聊城张秋木版年画研究
发布时间：2018-08-02 12:27
【摘要】：聊城张秋木版年画特点鲜明、色彩独到、刻工认真、种类繁多、自成发展系统，它既是一种百姓日常生活中喜闻乐见的艺术形式，又具有一定的艺术价值，因而文史专家曾把它和天津杨柳青、苏州桃花坞、开封朱仙镇合称为明清全国四大木版年画基地。也是与东昌葫芦雕刻、剪纸、泥塑、东昌毛笔等齐名的聊城地区民间工艺美术代表。2006年被列为聊城市第一批市级非物质文化遗产保护名录，同年被列为山东省第一批省级非物质文化遗产保护名录，2008年被国务院列为第二批国家级非物质文化遗产名录。 张秋木版年画自元代由山西晋南传入山东阳谷县张秋镇，至今已有600余年历史，尤其到明清时期，年画发展高度繁荣。当时张秋镇的画店一年印画达两千八百多令纸，，数量极为可观；并且张秋镇的画店历来只坐庄卖画，阴历八月底开始印画，十一月初挂牌子出售，一冬来此镇购画商贩达数千人，年画除销往本省西部和泰安、济南等地外，还远销山西、河南、河北、东北等地。从中可以看出张秋木版年画影响之广泛及当时群众欢迎的程度。 保护利用、发展传承非物质文化遗产是继承和发扬民族优秀文化传统，繁荣社会主义先进文化，构建文化艺术多样化的需要，是一项刻不容缓的历史任务。但是，迄今，对张秋木版年画研究没有系统展开。随着现代化、城市化、信息化的迅速发展和外来文化的交融侵蚀，人们的生活方式、行为方式、思维方式尤其是艺术鉴赏、审美方式都在发生着变化；也由于有关职能部门认识不到位，保护意识欠缺，保护经费紧缺；同时，由于现代社会中人们普遍追求利益的最大化，民间艺人传承乏人，造成包括张秋木版年画在内的一些非物质文化遗产面临着失传的危险境地。 该课题通过对张秋木版年画的探究，基本理清张秋木版年画的起源与发展、种类与数量、分布状况与传承脉络、生存与保护现状，以期待能够引起政府和社会对该民间艺术发展和传承足够重视，使这项古老的民间艺术在保护的基础上进行创新和改革，吸收现代艺术元素、利用现代材料，创造出既有传统，又符合现代人审美趣味的年画，使其永葆青春的活力。
[Abstract]:Liaocheng Zhangqiu woodblock New year painting is characterized by its distinctive features, unique color, earnest engraving, various types and self-developed system. It is not only a popular art form in the daily life of the people, but also has certain artistic value. As a result, literature and history experts and Tianjin Yangliuqing, Suzhou Taohuawu, Kaifeng Zhu Xianzhen as the Ming and Qing Dynasty four large woodcut New year base. Also known as Dongchang gourd carving, paper-cutting, clay sculpture, Dongchang brush, etc. Liaocheng folk arts and crafts representatives. 2006 was listed as Liaocheng the first batch of municipal intangible cultural heritage protection list, In the same year, it was listed as the first batch of provincial intangible cultural heritage protection list in Shandong Province, and in 2008 it was listed as the second batch of national intangible cultural heritage list by the State Council. Zhangqiu wooden New year Pictures were introduced into Zhangqiu Town, Yanggu County, Shandong Province from the Yuan Dynasty to the south of Shanxi Province. It has a history of more than 600 years, especially in the Ming and Qing dynasties, the development of the New year Pictures is highly prosperous. At that time, the shop in Zhangqiu had printed more than 2800 liters of paper a year, a considerable amount of paper. Moreover, the shop in Zhangqiu had always been selling paintings only in a village. The lunar calendar began to print at the end of August. In early November, signs were put up for sale. Over the past winter, thousands of people have bought and sold paintings in this town. In addition to selling New year's paintings to the western part of the province and to Tai'an and Jinan, they are also exported to Shanxi, Henan, Hebei, Northeast and other places. From this we can see the influence of Zhang Qiu woodblock New year paintings and the popularity of the people at that time. To protect and utilize, develop and inherit the intangible cultural heritage is the need to inherit and carry forward the excellent cultural tradition of the nation, prosper the advanced socialist culture, and construct the diversity of culture and art, which is an urgent historical task. However, so far, there is no systematic research on Zhangqiu woodcut New year Pictures. With the rapid development of modernization, urbanization, information technology and the combination and erosion of foreign culture, people's way of life, behavior, thinking, especially art appreciation and aesthetic style are all changing. Also due to the lack of understanding of the relevant functional departments, the lack of protection awareness, and the shortage of protection funds; at the same time, due to the widespread pursuit of the maximization of interests in modern society, folk artists are lacking in inheritance. Some intangible cultural heritages, including Zhang Qiu's wooden New year paintings, are in danger of being lost. Through the exploration of Zhangqiu woodplate New year Pictures, this topic basically clarifies the origin and development of Zhangqiu woodplate New year Pictures, the species and quantity, the distribution and the inheritance, the survival and the protection of the present situation. In the expectation that the development and inheritance of this folk art will be given sufficient attention by the Government and society, so that this ancient folk art can be innovated and reformed on the basis of protection, absorbing elements of modern art, utilizing modern materials and creating existing traditions, The New year Pictures, which accord with the aesthetic taste of modern people, keep their vitality forever.
【学位授予单位】：聊城大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.3
本文编号：2159436
[Abstract]:Liaocheng Zhangqiu woodblock New year painting is characterized by its distinctive features, unique color, earnest engraving, various types and self-developed system. It is not only a popular art form in the daily life of the people, but also has certain artistic value. As a result, literature and history experts and Tianjin Yangliuqing, Suzhou Taohuawu, Kaifeng Zhu Xianzhen as the Ming and Qing Dynasty four large woodcut New year base. Also known as Dongchang gourd carving, paper-cutting, clay sculpture, Dongchang brush, etc. Liaocheng folk arts and crafts representatives. 2006 was listed as Liaocheng the first batch of municipal intangible cultural heritage protection list, In the same year, it was listed as the first batch of provincial intangible cultural heritage protection list in Shandong Province, and in 2008 it was listed as the second batch of national intangible cultural heritage list by the State Council. Zhangqiu wooden New year Pictures were introduced into Zhangqiu Town, Yanggu County, Shandong Province from the Yuan Dynasty to the south of Shanxi Province. It has a history of more than 600 years, especially in the Ming and Qing dynasties, the development of the New year Pictures is highly prosperous. At that time, the shop in Zhangqiu had printed more than 2800 liters of paper a year, a considerable amount of paper. Moreover, the shop in Zhangqiu had always been selling paintings only in a village. The lunar calendar began to print at the end of August. In early November, signs were put up for sale. Over the past winter, thousands of people have bought and sold paintings in this town. In addition to selling New year's paintings to the western part of the province and to Tai'an and Jinan, they are also exported to Shanxi, Henan, Hebei, Northeast and other places. From this we can see the influence of Zhang Qiu woodblock New year paintings and the popularity of the people at that time. To protect and utilize, develop and inherit the intangible cultural heritage is the need to inherit and carry forward the excellent cultural tradition of the nation, prosper the advanced socialist culture, and construct the diversity of culture and art, which is an urgent historical task. However, so far, there is no systematic research on Zhangqiu woodcut New year Pictures. With the rapid development of modernization, urbanization, information technology and the combination and erosion of foreign culture, people's way of life, behavior, thinking, especially art appreciation and aesthetic style are all changing. Also due to the lack of understanding of the relevant functional departments, the lack of protection awareness, and the shortage of protection funds; at the same time, due to the widespread pursuit of the maximization of interests in modern society, folk artists are lacking in inheritance. Some intangible cultural heritages, including Zhang Qiu's wooden New year paintings, are in danger of being lost. Through the exploration of Zhangqiu woodplate New year Pictures, this topic basically clarifies the origin and development of Zhangqiu woodplate New year Pictures, the species and quantity, the distribution and the inheritance, the survival and the protection of the present situation. In the expectation that the development and inheritance of this folk art will be given sufficient attention by the Government and society, so that this ancient folk art can be innovated and reformed on the basis of protection, absorbing elements of modern art, utilizing modern materials and creating existing traditions, The New year Pictures, which accord with the aesthetic taste of modern people, keep their vitality forever.
【学位授予单位】：聊城大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.3
【参考文献】
相关期刊论文 前2条
1 谢昌一;;素朴豪迈的张秋木版年画[J];中国文化遗产;2011年01期
2 薄松年;兴衰存亡中的年画艺术[J];美术观察;2005年02期
本文编号：2159436
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