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论后印象主义绘画对当代中国油画风景创作的影响

发布时间:2018-08-02 12:17
【摘要】:在本文中,我的研究过程是这样的:以第一章作为绪论,综合了选题、背景和研究意义。在选题背景当中,我简要分析了在现代绘画产生以前的绘画史和绘画流派发展的进程,再从初学绘画的角度纵观绘画的演变和发展。又在从古至今的发展变化中总结出当代绘画发展的必然性,为我的研究做一个深厚的铺垫。这样才能为研究意义列出广泛的课题。正如文中提到在后印象主义产生之前,国外和国内的绘画发展状态,以及在后印象主义影响后世之后,我国当代绘画的现状。既然有影响,那么都在哪些方面、哪种观念和哪种程度上有影响呢?也因此本文涉及到第一个重点章节——研究意义。当代中国油画风景创作呈现出复杂多样的画风。分析这种现状也是难上加难,这其中就关系到本国绘画发展的特殊性。我们没有来得及跟上世界美术发展的脚步,却要突然面对五花八门的艺术流派。展现在我们面前的是我们不熟悉、不了解,有时却要盲目反对、盲目吸收的未知事物。当代中国的现代艺术由于没有深厚的根基和丰满的羽翼,造成伤痕累累的发展现状,却也能在其中看到展露头脚的新生力量。研究后印象主义对当代中国油画风景创作的影响,才能明确未来艺术发展的方向。我在文中列出了一系列的研究内容和方法为继续行文做了基本的研究指导,在前四个章节中逐个研究和分析,并不断的列出论点、论据,严谨认真地论证自己所提出的论点。综合所有在本文出现的论段,在最后的第五章给出总的结论,使读者能够跟随我的引导穿起整篇文章,共同探讨结论。在第二章中,着重探讨后印象主义绘画与中国油画风景创作的关系。主要论述其定义、产生和发展,并列举其中几位著名画家及代表作的意义。简要论述其绘画理念和情感表达的方式。结合中国油画的发展以及现状,阐述二者之间的关系成为本章要点。综合以上论述为本文最重要的章节。第三章打好理论基础,在第三章提出本文最重要的论题——后印象主义绘画对当代中国油画风景创作的影响。在哪些方面和因素上有影响?影响到什么?成为主要论点汇聚的章节。在此我用举实例论证的方法详细阐述本文的中心论题,美术史的发展为我提供了充足的论据,在此不一一举证。读者和各位导师能在文中逐个鉴阅。另外,对当代中国油画风景创作的影响也是显而易见的。我将在文中着重论述这种影响所留有的绘画印迹和受到影响之后的启示和变化。在第四章和第五章中,综述和总结本文的论点、论题成为重点任务,结合自身在学习期间的体会,提出个人的绘画发展方向,并顺应中西合璧的时代大潮。最终希望油画风景能够进入民众心间。
[Abstract]:In this paper, my research process is as follows: the first chapter as an introduction, comprehensive topics, background and research significance. In the background, I briefly analyze the history of painting and the development of painting schools before the emergence of modern painting, and then look at the evolution and development of painting from the perspective of beginner painting. From ancient to present, the author sums up the inevitability of the development of contemporary painting, and makes a deep foundation for my research. In this way, a wide range of topics can be listed for the significance of the research. Just as mentioned in the article before the emergence of post-impressionism, foreign and domestic painting development, and after the post-Impressionism influence of later generations, the status quo of contemporary painting in China. If so, in what ways, to what extent and to what extent? Therefore, this paper involves the first key chapter-the significance of research. Contemporary Chinese oil painting landscape creation presents complex and diverse painting style. Analysis of this situation is even more difficult, which is related to the particularity of the development of national painting. We do not have time to keep up with the pace of the development of art in the world, but suddenly face a wide range of art schools. In front of us are unknown things that we do not know, understand, and sometimes blindly oppose and absorb. The modern art of contemporary China has no deep foundation and full wings, resulting in a scarred development situation, but it can also see the new strength of showing its head and feet. Only by studying the influence of post-impressionism on contemporary Chinese oil painting landscape creation can we make clear the direction of art development in the future. In this paper, I have listed a series of research contents and methods for the continuation of the basic research guidance, in the first four chapters one by one study and analysis, and continue to list arguments, rigorous and serious argument. By synthesizing all the paragraphs that appear in this paper, a general conclusion is given in the last chapter, so that the reader can follow my guidance and get through the whole article and discuss the conclusion together. In the second chapter, the relationship between post-impressionism painting and Chinese oil painting landscape creation is discussed. It mainly discusses its definition, emergence and development, and enumerates the significance of several famous painters and their representative works. This paper briefly discusses its painting idea and the way of expression of emotion. Combined with the development and current situation of Chinese oil painting, the relationship between the two becomes the main point of this chapter. Synthesizing above exposition is the most important chapter of this article. The third chapter lays a good theoretical foundation, in the third chapter puts forward the most important topic of this paper-post-Impressionism painting on contemporary Chinese oil painting landscape creation. In what ways and factors? Affect what? A chapter where the main arguments converge. Here I use the method of case study to elaborate the central topic of this paper, the development of art history provides me with sufficient arguments, not one of the proof here. Readers and mentors can read one by one in this article. In addition, the impact on contemporary Chinese oil painting landscape creation is also obvious. In this paper, I will focus on the impact of the left prints and the impact of enlightenment and change. In the fourth and fifth chapters, it summarizes and summarizes the arguments of this paper, the topic becomes the key task, combined with their own experience during the study period, put forward the direction of personal painting development, and conform to the trend of the times of the combination of Chinese and Western. Finally, I hope the oil painting scenery can enter the hearts of the people.
【学位授予单位】:吉林大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213

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