衡水非物质文化遗产内画艺术的产业化探究
发布时间:2018-07-24 09:08
【摘要】:我国历史悠远,文化丰富多样,漫长的历史沉淀令很多地区保留下了蕴含着深厚民族本源文化内涵的艺术与技术形式,它们无形地存在着,却产生了大量珍贵的有形产品,学术界称之为“非物质文化遗产”。2006年,衡水内画首批被列入全国非物质文化遗产名录。然而,在现代化物质文明高度同质化的大环境下,包括衡水内画在内的中国非物质文化遗产却承受着现代化、都市化进程带来的巨大压力。因此,国内掀起了保护与传承这些非物质文化遗产的浪潮。 虽然传统观念认为,传承人是非物质文化遗产的重要载体,但是在当前的社会经济大环境中,市场已经成为非物质文化遗产的最好的传播空间,所以将非物质文化遗产推向市场,实现产业化发展是保护和传承的最好途径。同时,在党中央大力发展文化产业的政策推动下,非物质文化遗产产业化也迎来了良好的市场契机,大力推动非物质文化遗产产业化发展对于转变经济发展方式,促进地方经济发展有着重要的意义。保护非物质文化遗产对保护世界文化多样性、抵制外来文化对民族国家的文化渗透、提升本国文化在国际文化竞争中的实力等方面都有负有艰巨的使命,同时更在延续人类社会方面起着不可替代的重要作用。因此,非物质文化遗产相关研究的关键则集中在如何有力、有效地对其进行保护上。尤其是非物质文化遗产可否以产业化方式保护,以及如何成功实施产业化保护等问题在理论界引起了广泛的讨论。 本论文以衡水冀派内画为例,透彻地分析了其特有的文化特征和艺术特性,将对衡水冀派内画的研究落实到实际的调查行动上,具走访,调查研究,以前,衡水的内画产业多是一家一户、一村一店的手工艺作坊,缺乏科学规划,没有规模效益。在市场经济的大潮冲击下,要将非物质文化遗产转化为文化资本,必须走产业化发展之路,实行市场运作。对于内画艺术保护与传承的途径是需要不断探索的,产业化方式是可持续发展思路下的一条可行的道路。为进一步推动以产业化的方式实现对非物质文化遗产的有效保护,并充分发挥其在利民方面的积极作用,国家文化部共评选出35项第一批国家级“非遗”项目,衡水习三内画艺术有限公司于2011年12月与北京市荣宝斋、江西省景德镇古窑瓷厂等著名传统工艺一起被列为第一批国家级非物质文化遗产生产性保护示范基地,这是国家对保护非物质文化遗产措施。以衡水冀派内画为典型案例,从对衡水内画的产业化价值入手,详细分析了衡水冀派内画的概况、产业化经营的基本状况、现有的产业化经营模式,从而深入发掘其在产业化经营与保护中在各领域中存在缺陷,剖析这些不足产生的原因,并进一步对所存在的所有问题提出有针对性的建议。本文的研究主要从以下几个方面展开: 绪论部分是对本论文的选题背景及意义文献综述、研究内容及方法、创新之处的论述;第一章的衡水内画艺术及其工艺特征,,主要对内画的发展脉络及工艺特征的分析;第二章是对衡水内画传承人及产业化现状的分析,分别对内画传承人进行了介绍,并结合内画的产业化发展现状对衡水区域经济的影响和经营模式进行了分析;第三章是对衡水内画产业化存在的不足和发展做出了全面的论述。总结出了衡水内画产业化存在的七个问题,并针对这七个问题提出了良好的产业化发展策略;结论部分是对全文进行的总结。 以上内容为本课题主要的研究内容,借此平台与同仁共同讨论,不足之处恳请指正。
[Abstract]:Our country has a long history, rich cultural diversity, long history precipitation makes many areas retain the art and technology form which contains the profound national origin culture connotation. They exist invisible, but have produced a large number of valuable tangible products. The academic circle called it "intangible cultural heritage".2006, the first batch of Hengshui interior painting was included in the whole. However, under the great environment of high homogenization of modern material civilization, the intangible cultural heritage of China, including Hengshui interior painting, bears the great pressure of modernization and urbanization. Therefore, the wave of protecting and inheriting these intangible cultural heritage has been set off in China.
Although the traditional idea holds that the inheritor is an important carrier of the intangible cultural heritage, the market has become the best space for the intangible cultural heritage in the current social and economic environment. Therefore, it is the best way to push the intangible cultural heritage to the market, and to realize the industrialization development is the best way to protect and inherit it. At the same time, the Party Central Committee is in the Central Party's Central Committee. Driven by the policy of vigorously developing cultural industry, the industrialization of intangible cultural heritage has also ushered in a good market opportunity. It is of great significance to promote the industrialization of intangible cultural heritage to change the way of economic development and promote the development of local economy. Culture has an arduous mission to the cultural penetration of the nation and the strength of the national culture in the international cultural competition. It also plays an irreplaceable role in the continuation of the human society. Therefore, the key to the research of the intangible cultural heritage is how to effectively protect it. In particular, the issue of whether intangible cultural heritage can be protected by industrialization and how to successfully implement industrial protection has been widely discussed in theoretical circles.
This paper, taking Hengshui Jizhong interior painting as an example, thoroughly analyses its unique cultural and artistic characteristics, and will carry out the study of Hengshui Ji school interior painting to the actual investigation action, with a visit and investigation. Before, the interior painting industry in Hengshui was mostly one family, one village and one shop, lack of scientific planning and no scale effect. Under the impact of the tide of market economy, it is necessary to take the road of industrialization and market operation to transform the intangible cultural heritage into cultural capital. The way to protect and inherit the art of interior painting needs to be explored continuously, and the way of industrialization is a feasible way under the thought of sustainable development. To realize the effective protection of the intangible cultural heritage and give full play to its positive role in the interests of the people, the Ministry of culture and culture selected 35 first batch of national "non remains" projects, Hengshui Xi three interior painting art Co., Ltd. in December 2011 with the Beijing City Rong Bao Zhai, Jiangxi Province Jingdezhen ancient kiln porcelain factory and other famous traditional workers Art is listed as the first batch of production protection demonstration base of national intangible cultural heritage. This is the country's measures to protect non material cultural heritage. Taking Hengshui Hebei School of painting as a typical case, starting with the industrialization value of Hengshui interior painting, this paper analyzes the general situation of Hengshui Jizhong interior painting, the basic status of industrialization management, and the existing situation. In order to explore the defects in the industrial management and protection, analyze the causes of these deficiencies, and put forward some pertinent suggestions for all the problems. The research of this paper is mainly from the following aspects:
The introduction part is the background and significance of the paper, the contents and methods, the innovation of the article; the first chapter of Hengshui interior painting art and its technological characteristics, mainly on the development of internal painting and the analysis of technological characteristics; the second chapter is the analysis of the present situation of the inheritor and industrialization of Hengshui interior painting, respectively, on the internal painting. In the third chapter, the author has made a comprehensive discussion on the deficiency and development of the industrialization of Hengshui interior painting. The third chapter summarizes the seven problems existing in the industrialization of Hengshui's interior painting, and puts forward the seven problems. A good industrial development strategy; the conclusion is a summary of the full text.
The above contents are the main research contents of this subject. We will discuss this with our colleagues.
【学位授予单位】:河北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J2-29
本文编号:2140893
[Abstract]:Our country has a long history, rich cultural diversity, long history precipitation makes many areas retain the art and technology form which contains the profound national origin culture connotation. They exist invisible, but have produced a large number of valuable tangible products. The academic circle called it "intangible cultural heritage".2006, the first batch of Hengshui interior painting was included in the whole. However, under the great environment of high homogenization of modern material civilization, the intangible cultural heritage of China, including Hengshui interior painting, bears the great pressure of modernization and urbanization. Therefore, the wave of protecting and inheriting these intangible cultural heritage has been set off in China.
Although the traditional idea holds that the inheritor is an important carrier of the intangible cultural heritage, the market has become the best space for the intangible cultural heritage in the current social and economic environment. Therefore, it is the best way to push the intangible cultural heritage to the market, and to realize the industrialization development is the best way to protect and inherit it. At the same time, the Party Central Committee is in the Central Party's Central Committee. Driven by the policy of vigorously developing cultural industry, the industrialization of intangible cultural heritage has also ushered in a good market opportunity. It is of great significance to promote the industrialization of intangible cultural heritage to change the way of economic development and promote the development of local economy. Culture has an arduous mission to the cultural penetration of the nation and the strength of the national culture in the international cultural competition. It also plays an irreplaceable role in the continuation of the human society. Therefore, the key to the research of the intangible cultural heritage is how to effectively protect it. In particular, the issue of whether intangible cultural heritage can be protected by industrialization and how to successfully implement industrial protection has been widely discussed in theoretical circles.
This paper, taking Hengshui Jizhong interior painting as an example, thoroughly analyses its unique cultural and artistic characteristics, and will carry out the study of Hengshui Ji school interior painting to the actual investigation action, with a visit and investigation. Before, the interior painting industry in Hengshui was mostly one family, one village and one shop, lack of scientific planning and no scale effect. Under the impact of the tide of market economy, it is necessary to take the road of industrialization and market operation to transform the intangible cultural heritage into cultural capital. The way to protect and inherit the art of interior painting needs to be explored continuously, and the way of industrialization is a feasible way under the thought of sustainable development. To realize the effective protection of the intangible cultural heritage and give full play to its positive role in the interests of the people, the Ministry of culture and culture selected 35 first batch of national "non remains" projects, Hengshui Xi three interior painting art Co., Ltd. in December 2011 with the Beijing City Rong Bao Zhai, Jiangxi Province Jingdezhen ancient kiln porcelain factory and other famous traditional workers Art is listed as the first batch of production protection demonstration base of national intangible cultural heritage. This is the country's measures to protect non material cultural heritage. Taking Hengshui Hebei School of painting as a typical case, starting with the industrialization value of Hengshui interior painting, this paper analyzes the general situation of Hengshui Jizhong interior painting, the basic status of industrialization management, and the existing situation. In order to explore the defects in the industrial management and protection, analyze the causes of these deficiencies, and put forward some pertinent suggestions for all the problems. The research of this paper is mainly from the following aspects:
The introduction part is the background and significance of the paper, the contents and methods, the innovation of the article; the first chapter of Hengshui interior painting art and its technological characteristics, mainly on the development of internal painting and the analysis of technological characteristics; the second chapter is the analysis of the present situation of the inheritor and industrialization of Hengshui interior painting, respectively, on the internal painting. In the third chapter, the author has made a comprehensive discussion on the deficiency and development of the industrialization of Hengshui interior painting. The third chapter summarizes the seven problems existing in the industrialization of Hengshui's interior painting, and puts forward the seven problems. A good industrial development strategy; the conclusion is a summary of the full text.
The above contents are the main research contents of this subject. We will discuss this with our colleagues.
【学位授予单位】:河北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J2-29
【参考文献】
相关期刊论文 前10条
1 龚北芳;;地域文化与文化品牌建设[J];大庆师范学院学报;2007年06期
2 宋暖;;鲁派内画产业化分析[J];东岳论丛;2011年03期
3 句艳华;;芳心留古 意斗瓶纳春秋——京派内画鼻烟壶传人姚桂新小记[J];工会博览(艺苑版);2007年08期
4 董娜;王竞;;关于衡水市内画工艺品的品牌研究[J];经营管理者;2008年13期
5 史新粉;;习三内画文化产业的产业链研究[J];大舞台;2012年12期
6 杨伯达;;鼻烟壶:烙上中国印记的西洋舶来品[J];东方收藏;2011年03期
7 李娜;王丹凤;;衡水冀派内画产业化现状与对策[J];大舞台;2013年11期
8 王丹凤;;衡水内画艺术赏析[J];短篇小说(原创版);2014年17期
9 赵薇;;产业化与艺术性矛盾中前进的冀派内画产业[J];衡水学院学报;2008年06期
10 刘晶晶;;艺术奇葩与无形资本——谈衡水内画从文化遗产向文化资本的转化[J];衡水学院学报;2008年06期
相关博士学位论文 前1条
1 赵金虎;衡水内画及内画艺人研究[D];中央民族大学;2013年
本文编号:2140893
本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2140893.html