肌理在油画中的形式美与情感表现之研究

发布时间：2018-07-22 20:29

【摘要】：肌理是最重要的油画语言之一。在油画的发展史上,油画肌理的发展伴随着油画技法、艺术观念、审美意识的发展而不断发展。肌理在油画中的独特运用使得作品产生出不同的审美趣味与形式美感,古今中外,概莫能外。从伦勃朗的真实透明到梵高的热烈跳跃,从吴冠中的轻松率性到王沂东的细腻精致,从弗洛伊德的直接厚重到赵无极的飘渺空灵,都是以其独特的肌理的运用所产生趣味而达到的视觉效果,从而树立起强烈的个人风格面貌忝列世界艺术之林。在油画本土化的过程中,我们应该探索和创造属于我们自己的、既能发扬油画自身优势,又具有民族精神和个人特色的油画语言,真正创造出面貌风格独特鲜明的油画作品。本文在前三章,纵向研究了油画肌理的发展史,横向比较和探讨了国内外油画肌理的异同与特点,发掘了油画肌理语言在油画艺术内涵和油画艺术本质中的重要作用。但由于研究的最终目的是为了创作与发扬,因此第四章是整篇文章的落脚点,也是重点内容。作者通过十张自己创作的作品对油画肌理进行了全面的探索。首先是创作油画肌理的三种方法,每种方法创作了一幅作品,对这些方法进行实践,从而得出第一手的感受。接着通过对传统元素和对大师的借鉴创作了融合传统艺术精神的三幅作品,并逐一做了深入的解析。在前面创作和积累的基础上,通过综合的借鉴和个人对生活和艺术的思考,以四幅自己创作的作品为例,探索创造属于自己的符号化语言,形成属于自己的风格。最后就创作过程中的感受进行综合的剖析。所以,在最后一部分,文章探讨了油画肌理与东方文化融合的可行之路。一方面,深厚的本土文化和独树一帜的艺术形式使我们取之不尽的灵感源泉,我们要积极学习和吸收本土文化,融入到自己创作中,另一方面我们要发挥自身的能动性,不断摸索,创造属于自己的油画肌理,更好的运用油画肌理语言创作出更加有个性、有特色,反映油画艺术本质和艺术美感的作品。
[Abstract]:Texture is one of the most important oil painting language. In the history of the development of oil painting, the development of oil painting texture is accompanied by the development of oil painting techniques, artistic concepts and aesthetic consciousness. The unique application of texture in oil painting makes the works produce different aesthetic tastes and aesthetic sense of form. From Rembrandt's true transparency to Van Gogh's enthusiastic jump, from Wu Guanzhong's ease to Wang Yidong's delicacy, from Freud's direct thickness to Zhao Wuji's ethereal spirit, It is the visual effect which is produced by the use of its unique texture, and thus sets up a strong personal style to list the world art forest. In the process of localization of oil painting, we should explore and create our own oil painting language, which can not only carry forward the advantages of oil painting itself, but also have national spirit and personal characteristics, so as to truly create a unique and distinctive style of oil paintings. In the first three chapters, this paper studies the development history of oil painting texture, compares and discusses the similarities and differences of oil painting texture at home and abroad, and explores the important role of oil painting texture language in the connotation and essence of oil painting art. But because the ultimate purpose of the study is to create and carry forward, so the fourth chapter is the foothold of the whole article, but also the key content. The author explores the texture of oil painting through ten pieces of his own works. The first is the three methods of oil painting texture, each method of creating a work, to practice these methods, so as to get a first-hand feeling. Then through the traditional elements and the master to draw lessons from the creation of the traditional spirit of the three works, and one by one to do in-depth analysis. On the basis of the previous creation and accumulation, through the comprehensive reference and personal thinking on life and art, taking four works created by oneself as an example, this paper explores the creation of symbolic language belonging to oneself and forms its own style. Finally, the feelings in the process of creation are comprehensively analyzed. Therefore, in the last part, the article discusses the feasible way of oil painting texture and oriental culture fusion. On the one hand, the profound local culture and unique art form make us inexhaustible source of inspiration. We must actively study and absorb local culture and integrate it into our own creation. On the other hand, we should give play to our own initiative. Constantly groping, creating their own oil painting texture, a better use of oil painting texture language to create more personality, have characteristics, reflect the essence of oil painting and artistic aesthetic works.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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