传统山水画中的古代建筑形态研究
发布时间：2018-07-27 20:59
【摘要】：纵观历史,由于中国文化和建筑材料的特殊性,中国古代建筑及与之相适应的建筑环境不断发生更迭、变化和改造,导致我们对古代建筑的认识和研究缺少实物和与之相应的环境的实证存在。而大量的中国古代传统山水画所具有的相当的写实性,完整的绘出了建筑形态及其与环境的关系,这成为我们研究古代建筑重要的文本资料,具有图像研究意义。论文目的是通过一种图像视觉方式,重返历史现场,基于传统山水画中的建筑图像,研究古代建筑的形态及其和传统山水画相似的创作生成方式。用传统山水画的艺术视角,以传统山水画中的建筑图像为研究对象,分析传统山水画中建筑形态构成规律、方法及深层的文化意义。全文研究基本分为三个核心层面：第一层面的目标是在传统山水画与建筑共同的文化美学思想背景下,探究传统山水画与建筑共同的精神诉求,研究其平行交替生成与演进的关系。中国古代建筑如同中国传统山水画是成熟的审美哲学的产物。在其共同的文化属性下,解读古代建筑的审美与周围环境及自然的关系。第二个层面是通过主体创作认知结构,通过画理、画论分析中国山水画与古代建筑在共同的文化内核下相似的创作方法。从图像视觉理论维度解析传统山水画与古代建筑共同的创作理念,进而研究古代建筑的创作方法。第三层面的研究是将传统山水画中的建筑形象作为研究文本,进行文献式的梳理,从图像视觉角度研究建筑的形态,探索古代建筑模件化构成,及当时的生活场景和生命模式,溯源中国人居环境文化,从建筑设计和营造人居环境等诸多方面进行拓展性研究。基于古代艺术认知理念研究建筑、人和自然环境的关系,以及其对应的设计逻辑顺序,研究在山水画文本下的和模件下的建筑形式和存在的状态。以艺术学视角,对具有建筑形象的山水画进行收集和梳理,采用建筑艺术学、建筑历史学、建筑文化学等多学科融合的方法,运用图像学、模件理论、参数化等研究理论和工具,对古代建筑与传统山水画展开跨学科交叉式研究,通过对历代典型的具有建筑形象的传统山水画中的建筑,进行建筑类型和环境的分析,提出以图像视觉艺术认知途径,研究传统山水画美学概念下的中国古代建筑,以山水画为认知媒介引发思维范式的转换,寻找新的创新性研究方式,进而提出对古代建筑研究的新思路,为未来的古代建筑形态研究的发展提供了重要参考和理论基础。
[Abstract]:Throughout history, due to the particularity of Chinese culture and building materials, ancient Chinese architecture and its corresponding architectural environment have been constantly changed, changed and transformed. As a result, our understanding and research on ancient architecture is lack of physical objects and corresponding environment. And a large number of ancient Chinese traditional landscape painting has a considerable realism, the complete drawing of the architectural form and its relationship with the environment, which has become an important text of our study of ancient architecture, with image research significance. The purpose of this paper is to return to the historical scene through an image visual method, and based on the architectural images of traditional landscape painting, to study the form of ancient architecture and its creation and generation similar to traditional landscape painting. From the artistic perspective of traditional landscape painting and taking the architectural image of traditional landscape painting as the research object, this paper analyzes the law, method and deep cultural significance of architectural form in traditional landscape painting. The thesis is divided into three core levels: the first level aims at exploring the common spiritual demands of traditional landscape painting and architecture under the background of the common cultural aesthetics of traditional landscape painting and architecture. The relationship between the parallel alternation generation and evolution is studied. Chinese ancient architecture, like Chinese traditional landscape painting, is the product of mature aesthetic philosophy. Under its common cultural attribute, it interprets the relationship between the aesthetics of ancient architecture and its surrounding environment and nature. The second level is to analyze the similar creative methods of Chinese landscape painting and ancient architecture under the common cultural core through the cognitive structure of the subject creation, the drawing theory and the painting theory. This paper analyzes the common creative ideas of traditional landscape painting and ancient architecture from the perspective of image vision theory, and then studies the creative methods of ancient architecture. The third level of research is to take the architectural image in the traditional landscape painting as the research text, to sort out the literature, to study the form of the architecture from the perspective of image vision, to explore the composition of the ancient architectural module, and to explore the life scene and life mode at that time. Traceback to Chinese human settlements culture, from the architectural design and construction of human settlements, and many other aspects of the development of research. Based on the concept of ancient art cognition, this paper studies the relationship between architecture, human and natural environment, and the corresponding design logic sequence, and studies the architectural forms and existing states under the text of landscape painting and modules. From the perspective of art, the landscape painting with architectural image is collected and combed. The methods of multi-disciplinary fusion, such as architectural art, architectural history and architectural culturology, are adopted, and the theory of graphics and modules is used. Parameterized research theories and tools to carry out cross-disciplinary research on ancient architecture and traditional landscape painting, through the analysis of the architectural types and environment of the traditional landscape painting with architectural image of the past dynasties. This paper puts forward the way of image visual art cognition to study the ancient Chinese architecture under the traditional landscape painting aesthetic concept, and takes landscape painting as the cognitive medium to initiate the transformation of thinking paradigm, and to find a new innovative research method. Furthermore, the paper puts forward a new way of thinking about the study of ancient architecture, which provides an important reference and theoretical basis for the development of the study of ancient architectural form in the future.
【学位授予单位】：大连理工大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J212;TU-092
，
本文编号：2149119
[Abstract]:Throughout history, due to the particularity of Chinese culture and building materials, ancient Chinese architecture and its corresponding architectural environment have been constantly changed, changed and transformed. As a result, our understanding and research on ancient architecture is lack of physical objects and corresponding environment. And a large number of ancient Chinese traditional landscape painting has a considerable realism, the complete drawing of the architectural form and its relationship with the environment, which has become an important text of our study of ancient architecture, with image research significance. The purpose of this paper is to return to the historical scene through an image visual method, and based on the architectural images of traditional landscape painting, to study the form of ancient architecture and its creation and generation similar to traditional landscape painting. From the artistic perspective of traditional landscape painting and taking the architectural image of traditional landscape painting as the research object, this paper analyzes the law, method and deep cultural significance of architectural form in traditional landscape painting. The thesis is divided into three core levels: the first level aims at exploring the common spiritual demands of traditional landscape painting and architecture under the background of the common cultural aesthetics of traditional landscape painting and architecture. The relationship between the parallel alternation generation and evolution is studied. Chinese ancient architecture, like Chinese traditional landscape painting, is the product of mature aesthetic philosophy. Under its common cultural attribute, it interprets the relationship between the aesthetics of ancient architecture and its surrounding environment and nature. The second level is to analyze the similar creative methods of Chinese landscape painting and ancient architecture under the common cultural core through the cognitive structure of the subject creation, the drawing theory and the painting theory. This paper analyzes the common creative ideas of traditional landscape painting and ancient architecture from the perspective of image vision theory, and then studies the creative methods of ancient architecture. The third level of research is to take the architectural image in the traditional landscape painting as the research text, to sort out the literature, to study the form of the architecture from the perspective of image vision, to explore the composition of the ancient architectural module, and to explore the life scene and life mode at that time. Traceback to Chinese human settlements culture, from the architectural design and construction of human settlements, and many other aspects of the development of research. Based on the concept of ancient art cognition, this paper studies the relationship between architecture, human and natural environment, and the corresponding design logic sequence, and studies the architectural forms and existing states under the text of landscape painting and modules. From the perspective of art, the landscape painting with architectural image is collected and combed. The methods of multi-disciplinary fusion, such as architectural art, architectural history and architectural culturology, are adopted, and the theory of graphics and modules is used. Parameterized research theories and tools to carry out cross-disciplinary research on ancient architecture and traditional landscape painting, through the analysis of the architectural types and environment of the traditional landscape painting with architectural image of the past dynasties. This paper puts forward the way of image visual art cognition to study the ancient Chinese architecture under the traditional landscape painting aesthetic concept, and takes landscape painting as the cognitive medium to initiate the transformation of thinking paradigm, and to find a new innovative research method. Furthermore, the paper puts forward a new way of thinking about the study of ancient architecture, which provides an important reference and theoretical basis for the development of the study of ancient architectural form in the future.
【学位授予单位】：大连理工大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J212;TU-092
，
本文编号：2149119
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