当代工笔人物画中造型的象征性研究

发布时间：2018-07-25 13:07

【摘要】：象征自古有之,从原古时期,追溯到当下的社会,象征作为一种艺术表现手法,在中国画作品中也承上启下的发展起来了,在历史发展的每一个阶段,中国画中象征符号在内容和形式上都是各不相同的。在经济的快速发展下,人们对于物质需求的满足,对于审美的需求更多了,传统的工笔人物画相对于当代的工笔人物画显得愈加不能满足现代社会大众的审美需求,传统的工笔人物画对于精神层面的追求于当代生活现实相隔甚远,不具有满足现实精神的思想观念和内涵。在如此开放的环境下,象征性的符号形式强化了呈现时代审美特征的特质,其涵盖表现的维度更加宽广。中国当代工笔人物画中,特别是“新工笔”艺术家们“观念先行”的思维模式,使题材的广泛性,形式的多样化,材料技法的丰富性,色彩更加的大胆等多方面都有了新的突破。适应了现代大众的审美所需。在时下的文化语境下,艺术家在进行人物画创作时,对物象进行概括提炼,使其更加简练,更为理想化,将象征性涵盖其中,使画面意味更加深刻。各种观念的支配下,象征性的符号亦是不同的。具有东方色彩的中国工笔画,在当代工笔人物画的造型中,象征性的造型以不同的姿态传达出更为丰富神秘的色彩。本文通过五个章节来进行阐述,第一章为绪论,第二章主要对造型的含义,造型的观念,造型的吸收这几个方面进行论述。第三章主要是阐释工笔人物画中造型的象征性,主要从以下几个方面:象征的含义;传统工笔人物画造型的象征性特征等论述。其中论述了在中国传统工笔人物画中哪些作品是具有象征意义的,通过对传统人物画代表作品来剖析出其象征意义及其表现形式,如:《人物龙凤图》、《人物御龙图》、《T形旌幡帛画》等等。第四章主要是论述当代工笔人物画中造型的象征性审美特征及其应用。对其审美特征进行了一定的论述,以及详细地探讨了当代工笔人物画中造型的象征性有哪些,同时列举一些当代极具影响力的一些画家,如:徐累,张见,徐华翎、王仁华等。从这些作品中所具有的象征意义,可以将当代工笔人物画中造型的象征性分为:观念性象征、情感性象征、时空重构性象征和强化性象征。。第五章主要是结合自己的创作作品,来阐释象征性的表达以及象征性对自我创作的启示。通过自身作品的呈现,认识到所处时代的文化背景下,画家首先以立意为先,布置缘饰为次,静立于已有事实之外,反复思考自己的画面,偶尔需要与自己的画面保持一种距离,不断地在工笔人物画创作中应用象征性手法以满足画面外在呈现效果和内在美的需求,从而能为工笔人物画的新格局做出自己一点点贡献。本文研究的主要对象是关于造型的象征性因素在当代工笔人物画中的审美特征和象征意义。本文的主要论点是研究造型的象征性因素在工笔人物画艺术创作中显示出来的丰富的美学本质,通过恰当的运用象征性来丰富当代工笔人物画艺术创作。通过初步构想研究工笔人物画领域中的代表人物的作品,对其作品中的表现形式和表现内容进行细致的研究,融入自己的绘画创作当中。
[Abstract]:Symbolizing from ancient times, from the original ancient times, back to the present society, the symbol as a kind of artistic expression, also developed in the Chinese painting works. In each stage of the historical development, the symbols in Chinese painting are different in the content and form. In the rapid economic development, the people are to the material. The demand for the satisfaction of the aesthetic needs more, the traditional brushwork figure painting is more unable to meet the modern social people's aesthetic needs. The traditional pen figure painting is far apart from the reality of the contemporary life, and does not have the idea and connotation to meet the realistic spirit. In such an open environment, the symbolic form of symbol strengthens the characteristics of the aesthetic characteristics of the times, and its dimensions are wider. In Chinese Contemporary Meticulous figure painting, especially the "new work pen" artists' thinking mode of "conception first", the versatility of the subject matter, the diversification of the form, and the richness of the material techniques are made. A new breakthrough has been made in many aspects such as color and boldness. It is adapted to the aesthetic needs of the modern public. In the current cultural context, the artist generalizes and idealizes the image in the creation of the figure painting, making it more concise, more idealized, emblematic of it, and making the picture more profound. Under the control of various ideas, Symbolic symbols are different. Chinese painting with Oriental color, in the modeling of contemporary brushwork figure painting, the symbolic shape conveys a more rich and mysterious color with different posture. This article is expounded through five chapters. The first chapter is the introduction, the second chapter is mainly to the meaning of modeling, the concept of modeling, and the modeling. The third chapter is mainly to explain the symbolism of the styling in the figure painting, mainly from the following aspects: the meaning of the symbol, the symbolic features of the traditional figure painting, which is the symbolic meaning in the Chinese traditional brushwork figure painting, through the traditional people. Painting representative works to analyze its symbolic meaning and its form of expression, such as: "figure dragon and Phoenix Map >", "character Royal Dragon Map >, " and so on. The fourth chapter mainly discusses the symbolic aesthetic characteristics and its application of contemporary style painting in the figure painting. The aesthetic features are discussed, and the contemporary works are discussed in detail. What are the symbolic features of the figure painting, and enumerates some contemporary highly influential painters, such as Xu, Zhang, Xu Hualing, Wang Renhua and so on. From the symbolic meanings of these works, the symbolism of the styling in the contemporary works can be divided into the symbolism of the conceptual, the emotional, the symbol and strengthening of the time and space reconstruction. The fifth chapter mainly combines his own creative works to explain the symbolic expression and the inspiration of the symbolic self creation. Through the presentation of his own works and the understanding of the cultural background of the times, the painter first takes the idea as the first, the arrangement of the fate as the first, the static in the existing facts, and the repeated reflection of his own picture. I need to keep a distance from the picture of his own, and constantly apply the symbolic technique in the creation of the figure painting to meet the external rendering effect and the internal beauty of the picture, so that it can make a little contribution to the new pattern of the figure painting. The main argument of this article is to study the rich aesthetic essence of the symbolic elements in the artistic creation of the figure painting, and to enrich the artistic creation of the Contemporary Meticulous figure painting through the proper use of symbolism. The works of characters are meticulously studied in the form and content of their works, integrating into their own paintings.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【引证文献】

中国期刊全文数据库 前1条

1 卜维芳;;探析当代工笔人物画的多元发展[J];美与时代(中);2018年01期

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本文编号：2143915

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