中国园林绘画研究
发布时间：2018-07-23 08:56
【摘要】：中国传统园林艺术是世界景观艺术中最为宝贵的遗产之一,它不仅是融入诗、书、画的综合艺术,还蕴含了中国的传统文化与思想。园林不仅是隐逸思想的现实体现,也是文人士大夫们的精神幻象；而中国传统山水画所表达的也是画家归隐山林的理想。本文认为,园林绘画并非单纯为了描绘园林景致,同时也表现了园林的某些内在特征,以及文人士大夫的独立人格、价值观和审美趣味,反映了他们对隐逸文化的理解和对理想生活的追求。 本文从形式分析、情感表达和心理因素等三方面对传统园林绘画进行研究,阐述了园林题材与画家情感表达之间的关系,试图寻找园林绘画背后蕴含的意义。在当代画家在处理园林题材绘画时,应有新的认知方法和表达方式,使其具备时代印迹。
[Abstract]:Chinese traditional garden art is one of the most precious heritage in the world landscape art. It is not only a comprehensive art of poetry, book and painting, but also contains Chinese traditional culture and thought. Garden is not only the realistic embodiment of hermit thought, but also the spiritual illusion of literati and officials, and the Chinese traditional landscape painting is also the ideal of the painter to return to the mountain forest. This paper holds that landscape painting is not only for the purpose of depicting the landscape, but also shows some inherent characteristics of the garden, as well as the independent personality, values and aesthetic taste of literati and officials. It reflects their understanding of hermit culture and their pursuit of ideal life. This paper studies the traditional garden painting from the aspects of form analysis, emotional expression and psychological factors, expounds the relationship between the garden theme and the painter's emotion expression, and tries to find the meaning behind the garden painting. When contemporary painters deal with garden paintings, they should have new cognitive methods and expression methods to make them have epochal imprinting.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2138882
[Abstract]:Chinese traditional garden art is one of the most precious heritage in the world landscape art. It is not only a comprehensive art of poetry, book and painting, but also contains Chinese traditional culture and thought. Garden is not only the realistic embodiment of hermit thought, but also the spiritual illusion of literati and officials, and the Chinese traditional landscape painting is also the ideal of the painter to return to the mountain forest. This paper holds that landscape painting is not only for the purpose of depicting the landscape, but also shows some inherent characteristics of the garden, as well as the independent personality, values and aesthetic taste of literati and officials. It reflects their understanding of hermit culture and their pursuit of ideal life. This paper studies the traditional garden painting from the aspects of form analysis, emotional expression and psychological factors, expounds the relationship between the garden theme and the painter's emotion expression, and tries to find the meaning behind the garden painting. When contemporary painters deal with garden paintings, they should have new cognitive methods and expression methods to make them have epochal imprinting.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
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，本文编号：2138882
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