时尚题材水墨人物画的唯美表现
发布时间：2018-07-25 17:08
【摘要】：中国绘画艺术同中华文明一样源远流长，最早的艺术形式有岩画、陶绘、漆画、帛画、壁画等，到隋唐五代时期，形成了人物、山水、花鸟三大类。虽然，人物画出现最早，但水墨人物画的历史相对来说比较短。20世纪以来中国画发生很大变化，在借古开今与中西方文化融合的两大创新追求推动下，出现了前所未有多样化的新风格，独立于当代艺术之中。随着时代的发展，中国水墨人物画的绘画语言正逐步完善并呈现出多元化的发展趋向。 每个画家都有独特的个性，呈现出来的绘画作品，显示出程度不一的时代特征。当代水墨画家很好的发挥笔墨特有的灵性，融合丰富多样的绘画语言，不仅拓展了创作的题材，而且也创新了绘画艺术语言，当代水墨人物画呈现出多元融合共同发展的面貌，在新时期中国水墨人物画的探索中有深刻意义。时尚作为一种与现代社会相伴而生的现象,是当时社会政治、经济和文化发展状况的缩影，是人们对审美追求和价值取向的生动表达，是短暂、迅速消逝并具有强大社会影响力的一种变化形式,是一个时代和一个社会中的趣味最直接明确的表达。时尚精神很大程度上是一种娱乐的。传统水墨画所缺少或不具备的时尚生活这种题材水墨画的表现，水墨人物画题材向时尚拓展是时代的必然。 虽然由西方文化艺术提出美学这一概念，但并不等于东方没有美，，只是东方的美不直接称为“美”，因为这不是东方主流所关注的，就像诗写得好不好，美不美，不是同一个标准，而是以思想、情境、内心放在第一位。 传统写意人物画最开始的题材样式比较单一，以仕女、道释、高士人物画为主。现当代社会是多元融合，包罗万象的时代，绘画的题材趋于多元化，丰富多彩的现实生活为进行人物画创作提供了丰富而广阔的题材空间，现实生活是孕育灵感和激情的沃土，由此来表现现当代现实生活的时代气息和现代感。打破传统绘画语言方式，用水墨淋漓尽致地来表现当代生活中的时尚女性，更能透露出时尚的意蕴。在探究传统时尚题材绘画与现当代时尚题材绘画的同时结合自己的实践创作，来深入追究当代的意义。
[Abstract]:The art of Chinese painting has a long history with Chinese civilization. The earliest art forms include rock painting, pottery painting, lacquer painting, silk painting, mural painting and so on. By the Sui, Tang and five dynasties, there were three kinds of people, mountains and rivers, flowers and birds. Although figure painting is the earliest, the history of Chinese figure painting is relatively short. Since the 20th century, great changes have taken place in Chinese painting, driven by the two innovative pursuits of combining ancient and modern Chinese and Western cultures. The emergence of unprecedented diversity of new styles, independent of contemporary art. With the development of the times, the painting language of Chinese ink figure painting is gradually improving and showing a diversified development trend. Each painter has a unique personality, showing paintings, showing varying degrees of characteristics of the times. Contemporary ink and wash painters play well the unique spirituality of pen and ink, integrate rich and diverse painting languages, not only expand the subject matter of creation, but also innovate the artistic language of painting. Contemporary ink painting shows the appearance of pluralistic fusion and common development. In the new period of Chinese ink figure painting exploration has profound significance. Fashion, as a phenomenon concomitant with modern society, is a microcosm of the political, economic and cultural development of the society at that time. It is also a vivid expression of people's aesthetic pursuit and value orientation. A form of change rapidly disappearing and having strong social influence is the most direct and explicit expression of interest in an era and a society. The spirit of fashion is largely entertaining. The traditional ink painting lacks or does not have the fashion life this kind of theme ink painting performance, the ink figure painting theme expands to the fashion is the times inevitable. Although the concept of aesthetics is put forward by western culture and art, it does not mean that there is no beauty in the east, but that the beauty of the east is not directly called "beauty", because this is not what the mainstream of the East is concerned about, just like whether a poem is written well or not, whether it is beautiful or not. It is not the same standard, but the thought, the situation, the heart put first. Traditional freehand figure painting at the beginning of the subject style is relatively single, to women, Taoism, Gao Shi figure painting. In modern and contemporary society, the subjects of painting tend to be diversified, and the rich and colorful realistic life provides rich and broad subject space for the creation of figure painting. The real life is the fertile ground for inspiration and passion. From this to show the contemporary reality of the atmosphere of the times and modern sense. Break the traditional painting language way, with the ink to express the fashion women in contemporary life, more can reveal the meaning of fashion. While exploring traditional painting and contemporary painting, combined with their own practical creation, to investigate the significance of contemporary.
【学位授予单位】：中南民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2144478
[Abstract]:The art of Chinese painting has a long history with Chinese civilization. The earliest art forms include rock painting, pottery painting, lacquer painting, silk painting, mural painting and so on. By the Sui, Tang and five dynasties, there were three kinds of people, mountains and rivers, flowers and birds. Although figure painting is the earliest, the history of Chinese figure painting is relatively short. Since the 20th century, great changes have taken place in Chinese painting, driven by the two innovative pursuits of combining ancient and modern Chinese and Western cultures. The emergence of unprecedented diversity of new styles, independent of contemporary art. With the development of the times, the painting language of Chinese ink figure painting is gradually improving and showing a diversified development trend. Each painter has a unique personality, showing paintings, showing varying degrees of characteristics of the times. Contemporary ink and wash painters play well the unique spirituality of pen and ink, integrate rich and diverse painting languages, not only expand the subject matter of creation, but also innovate the artistic language of painting. Contemporary ink painting shows the appearance of pluralistic fusion and common development. In the new period of Chinese ink figure painting exploration has profound significance. Fashion, as a phenomenon concomitant with modern society, is a microcosm of the political, economic and cultural development of the society at that time. It is also a vivid expression of people's aesthetic pursuit and value orientation. A form of change rapidly disappearing and having strong social influence is the most direct and explicit expression of interest in an era and a society. The spirit of fashion is largely entertaining. The traditional ink painting lacks or does not have the fashion life this kind of theme ink painting performance, the ink figure painting theme expands to the fashion is the times inevitable. Although the concept of aesthetics is put forward by western culture and art, it does not mean that there is no beauty in the east, but that the beauty of the east is not directly called "beauty", because this is not what the mainstream of the East is concerned about, just like whether a poem is written well or not, whether it is beautiful or not. It is not the same standard, but the thought, the situation, the heart put first. Traditional freehand figure painting at the beginning of the subject style is relatively single, to women, Taoism, Gao Shi figure painting. In modern and contemporary society, the subjects of painting tend to be diversified, and the rich and colorful realistic life provides rich and broad subject space for the creation of figure painting. The real life is the fertile ground for inspiration and passion. From this to show the contemporary reality of the atmosphere of the times and modern sense. Break the traditional painting language way, with the ink to express the fashion women in contemporary life, more can reveal the meaning of fashion. While exploring traditional painting and contemporary painting, combined with their own practical creation, to investigate the significance of contemporary.
【学位授予单位】：中南民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
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本文编号：2144478
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