“葵”系列主题创作实践研究报告
发布时间：2018-07-22 20:19
【摘要】：本文前半部分以记叙的形式讲述自己望葵,画葵。首先进行实地采风,搜集有关葵的素材图片,接着自己构思绘制有关葵的创作小稿,最后对自己葵系列的绘画作品进行分析。这部分从绘画的角度以日记的方式记录了整个绘画创作的过程。本文的重点主要在文章后半部分,以《悟道》为主。如何在创作中重组和实验油画艺术语言,在本文中我以构成语言,色彩语言,造形语言和材质语言这四种绘画语言作为重点,这个点可以从具象主义到抽象主义之间巨大的跨越,在这四大绘画语言中融合变通,从而在产生多种艺术元素中创新整合,使其变为无限的可能,它可以为我们展现出一个新的极具极具发展潜力的艺术空间。无论是重组,还是实验绘画语言,都要明确的表现创作意图,准确再现表现意义的精神世界,而无论是精细的写实还是粗放的表现和无形的抽象等语言,都要满足视觉的品质要求。在当下,中国油画的发展需要一个不断渗透、递进、创新的过程,需要对中华民族历史和未来精神家园的关注,将中国绘画的精神融入在油画表现中。对绘画实践的探索是一个漫长而艰辛的过程,需要一批执着的艺术家尽心尽力,默默的探索,寻找与自己心中理念相吻合的绘画精神,展延自己所向往的视觉意象在体验中获得艺术生命存在的意义。
[Abstract]:The first half of this article is narrating in the form of narration of his own sunflower and painting sunflower. First of all, it is on the ground to collect the wind, collect the pictures of the material of the sunflower, and then draw up a small draft about the creation of the sunflower, and finally analyze the paintings of his own sunflower series. This part records the whole painting from the angle of the painting. The focus of this article is mainly in the second half of the article, mainly in the "Wu Dao", how to reorganize and experiment the language of oil painting in the creation. In this article, I focus on the four kinds of painting language, which constitute language, color language, form language and material language. This point can be a great leap from idealism to abstract, in this four In the language of great painting, the integration of changes in the creation of a variety of artistic elements makes it possible to make it infinite. It can show us a new artistic space with great potential for development. Whether it is a reorganization or the experimental painting language, it is necessary to express the creative intention and accurately reproduce the spiritual world of the expression meaning. In the present, the development of Chinese oil painting needs a continuous infiltration, progressive and innovative process, which needs the attention of the Chinese history and the future spiritual home, and the spirit of Chinese painting in the oil painting performance. The exploration of the practice of painting is a long and difficult process. It needs a group of persistent artists to try their best to find out the spirit of painting that is consistent with their own ideas, and to develop the meaning of the existence of artistic life in the experience of the visual images that they yearn for.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
本文编号：2138457
[Abstract]:The first half of this article is narrating in the form of narration of his own sunflower and painting sunflower. First of all, it is on the ground to collect the wind, collect the pictures of the material of the sunflower, and then draw up a small draft about the creation of the sunflower, and finally analyze the paintings of his own sunflower series. This part records the whole painting from the angle of the painting. The focus of this article is mainly in the second half of the article, mainly in the "Wu Dao", how to reorganize and experiment the language of oil painting in the creation. In this article, I focus on the four kinds of painting language, which constitute language, color language, form language and material language. This point can be a great leap from idealism to abstract, in this four In the language of great painting, the integration of changes in the creation of a variety of artistic elements makes it possible to make it infinite. It can show us a new artistic space with great potential for development. Whether it is a reorganization or the experimental painting language, it is necessary to express the creative intention and accurately reproduce the spiritual world of the expression meaning. In the present, the development of Chinese oil painting needs a continuous infiltration, progressive and innovative process, which needs the attention of the Chinese history and the future spiritual home, and the spirit of Chinese painting in the oil painting performance. The exploration of the practice of painting is a long and difficult process. It needs a group of persistent artists to try their best to find out the spirit of painting that is consistent with their own ideas, and to develop the meaning of the existence of artistic life in the experience of the visual images that they yearn for.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
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相关期刊论文 前5条
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