中国画中“线”在现代陶瓷中的运用

发布时间：2018-08-05 15:59

【摘要】：力轻则浮,力重则钝,疾运则滑,徐运则滞,偏用则薄,正用则板,曲行如云,直行如尺……中国画将线韵当做自己的生命,通过提按等各种方法,把各种类型的对比因素非常有机地纳入到笔墨当中来。不仅反映出各种物象外观面貌与质感的差异,还能表现出人物的各种神态,折射出作者的情感、心理与喜好的同时,却又非常单纯地刻画物象的纹理与轮廓;另一方面,抽象的线并非没有目的,其中蕴含着深远的意味,不仅用来表形,而且还用来达意。在线条的方面存在着一致的审美标准。线条创作过程中的毛笔非常重要,通过线条来反映物象的过程中,常常运用其各种类型的用笔模式能够反映出创作者的特点以及情感,达到传达作品神韵的作用。中国画中的线在陶瓷艺术中的运用,使我们看到,保留和传承并不等同于一味因袭,无论文人画者将传统描绘的怎样好,其仅仅体现着古代,能够对它的造型、写意思想等进行借鉴,如果单纯死板地抄袭它的样式,充其量也就反映了文化发展的落后性。艺术表现无法完全脱离生活而存在,其实质上需要体现一定的社会生活。因此在面对新社会浪潮的挑战之外,不能忽略的是,各种新思维、新意识的出现也会对陶艺及线条的发展创新带来新体验、新感悟和新认知。由此来说,系统地从中国画线条的发生发展、陶艺的发生发展去深入研究、推动陶艺的不断发展,丰富和拓展线条的表现力,使其独特的艺术魅力更好地表现当下陶瓷艺术,表达民族特有的风格样式,就显得尤为地有意义。
[Abstract]:Light force is floating, force weight is blunt, rapid transport is slippery, Xu Yun is hysteresis, partial use is thin, is using plate, curved as clouds, straight such as ruler. Chinese painting regards line rhyme as its own life. It not only reflects the differences in appearance and texture of various images, but also shows the various looks of the characters, reflects the feelings, psychology and preferences of the author, but also depicts the texture and contours of the images very simply; on the other hand, Abstract lines are not without purpose, they contain profound implications, not only for appearance, but also for meaning. There is a consistent aesthetic standard in the online bar. The writing brush is very important in the process of line creation. In the process of reflecting the object image by the line, it is often used to reflect the characteristics and emotion of the creator by using its various types of pen patterns, so as to convey the charm of the work. The use of lines in Chinese painting in ceramic art makes us see that retention and inheritance are not the same as inheritance, no matter how good the literati portray the tradition, it just reflects the ancient times and can shape it. The freehand brushwork thought and so on carries on the reference, if simply inflexibly plagiarizes its style, at best also reflected the cultural development backwardness. Artistic expression can not exist completely from life, and it needs to embody certain social life in essence. Therefore, in the face of the challenges of the new social wave, it can not be ignored that the emergence of various new thinking and new consciousness will also bring new experience, new perception and new cognition to the development and innovation of ceramic art and line. From this point of view, from the occurrence and development of the lines of Chinese painting and the occurrence and development of ceramic art, we will study deeply, promote the continuous development of ceramic art, enrich and expand the expressive power of the lines, and make its unique artistic charm better express the present ceramic art. It is particularly meaningful to express the unique style of the nation.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J527;J212

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