栅格作品的兴起与沿用

发布时间：2018-07-17 00:46

【摘要】：本文大致分为三部分：在第一部分中，我陈述了我理解的栅格作品的由来定义与特点。栅格是从十九世纪晚期的印象派画家们接触到日本的浮世绘这种完全不同的构图开始的。他们开始有了一种平面空间的意识。在这之后塞尚把线条和形状连接起来构成画面，把绘画从模仿的思维定式中分离出来，强调了绘画元素本身在画面上的支撑作用，绘画变得更主观，由此毕加索开启了立体主义，这是栅格作品出现的直接方向。从精神方面，超现实主义涉及到了人的潜意识，绘画变得不和思维逻辑但从思想上却更“真实”，，由立体主义和超现实主义带动了抽象表现主义以劳神伯格为代表的出现，绘画成了研究平面画布的分割，因此他们合并门类出现了广为人知的拼贴艺术进而转换成了波普艺术。栅格是一种分割平面空间的艺术形式。好的栅格作品是合理的分割画面，并且由不同元素互相作用而产生高度统一的视觉效果。第二部分讲述了栅格作品在当下的应用以及在当代的发展。一些平面分割优秀的艺术家例如蒙德里安、劳申伯格、约翰斯、大卫萨利，还有一些在其他领域例如电影、装置等方面的应用。曾经为米兰昆德拉设计《笑忘书》封面的欧洲平面设计大师柯里莫夫斯基所说的：“拼贴艺术的流行，正是象征了我们这个解构与结构相互并存，相互钳制的社会”的一段话引入我理解的栅格在当下的变形的沿用。第三部分，我列举了我个人的喜好，并且在这个基础上我是怎样运用栅格的形式的。我认为它是人们传达情感的一种途径，这种途径不是古典传统的平铺直叙，从另一个层面上讲，他更接近一种更适合中国人的一种含蓄的表达，通过画面传达的信号引起人们的一些心理情感上的共鸣，我认为它是当代人的一种神奇的心理神话故事。
[Abstract]:This article is roughly divided into three parts: in the first part, I stated the definition and characteristics of the raster works I understand. The grid began from the completely different composition of the Japanese Impressionists from the late nineteenth Century to the Japanese Fushi. They began to have a sense of flat space. After that, Cezanne took lines. Connecting with the shape to form a picture, separating the painting from the imitative thinking pattern, emphasizing the supporting role of the painting element itself on the picture, the painting becomes more subjective, thus Picasso opens the Cubism, which is the direct direction of the grid works. From the essence of God, surrealism involves the subconscious of human being, drawing The painting becomes not the logic of thinking but is more "true" from the thought. The appearance of abstract expressionism and Berg as the representative of the abstract expressionism is driven by the Cubism and surrealism, and the painting becomes the segmentation of the study of the plane canvas. An art form that partitioned flat space. Good grid works are reasonable segmentation images, and interact with different elements to produce highly unified visual effects.
The second part is about the use of raster works in the present and the development of the present. Some fine graphic artists such as Mondriaan, lrah, Johns, David Sally, and some other fields such as movies, devices, etc., have been designed for the Milan Kundla for the cover of the book of laughter. Master Currie Mo J J Ki said: "the popularity of collage art is a symbol of our deconstruction and structure of the coexistence of each other, the society of each other" introduced my understanding of the grid in the current deformation of the use.
The third part, I enumerated my personal preferences, and on this basis I used the form of a grid. I think it is a way of communicating emotions. This way is not a classical tradition, and on the other hand, he is closer to an implicit expression that is more suitable for the Chinese people, through the picture. The signal conveys some psychological and emotional resonance. I think it is a magical psychological myth of contemporary people.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

【共引文献】