古代绘画中的蒙古人形象研究
发布时间：2018-08-03 07:16
【摘要】：绘画是文化的载体,研究民族文化是民族地区美术史学的发展趋势。我国北方蒙古族文化艺术是中华民族文化和中国艺术的重要组成部分,在历史上具有重要的作用。本课题以古代绘画中的蒙古人形象为依托,借助图像学研究理论,分析了北方少数民族绘画中存在的问题,并探索了中华民族美术史特定时期的特殊性,通过对蒙古族文化艺术进行追踪、溯源,适当结合现代绘画理论进行评析实践,以求达到丰富北方民族地域文化艺术史史学资料的目的。蒙古人以其独特的草原文化和游牧民族的生活和思维方式影响了世界史长达两个世纪,在此期间产生了很多灿烂的文化和艺术作品。十四世纪的蒙古人作为草原文化和游牧文化的代表,将其推广到了阿拉伯地区乃至欧洲,对所触之地都有影响。虽然对于蒙古人所带来的影响各界都有自己的观点和看法,但是其带来的影响是不能否认的。这种影响不只存在于政治和经济方面,政治局势和经济能力可以左右社会发展,而统治者的意识形态与思维方式决定了社会的艺术取向。这一点在绘画作品中很具体的体现了出来。蒙古人形象在不同空间、不同领域乃至不同国家都有出现,他们之间又有区别又有共同点,并且有浓重的蒙古人形象特点。本文重点研究了影响绘画作品中所出现人物成分的因素,及其对蒙古人形象的处理等,并且以蒙古族的身份对不同的视角和多领域绘画作品进行了研究与分析,探讨了如何把握绘画作品中的蒙古人形象,希望能够为今后中国北方少数民族美术史与理论研究提供相关资料素材,成为后续研究的参考。
[Abstract]:Painting is the carrier of culture, the study of ethnic culture is the development trend of art history in ethnic regions. Mongolian culture and art in northern China is an important part of Chinese culture and art, which plays an important role in history. Based on the image of the Mongols in ancient painting and with the help of the theory of image science, this paper analyzes the problems existing in the painting of the northern minority nationalities, and probes into the particularity of the specific period in the history of Chinese art. By tracing and tracing the Mongolian culture and art, properly combining the modern painting theory with the analysis and practice, the purpose of enriching the historical materials of the northern ethnic regional culture and art history is achieved. Mongolians influenced world history for two centuries with their unique grassland culture and nomadic way of life and thinking, during which many splendid cultural and artistic works were produced. As a representative of grassland culture and nomadic culture, Mongolians in the 14th century extended it to the Arab region and even Europe, which had an influence on the lands touched. Although the influence of the Mongols has its own views and views, but its impact can not be denied. This kind of influence not only exists in politics and economy, political situation and economic ability can control the social development, and the ideology and thinking mode of the ruler decide the artistic orientation of the society. This point in the painting is very specific. Mongolian images appear in different spaces, in different fields and even in different countries. There are differences and similarities between them, and they have strong Mongolian image characteristics. This paper focuses on the factors that affect the composition of the characters in the painting works, and how to deal with the images of the Mongolians, and studies and analyzes the various perspectives and fields of painting works in the identity of the Mongolians. This paper probes into how to grasp the image of Mongols in painting works, hoping to provide relevant materials for the future research on the history and theory of ethnic minority art in northern China, and to become the reference for further research.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2161009
[Abstract]:Painting is the carrier of culture, the study of ethnic culture is the development trend of art history in ethnic regions. Mongolian culture and art in northern China is an important part of Chinese culture and art, which plays an important role in history. Based on the image of the Mongols in ancient painting and with the help of the theory of image science, this paper analyzes the problems existing in the painting of the northern minority nationalities, and probes into the particularity of the specific period in the history of Chinese art. By tracing and tracing the Mongolian culture and art, properly combining the modern painting theory with the analysis and practice, the purpose of enriching the historical materials of the northern ethnic regional culture and art history is achieved. Mongolians influenced world history for two centuries with their unique grassland culture and nomadic way of life and thinking, during which many splendid cultural and artistic works were produced. As a representative of grassland culture and nomadic culture, Mongolians in the 14th century extended it to the Arab region and even Europe, which had an influence on the lands touched. Although the influence of the Mongols has its own views and views, but its impact can not be denied. This kind of influence not only exists in politics and economy, political situation and economic ability can control the social development, and the ideology and thinking mode of the ruler decide the artistic orientation of the society. This point in the painting is very specific. Mongolian images appear in different spaces, in different fields and even in different countries. There are differences and similarities between them, and they have strong Mongolian image characteristics. This paper focuses on the factors that affect the composition of the characters in the painting works, and how to deal with the images of the Mongolians, and studies and analyzes the various perspectives and fields of painting works in the identity of the Mongolians. This paper probes into how to grasp the image of Mongols in painting works, hoping to provide relevant materials for the future research on the history and theory of ethnic minority art in northern China, and to become the reference for further research.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
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，本文编号：2161009
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