:The wooden New year Pictures of Zhu Xianzhen are the bright pearl in the treasure-house of folk art of our country. With their unique modeling language charm, they shine brilliantly in the traditional Chinese New year painting art. Its importance is not only the accumulation of historical implication and folk culture, but also the accumulation of folk culture. More is the inexhaustible artistic resources, and plays an important role in the traditional modeling language research. In the rapid development of the times, the modeling language of the wooden New year Pictures of Zhu Xianzhen is constantly innovating and changing. Through the analysis and reconstruction of the modeling language, it develops rich and changeable forms and kinds of expression, which is not only helpful to understand the inheritance and development of the traditional culture. Also has certain realistic significance to the future. The author has visited the field for many times, collected a lot of information, images, video materials, through multi-angle analysis, repeated comparison of practice, through the analysis and reconstruction of Zhu Xianzhen modeling language two-dimensional, A deeper understanding and understanding of the unique cultural and artistic connotations of Zhu Xianzhen woodcut New year paintings. The paper is divided into five chapters, respectively discussed the origin of Zhu Xianzhen woodblock New year Pictures, Zhu Xianzhen woodblock New year painting modeling language two-dimensional analysis, This paper discusses the reconstruction of the modeling language of Zhuxianzhen woodblock New year Picture and the creative application of the elements of Zhuxianzhen New year Picture, and probes into the application of Zhuxianzhen woodblock New year painting modeling language in the modern context in combination with its own practice. From the angle of folk art modeling and folk traditional aesthetic concept, combining with the first-hand valuable information collected in practice, this subject focuses on the analysis of language art of wooden New year paintings in Zhuxian Town at present through a new perspective. Through this kind of artistic research, this humanized expression of emotion, returning to nature and returning to nature, and the aesthetic thought and modeling language with native cultural characteristics have enriched the content of modern design, such as the humanized expression of emotion in the woodcut New year painting of Zhu Xianzhen, the principle of returning to nature and returning to nature. At the same time, through the in-depth study and analysis of the two-dimensional analysis and reconstruction of Zhu Xianzhen's modeling language, the author excavates the form changes between them, seeks for a new visual language, and encodes the artistic elements of the language in a modern way. The possibility of inheritance and transformation of traditional modeling language in modern design is completed.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217
【参考文献】
相关期刊论文 前2条
1 李雷;谈民间美术造型特征与现代构成的结合——版画创作随感[J];美术;1998年03期
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本文编号：2122659
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