张杰风景油画的空间形态研究
发布时间：2018-07-27 13:18
【摘要】：近现代西方风景油画已形成了借景抒情的表现性特质,中国风景油画也是在不断汲取西方绘画艺术养分的过程中逐渐成长起来的,中国艺术家在学习借鉴西方风景油画的同时也不断地进行着自身绘画创作上的突破和创新。中国画作为根植于中国本土的一种艺术样式,在其演绎发展的历程中,自然会对本土艺术家产生文化影响,他们将中国绘画与西方油画结合渐进转换自成风格。尽管绘画表现形式来源于西方油画,但是作品中的空间构图形式和文化审美却承袭了中国传统绘画精神。因而在中国风景油画的建构中所形成独特的空间形态、空间构成因素也促成了不同于西方风景油画的表现形式。张杰对自然山水有着天然的亲切感,在他的作品中处处充溢着真挚的“自然主义”情怀。他在进行风景油画创作时不断地思考和创新自己的绘画语言,凭借自身敏锐的观察力,将湖光山色进行主观转化和提炼,用他独特的空间形态架构和东方化的意象表达来描绘他心目中的山水,使得他的风景油画作品中透着浓浓的东方抒情意味。张杰塑造的风景油画的空间形态,主观地带着中国传统文化艺术的印记,却又有别于过去的传统山水画,他打破传统构图进行画面重构,又将西方油画的形式与中国画的挥洒笔意及文人情趣融合在一起,绘制出大气磅礴的山水画境,营造出一个气韵灵动的氛围,呈现出一个潇洒自在的精神境界。张杰运用独特的绘画语言将自己的精神性注入到风景油画中去,在引起观者精神共鸣的同时也产生了一定的艺术价值。本文通过对张杰风景油画形式风格的解读,阐述分析其空间形态形成原因、建构方式及其特点,用一种崭新的视角,深入探索当代中国风景油画创作的另一种可能,使其呈现出一种不同于以往风景油画的写意性表达;通过对张杰风景油画作品中审美情趣的研究,进而挖掘艺术家所要表达的更深层次的精神内涵。文章以张杰风景油画的空间形态为研究对象,分四个部分展开论述:第一章,从张杰风景油画创作路径分析谈起,并对他早期油画的特点和之后风景油画的转向进行详细的论述;第二章,逐层研究张杰风景油画空间形态的演变与形成,从他风景油画空间形态演变的成因分析、空间形态的“变”与“不变”及空间形态的独特架构这三个方面进行剖析,挖掘他画面中的精神性和其空间形态构建的可变性;第三章,着重分析张杰风景油画中空间形态的表现形式,包括他风景油画空间形态的建构方式和重构方法,对他利用打破焦点透视的重构语言的多义性有一个详尽系统的了解;第四章,张杰风景油画空间形态重构的价值与启示,通过对其作品中艺术价值和精神内涵的研究,探索其风景油画空间形态的重构对今后我们创作的启示作用。
[Abstract]:The modern western landscape oil painting has formed the expressive characteristic of using the scenery lyricism, the Chinese landscape oil painting is also gradually growing up in the process of absorbing the western painting art nourishment. While learning from western landscape paintings, Chinese artists are constantly making breakthroughs and innovations in their own painting creation. Chinese painting as an art style rooted in the Chinese native, in the course of its interpretation and development, naturally will have a cultural impact on local artists, they will combine Chinese painting and Western oil painting into a gradual transformation of their own style. Although the form of expression of painting comes from western oil painting, the form of space composition and the aesthetic of culture in the works inherit the spirit of Chinese traditional painting. Therefore, in the construction of Chinese landscape oil painting, the formation of a unique space form, space composition factors also contributed to the different form of expression of western landscape oil painting. Zhang Jie has a natural affinity for natural landscapes, and his works are filled with sincere feelings of naturalism. He constantly pondered and innovated his painting language while he was creating landscape oil paintings. With his keen observation, he transformed and refined the landscape of lakes and mountains subjectively. Using his unique spatial structure and the image expression of Orientalization to describe the landscape in his mind makes his landscape oil paintings have a strong oriental lyric meaning. The spatial form of landscape oil painting created by Zhang Jie is subjective with the imprint of Chinese traditional culture and art, but it is different from the traditional landscape painting in the past. He breaks the traditional composition and reconstructs the picture. The form of western oil painting and the style of Chinese painting and literati interest are combined together to draw out the magnificent landscape painting environment, to create a lively atmosphere, showing a natural and free spiritual realm. Zhang Jie uses the unique painting language to inject his spirit into the landscape oil painting, which not only arouses the spiritual resonance of the viewer, but also produces certain artistic value. Based on the interpretation of the formal style of Zhang Jie landscape oil painting, this paper expounds and analyzes the reasons for the formation of its spatial form, the way of its construction and its characteristics, and probes into another possibility of contemporary Chinese landscape oil painting creation with a new angle of view. Make it present a kind of freehand brushwork expression which is different from the previous landscape oil painting; through the research of the aesthetic taste in Zhang Jie landscape oil painting works, then excavate the deeper spiritual connotation that the artist wants to express. This paper takes the spatial form of Zhang Jie landscape oil painting as the research object, and discusses it in four parts: the first chapter, from the Zhang Jie landscape oil painting creation path analysis, The characteristics of his early oil painting and the turn of landscape oil painting were discussed in detail. The second chapter studied the evolution and formation of Zhang Jie landscape oil painting space form layer by layer, and analyzed the causes of the evolution of his landscape oil painting space form. The "change" and "invariance" of the spatial form and the unique structure of the spatial form are analyzed in order to explore the spirituality in his picture and the variability of the construction of his spatial form. The paper mainly analyzes the expression form of spatial form in Zhang Jie landscape oil painting, including the construction mode and reconstruction method of space form of his landscape oil painting, and has a detailed and systematic understanding of the polysemy of his reconstruction language which breaks the focus perspective. The value and inspiration of the reconstruction of Zhang Jie landscape oil painting space form, through the study of the artistic value and spiritual connotation in his works, to explore its landscape oil painting space form reconstruction for the future inspiration to our creation.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
本文编号：2147963
[Abstract]:The modern western landscape oil painting has formed the expressive characteristic of using the scenery lyricism, the Chinese landscape oil painting is also gradually growing up in the process of absorbing the western painting art nourishment. While learning from western landscape paintings, Chinese artists are constantly making breakthroughs and innovations in their own painting creation. Chinese painting as an art style rooted in the Chinese native, in the course of its interpretation and development, naturally will have a cultural impact on local artists, they will combine Chinese painting and Western oil painting into a gradual transformation of their own style. Although the form of expression of painting comes from western oil painting, the form of space composition and the aesthetic of culture in the works inherit the spirit of Chinese traditional painting. Therefore, in the construction of Chinese landscape oil painting, the formation of a unique space form, space composition factors also contributed to the different form of expression of western landscape oil painting. Zhang Jie has a natural affinity for natural landscapes, and his works are filled with sincere feelings of naturalism. He constantly pondered and innovated his painting language while he was creating landscape oil paintings. With his keen observation, he transformed and refined the landscape of lakes and mountains subjectively. Using his unique spatial structure and the image expression of Orientalization to describe the landscape in his mind makes his landscape oil paintings have a strong oriental lyric meaning. The spatial form of landscape oil painting created by Zhang Jie is subjective with the imprint of Chinese traditional culture and art, but it is different from the traditional landscape painting in the past. He breaks the traditional composition and reconstructs the picture. The form of western oil painting and the style of Chinese painting and literati interest are combined together to draw out the magnificent landscape painting environment, to create a lively atmosphere, showing a natural and free spiritual realm. Zhang Jie uses the unique painting language to inject his spirit into the landscape oil painting, which not only arouses the spiritual resonance of the viewer, but also produces certain artistic value. Based on the interpretation of the formal style of Zhang Jie landscape oil painting, this paper expounds and analyzes the reasons for the formation of its spatial form, the way of its construction and its characteristics, and probes into another possibility of contemporary Chinese landscape oil painting creation with a new angle of view. Make it present a kind of freehand brushwork expression which is different from the previous landscape oil painting; through the research of the aesthetic taste in Zhang Jie landscape oil painting works, then excavate the deeper spiritual connotation that the artist wants to express. This paper takes the spatial form of Zhang Jie landscape oil painting as the research object, and discusses it in four parts: the first chapter, from the Zhang Jie landscape oil painting creation path analysis, The characteristics of his early oil painting and the turn of landscape oil painting were discussed in detail. The second chapter studied the evolution and formation of Zhang Jie landscape oil painting space form layer by layer, and analyzed the causes of the evolution of his landscape oil painting space form. The "change" and "invariance" of the spatial form and the unique structure of the spatial form are analyzed in order to explore the spirituality in his picture and the variability of the construction of his spatial form. The paper mainly analyzes the expression form of spatial form in Zhang Jie landscape oil painting, including the construction mode and reconstruction method of space form of his landscape oil painting, and has a detailed and systematic understanding of the polysemy of his reconstruction language which breaks the focus perspective. The value and inspiration of the reconstruction of Zhang Jie landscape oil painting space form, through the study of the artistic value and spiritual connotation in his works, to explore its landscape oil painting space form reconstruction for the future inspiration to our creation.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
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