京剧视觉元素在油画创作表现形式上的探索
发布时间：2018-07-28 10:58
【摘要】：京剧与油画，是两种截然不同的艺术形式，但二者的共通性和独特性却可以架起一座艺术融合的桥梁。西方油画是一门空间造型艺术，而京剧是一门超时空表演的综合性艺术，他们在时间和空间的某些艺术观念上有着异曲同工的相似性和特殊性。用油画来表现京剧艺术，通过色彩、形式、线条的诠释，可以较大程度的再现或升华京剧舞台表演带给观众的视觉享受。 京剧艺术的视觉元素主要包括人物的服饰、化妆，舞台道具等方面，在油画创作中，通过对京剧视觉元素在不同表现形式上的研究探索，，深度剖析京剧艺术的审美特征和油画语言的表现力。通过京剧的视觉元素与立体主义表现方式的“混搭”，做到对传统形象与时空的颠覆，把不同视角的物象分割打破，再重构画面新秩序，深度研究绘画的表现形式、造型美原则和时空观念的语言转换问题；受抽象表现主义的影响，探究京剧艺术中的抽象元素，以及人物造型和色彩形式语言的“抽象化”处理运用。 作为研究探索的成果，最终是以油画作品的形式呈现给观众，通过对代表作品的深度解读，分析画面内容和形式方面的长与短、优与劣，给大众以直观的审美评价。某些作品在画面结构、语言表达等方面的不足之处，更待进一步的学习探究。
[Abstract]:Peking Opera and oil painting are two distinct artistic forms, but their commonality and uniqueness can build a bridge of art fusion. Western oil painting is a kind of spatial plastic arts, while Peking Opera is a comprehensive art of transcending time and space performance. They have similarities and particularities in some artistic concepts of time and space. Using oil painting to express the art of Beijing Opera, through the interpretation of color, form, line, can reproduce or sublimate the visual enjoyment of the audience. The visual elements of Beijing Opera art mainly include costumes, makeup, stage props and so on. In oil painting, the visual elements of Peking Opera are studied in different forms of expression. Deeply analyze the aesthetic characteristics of Beijing Opera art and the expressive power of oil painting language. Through the combination of the visual elements of Beijing Opera and the expression of cubism, we can subvert the traditional image and space-time, break the segmentation of objects from different angles of view, reconstruct the new order of the picture, and deeply study the forms of expression of painting. Under the influence of abstract expressionism, this paper probes into the abstract elements in the art of Peking Opera and the treatment and application of the abstract language of characters' modeling and color form. As the result of research and exploration, it presents to the audience in the form of oil painting, through the deep interpretation of the representative works, analyzes the long and short, good and bad of the picture content and form, and gives the masses an intuitive aesthetic evaluation. Some works in the picture structure, language expression and other aspects of deficiencies, but also further study.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2149894
[Abstract]:Peking Opera and oil painting are two distinct artistic forms, but their commonality and uniqueness can build a bridge of art fusion. Western oil painting is a kind of spatial plastic arts, while Peking Opera is a comprehensive art of transcending time and space performance. They have similarities and particularities in some artistic concepts of time and space. Using oil painting to express the art of Beijing Opera, through the interpretation of color, form, line, can reproduce or sublimate the visual enjoyment of the audience. The visual elements of Beijing Opera art mainly include costumes, makeup, stage props and so on. In oil painting, the visual elements of Peking Opera are studied in different forms of expression. Deeply analyze the aesthetic characteristics of Beijing Opera art and the expressive power of oil painting language. Through the combination of the visual elements of Beijing Opera and the expression of cubism, we can subvert the traditional image and space-time, break the segmentation of objects from different angles of view, reconstruct the new order of the picture, and deeply study the forms of expression of painting. Under the influence of abstract expressionism, this paper probes into the abstract elements in the art of Peking Opera and the treatment and application of the abstract language of characters' modeling and color form. As the result of research and exploration, it presents to the audience in the form of oil painting, through the deep interpretation of the representative works, analyzes the long and short, good and bad of the picture content and form, and gives the masses an intuitive aesthetic evaluation. Some works in the picture structure, language expression and other aspects of deficiencies, but also further study.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
【参考文献】
相关期刊论文 前3条
1 赵振凤;;美哉京剧服装——浅探京剧服装色彩及图案的艺术特点[J];青年文学家;2009年07期
2 罗鹰;;论京剧道具、舞台装置的艺术特色[J];群文天地;2011年10期
3 肖华;戏中有画 画中有戏——同源而异派的中国戏曲与中国绘画美学思想比较初论[J];艺术百家;2005年01期
相关硕士学位论文 前1条
1 林曦;试论当代油画创作中戏剧性效果的营造[D];福建师范大学;2008年
本文编号：2149894
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2149894.html
