中国当代基督徒艺术家的绘画艺术解读
发布时间：2018-08-03 06:45
【摘要】：艺术与宗教的关系一直都是艺术史论和艺术理论中的一个重要的研究领域。站在科学的角度看艺术史,其部分内容反映了社会、政治、经济、宗教、文化和战争史,重要的是：它反映了人类的历史——视觉认知的历史,还反映了人类用自我创造的视觉形式和符号对人类视觉认知过程的描述。这些艺术家们带给大众的不仅仅是图像,而且还带给大家一个透过其艺术作品之外的东西——一种全新的态度来审视人生、审视社会和审视人类对主观世界和客观世界认知的价值定义和思考。 当下的艺术早已从宗教中解放出来,成为了人类文明发展的重要推动力之一。中国当代艺术需要灵性的维度。从哲学层面上的思考,人作为自然物的存在是十分有限的,必然要面临生与死的问题。人是“属灵的”存在,只有人类才有思想,只有人类才会赋予人生种种实现终极性的价值和意义根据,寻求解决生与死之间的矛盾和冲突。 基督教作为世界的三大宗教之一,《圣经》中的许多故事深深地吸引了一代又一代的艺术家。而且不同时代的艺术家在描绘其内容和故事的时候,往往会参杂进去大量的自我想象以及那个时代人们生活的许多场景以及对事物的看法。通过这部分作品,我们又可以从另一个角度看到人类社会发展的视觉化历史。随着历史的发展,随着人类文明社会的进步,人们的思想意识也在不断地发展与进步。 对于艺术作品本身,信仰者与非信仰者的感观是截然不同的。信仰是人们对人生观、价值观和世界观等的选择和持有。也可以说,精神的需求,终极价值的关怀的确是可以激发起艺术家无尽的思索,并成为其创作的源泉。信仰和终极关怀始终是息息相关的。不论抱有怎样的信仰,人们总是希望能通过这样的信仰为自己带来幸福和平安,摆脱客观世界中的迷惑和疑问,在有限的生命中去实现更多的价值。艺术家往往选择或利用某个主题来表达自己对于这个问题的思索和观点,对于信仰的思索和表达从古至今神之石未来,都将会是艺术家们创作永恒的灵感来源。 单纯从画面角度来说,观者越来越多的将注意力转移到画家的生活背景以及创作初衷和理念。对基督信徒绘画而言,如何以视觉的方式传达、体现其信仰是最为关键的。本文中,将对这些绘画形式语言、画面的感染力以及圣艺术作品中一些常见的符号等方面进行详细的解读。 社会对于基督信徒的定位众说纷纭,比如个人化、神秘主义、超验主义等等评论,这些都是值得思考和探讨的话题。 绪言部分将“基督信仰”与“基督文化”的本质不同做以区别,以及探讨了二者之间相互的内在联系。本文以具有基督信仰的国内艺术家的信仰生活以及创作作品为背景,对中国当代基督绘画进行深入探讨,阐释了中国基督教信仰在当代艺术存在的原因、表现的具体对象、存在范围及其存在的意义。 第一部分区别基督信仰与基督文化、教义、宗教的区别； 第二部分结合信仰背景重点分析信徒画家的艺术创作的表现形式及绘画语言的解读； 第三部分阐述信仰对艺术家的价值观构建的深远意义； 结语部分纵览全文,鉴于社会的各种批判,上述分析的基础之上提出笔者的观点。
[Abstract]:The relationship between art and religion has always been an important field of research in the history of art and the theory of art. From a scientific point of view, the history of art reflects the social, political, economic, religious, cultural and war history. It is important to reflect the history of human history, the history of visual cognition, and the human self. The visual forms and symbols are created to describe the process of human visual cognition. These artists bring not only images to the public, but also a new attitude to examine life, examine society and examine the value of human cognition to the subjective world and the objective world. Define and think.
The present art has been liberated from religion and became one of the important driving forces for the development of human civilization. Chinese contemporary art needs spiritual dimension. From the philosophical level, the existence of man as a natural thing is very limited. It must face the problem of life and death. Man is a "spiritual" existence, only human beings have ideas, Only human beings can endow life with all kinds of ultimate values and meanings, and seek to solve the contradictions and conflicts between life and death.
As one of the three major religions of the world, Christianity has attracted many generations of artists in the Bible. And when artists of different times describe their contents and stories, they often join in a lot of self imagination and many scenes and views on things that people live in that time. After this part of the work, we can also see the visual history of human social development from another angle. With the development of history, with the progress of human civilization, people's ideological consciousness is developing and progressing continuously.
For the works of art itself, the perception of the believers and the non believers is completely different. Faith is the choice and possession of people's outlook on life, values and world views. It can also be said that the need for spirit and the care of the ultimate value can inspire the endless thinking of the artist and become the source of his creation. Faith and ultimate concern begin. No matter what faith it is, people always hope to bring happiness and peace to themselves through this belief, get rid of the confusion and doubt in the objective world, and realize more value in the limited life. Thinking and expressing the future of God's stone from ancient times to the present will be an eternal source of inspiration for artists.
From the view of the picture, more and more attention is transferred to the painter's life background and the original intention and idea of the painter. For Christ's paintings, it is the most critical of how to convey his beliefs in a visual way. In this article, the language of the painting, the appeal of the picture and one of the works of the holy art are in this article. Some common symbols are explained in detail.
There are different opinions about the position of Christians in society, such as personalization, mysticism, Transcendentalism and so on. These are all topics worth thinking and discussing.
The preface makes a distinction between the essence of the "Christian belief" and the "Christian culture", and discusses the internal relations between the two. This article, based on the belief life and creative works of the domestic artists of the Christian faith, explores the contemporary Chinese Christian painting and explains the Christian faith in China. The reasons for the existence of contemporary art, the specific objects, the scope of existence and the significance of existence.
The first part distinguishes the differences between Christian faith and Christian culture, doctrines and religions.
The second part, combined with the belief background, focuses on the analysis of the art forms and language interpretation of the artists.
The third part expounds the profound significance of belief in the construction of artists' values.
The conclusion is a summary of the full text. Based on the various criticisms of the society, I put forward the author's view on the basis of the above analysis.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2160872
[Abstract]:The relationship between art and religion has always been an important field of research in the history of art and the theory of art. From a scientific point of view, the history of art reflects the social, political, economic, religious, cultural and war history. It is important to reflect the history of human history, the history of visual cognition, and the human self. The visual forms and symbols are created to describe the process of human visual cognition. These artists bring not only images to the public, but also a new attitude to examine life, examine society and examine the value of human cognition to the subjective world and the objective world. Define and think.
The present art has been liberated from religion and became one of the important driving forces for the development of human civilization. Chinese contemporary art needs spiritual dimension. From the philosophical level, the existence of man as a natural thing is very limited. It must face the problem of life and death. Man is a "spiritual" existence, only human beings have ideas, Only human beings can endow life with all kinds of ultimate values and meanings, and seek to solve the contradictions and conflicts between life and death.
As one of the three major religions of the world, Christianity has attracted many generations of artists in the Bible. And when artists of different times describe their contents and stories, they often join in a lot of self imagination and many scenes and views on things that people live in that time. After this part of the work, we can also see the visual history of human social development from another angle. With the development of history, with the progress of human civilization, people's ideological consciousness is developing and progressing continuously.
For the works of art itself, the perception of the believers and the non believers is completely different. Faith is the choice and possession of people's outlook on life, values and world views. It can also be said that the need for spirit and the care of the ultimate value can inspire the endless thinking of the artist and become the source of his creation. Faith and ultimate concern begin. No matter what faith it is, people always hope to bring happiness and peace to themselves through this belief, get rid of the confusion and doubt in the objective world, and realize more value in the limited life. Thinking and expressing the future of God's stone from ancient times to the present will be an eternal source of inspiration for artists.
From the view of the picture, more and more attention is transferred to the painter's life background and the original intention and idea of the painter. For Christ's paintings, it is the most critical of how to convey his beliefs in a visual way. In this article, the language of the painting, the appeal of the picture and one of the works of the holy art are in this article. Some common symbols are explained in detail.
There are different opinions about the position of Christians in society, such as personalization, mysticism, Transcendentalism and so on. These are all topics worth thinking and discussing.
The preface makes a distinction between the essence of the "Christian belief" and the "Christian culture", and discusses the internal relations between the two. This article, based on the belief life and creative works of the domestic artists of the Christian faith, explores the contemporary Chinese Christian painting and explains the Christian faith in China. The reasons for the existence of contemporary art, the specific objects, the scope of existence and the significance of existence.
The first part distinguishes the differences between Christian faith and Christian culture, doctrines and religions.
The second part, combined with the belief background, focuses on the analysis of the art forms and language interpretation of the artists.
The third part expounds the profound significance of belief in the construction of artists' values.
The conclusion is a summary of the full text. Based on the various criticisms of the society, I put forward the author's view on the basis of the above analysis.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
【参考文献】
相关期刊论文 前1条
1 王蓓;;偶像、圣像与形象——论基督教审美立场的转变[J];西北师大学报(社会科学版);2011年05期
，本文编号：2160872
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