自然物象与油画风景视觉语言的转换性研究
发布时间：2018-07-17 15:32
【摘要】：千姿百态的大自然为艺术家提供了丰富的感知和想象空间。油画风景写生虽然是有指向性地面对自然物象,但不能忽略其中的独立表现性及本质意义。从自然物象到视觉语言的转换过程也就是艺术家以敏锐的观察力去体会自然、归纳自然和表现自然的过程,是个性化艺术语言的实验田,是艺术家的文化修养、艺术品位在作品中的熔铸与凝炼。油画风景作品呈现的不仅是审美主体内心情感的抒写,也是艺术家与自然物象之间的精神对话,是被关照的物象生命形式的体现。造型艺术中自然物象的表现从来都不是纯粹的临摹和复制,而是艺术家经由汲纳前人的视觉转换经验,并自觉地发挥主观能动性,通过熟练的技法与独特的语言表达出的对自然与人文的审美关怀。 本文以油画风景写生中自然物象与视觉语言之间的转换性为课题,结合写生实践过程中可能出现的问题,运用概念分析、作品解析以及具体实践指导等方法进行研究。文章首先分析了自然物象与绘画视觉语言各自的特点及两者的关系,从而得出：绘画视觉语言是基于自然物象而存在的,同时又是艺术家对自然物象进行体会、归纳和表现等艺术加工以后得到的超越自然的形象；其次,论述了油画风景艺术视觉语言的表达要素——画面形式因素及文化精神因素,其中画面形式因素包括取景构图、色彩结构、笔触等视觉语言转换的基本要素,而文化精神因素则是艺术家与观者心灵沟通的桥梁以及时代精神与风俗的真实写照；第三,介绍了从自然物象到视觉语言转换的方法,主要包括中西方写生精神理论的比较与借鉴,以及写生实践过程中观察方法与自我表达两方面对视觉语言转换的培养,并在此基础上进一步提出如何运用中国传统精神与油画材料二者有机结合,从而有效传达油画民族化概念；最后,根据亲身的学习和体会,总结了一些关于风景写生实践的认识以匡正之前的某些片面化理解,或可对绘画专业学子及从业者有所助益。
[Abstract]:The diverse nature provides the artist with rich space of perception and imagination. Although oil painting landscape sketches face the natural objects directionally, we can not ignore the independent expressiveness and essential significance. The process of transforming from natural images to visual languages is the process of artists experiencing nature, summarizing nature and expressing nature with keen observation, which is the experimental field of individualized artistic language and the cultural accomplishment of artists. The melting and condensing of artistic taste in works. What oil painting landscape works present is not only the expression of the inner emotion of the aesthetic subject, but also the spiritual dialogue between the artist and the natural object image, and the embodiment of the life form of the object image that has been taken care of. The expression of natural objects in plastic arts has never been pure copying and reproduction, but artists have absorbed the previous experience of visual transformation and consciously brought their subjective initiative into full play. Through skilled techniques and unique language to express the aesthetic concern for nature and humanity. In this paper, the conversion between natural objects and visual language in oil painting landscape painting is the subject, combined with the possible problems in the process of sketch practice, using the methods of concept analysis, work analysis and practical guidance. This paper first analyzes the characteristics and the relationship between the natural object image and the painting visual language, and concludes that the painting visual language exists on the basis of the natural object image, and at the same time, it is the artist's experience of the natural object image. Secondly, it discusses the expression factors of visual language of oil painting landscape art-picture form factor and cultural spirit factor, among which the picture form factor includes the picture composition, and so on artistic processing obtains the surpassing nature image; second, discusses the oil painting landscape art visual language expression factor-the picture form factor and the cultural spirit factor, Color structure, brush strokes and other basic elements of visual language transformation, while cultural spirit is the bridge between the artist and the viewer's soul, and the true portrayal of the spirit of the times and customs; third, This paper introduces the methods of transformation from natural object image to visual language, including the comparison and reference of Chinese and Western sketch spirit theory, and the cultivation of visual language transformation in the process of sketch practice from observation method and self-expression. And on this basis, further put forward how to use the traditional Chinese spirit and oil painting materials organic combination, so as to effectively convey the concept of oil painting nationalization; finally, according to personal learning and experience, This paper summarizes some views on the practice of landscape sketching in order to correct some one-sided understanding before, which may be helpful to the students and practitioners of painting major.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
本文编号：2130110
[Abstract]:The diverse nature provides the artist with rich space of perception and imagination. Although oil painting landscape sketches face the natural objects directionally, we can not ignore the independent expressiveness and essential significance. The process of transforming from natural images to visual languages is the process of artists experiencing nature, summarizing nature and expressing nature with keen observation, which is the experimental field of individualized artistic language and the cultural accomplishment of artists. The melting and condensing of artistic taste in works. What oil painting landscape works present is not only the expression of the inner emotion of the aesthetic subject, but also the spiritual dialogue between the artist and the natural object image, and the embodiment of the life form of the object image that has been taken care of. The expression of natural objects in plastic arts has never been pure copying and reproduction, but artists have absorbed the previous experience of visual transformation and consciously brought their subjective initiative into full play. Through skilled techniques and unique language to express the aesthetic concern for nature and humanity. In this paper, the conversion between natural objects and visual language in oil painting landscape painting is the subject, combined with the possible problems in the process of sketch practice, using the methods of concept analysis, work analysis and practical guidance. This paper first analyzes the characteristics and the relationship between the natural object image and the painting visual language, and concludes that the painting visual language exists on the basis of the natural object image, and at the same time, it is the artist's experience of the natural object image. Secondly, it discusses the expression factors of visual language of oil painting landscape art-picture form factor and cultural spirit factor, among which the picture form factor includes the picture composition, and so on artistic processing obtains the surpassing nature image; second, discusses the oil painting landscape art visual language expression factor-the picture form factor and the cultural spirit factor, Color structure, brush strokes and other basic elements of visual language transformation, while cultural spirit is the bridge between the artist and the viewer's soul, and the true portrayal of the spirit of the times and customs; third, This paper introduces the methods of transformation from natural object image to visual language, including the comparison and reference of Chinese and Western sketch spirit theory, and the cultivation of visual language transformation in the process of sketch practice from observation method and self-expression. And on this basis, further put forward how to use the traditional Chinese spirit and oil painting materials organic combination, so as to effectively convey the concept of oil painting nationalization; finally, according to personal learning and experience, This paper summarizes some views on the practice of landscape sketching in order to correct some one-sided understanding before, which may be helpful to the students and practitioners of painting major.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
【参考文献】
相关期刊论文 前1条
1 叶朗 ,王鲁湘;张彦远的再发现[J];美术;1987年12期
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