故事漫画的魅力及中国故事漫画的潜力研究
发布时间：2018-08-07 20:25
【摘要】：论文主要通过研究中国故事类漫画及其它国家优秀的故事漫画作品所呈现的风格特征及影响它们发展的内在和外在因素,希望可以总结出经验,使用合适的故事漫画语言并融入本土的风格,有选择的借鉴,将中国故事漫画的个性魅力发扬。论文中故事漫画这个词是依据一些传统分类方法和当今一些漫画网站的分类方式做出的归纳,更能体现漫画在讲述故事方面所具有的丰富特征和吸引力。从对美国和日本两个国家故事漫画的特征分析得出,两者所呈现的种种差异丰要是受民族文化影响,比如东西文化在价值观方面的不同会体现在漫画中,在表达上美国的超级英雄漫画更直接,而日本漫画会婉转一些,这些都是通过画面的布局转换和环境的渲染以及对人物性格的塑造来呈现的,而且不同的线条拥有不同的情绪,主要依情境而定。这些联系决定了如果我们单纯的模仿只能永远流于表面,在一些日本漫画所塑造的人物中,那些性格特征鲜明的形象很受人们的喜爱,而这些特征往往带有受民族文化长久熏染的印记,或多或少蕴含一些民族性格与情趣,并不是凭空捏造的,如果为了讨人欢迎而描绘一个类似的人物,就显得不够生动了。所以想要突破,就要做真实的自己,少去模仿。除了这些文化差异给故事漫画带来的风格迥异的魅力,故事漫画还可以体现创作者意图并反映时代风貌,作者个性对其作品的品质与创新有重要影响,这种个性为故事漫画多样性的发展提供了动力。接下来论文中对故事漫画的发展进行思考并提出建议。通过对比与创作实践来理解故事类漫画创作的手法,拥有东方文化土壤的中国的故事漫画更多的借鉴了日式漫画的风格,这种融合有其自然的原因,也需要发掘自身的特色,我们除了学习对方优秀的一面,也同样应该学习其借鉴其它文化而在创新中发扬自身文化的经验。最后论文通过对影响中国漫画发展的内在和外在因素的分析来了解中国故事漫画发展现状：中国原创漫画网站于21世纪初期开始增多,互联网使漫画流通更加便利但也造成了漫画市场鱼龙混杂,而且画风以日式风格为主。漫画创作群体相对分散,时代需要我们创作出个性的漫画,通过欣赏优秀中国传统连环画的艺术语言,来体味我们自己文化的魅力并为当代故事漫画创作找到借鉴之处,比如对中国传统绘画方式的传承,从文学作品中寻找灵感,还有丰富的表现方式以及民俗内容等,而且传统连环画中所拥有的民族审美观与价值观念,也应当提醒到我们应当分清是非黑白,艺术追求真、善、美,这是一道准则。由此可见我国的故事漫画拥有丰厚的资源作为探索道路的动力。优秀的故事漫画作品除了它讲故事的形式,更能打动人的是故事的内容,需要两者仂、力。当代中国涌现了不少优秀故事类漫画作者,他们中有不少是致力于创作属于自己风格作品的人,不管走哪种道路,不要忘记忠实于内心与生活,才有可能赋予故事漫画生命力。
[Abstract]:By studying the style features and the internal and external factors that affect the development of the Chinese story cartoons and other country's excellent story comic works, the paper hopes to sum up experience, use the appropriate story comic language and integrate into the local style, and have the choice of reference, and the personality charm of the Chinese story comics. The word "story comic" in this paper is based on some traditional classification methods and the classification of some comic websites today. It can also reflect the rich features and attraction of comics in telling stories. From the analysis of the characteristics of the two national story comics in the United States and Japan, the difference between the two shows the differences. If it is influenced by the national culture, such as the different values of the eastern and Western cultures in the comics, the superhero comics in the United States are more direct, and the Japanese comics will be euphemistic, all of which are presented through the transformation of the layout, the rendering of the environment and the characterization of the characters, and the different lines. They have different emotions, mainly depending on the situation. These connections determine that if our simple imitation can only be on the surface forever, among the characters in some Japanese comics, those personalities are very popular, and these features often have a permanent impression of national culture, more or less. The character and interest of some ethnic groups are not fabricated. If they are to describe a similar person for the sake of popularity, it is not vivid enough. So if you want to break through, you need to make a real self and less imitation. In addition to the different glamour to the story comics, the story comic can also reflect the creator. The author's personality has an important influence on the quality and innovation of his works. This personality has provided the impetus to the development of the variety of the story comics. In the following paper, the author thinks and puts forward some suggestions on the development of the story comics. The Chinese story caricatures of the soil are more of the style of Japanese comics. This fusion has its natural reasons and needs to discover its own characteristics. In addition to learning the excellent side of each other, we should also learn from the experience of learning from other cultures in the innovation of our own culture. The analysis of the internal and external factors of the development of painting to understand the current situation of the development of Chinese story Comics: the Chinese original cartoon website began to increase in the early twenty-first Century. The Internet makes the comic circulation more convenient but also the comic market is mixed, and the style of painting is based on Japanese style. The creation of personality comics, through the appreciation of excellent Chinese traditional comic art language, to taste the charm of our own culture and to find lessons for contemporary story comic creation, such as the inheritance of traditional Chinese painting, from literary works to find inspiration, and rich ways of expression and folklore content, and so on. The national aesthetic view and value concept in the series of comic books should also remind us that we should distinguish between non black and white, art pursuit of truth, good and beauty, which is a criterion. So it can be seen that the story comics in our country have rich resources as the motive force of exploring the road. Human being is the content of the story. There are many excellent comic writers in contemporary China. Many of them are devoted to the creation of their own style of work. No matter which way, do not forget to be faithful to the heart and life, it is possible to give the life of the story manga.
【学位授予单位】：沈阳建筑大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.2
本文编号：2171249
[Abstract]:By studying the style features and the internal and external factors that affect the development of the Chinese story cartoons and other country's excellent story comic works, the paper hopes to sum up experience, use the appropriate story comic language and integrate into the local style, and have the choice of reference, and the personality charm of the Chinese story comics. The word "story comic" in this paper is based on some traditional classification methods and the classification of some comic websites today. It can also reflect the rich features and attraction of comics in telling stories. From the analysis of the characteristics of the two national story comics in the United States and Japan, the difference between the two shows the differences. If it is influenced by the national culture, such as the different values of the eastern and Western cultures in the comics, the superhero comics in the United States are more direct, and the Japanese comics will be euphemistic, all of which are presented through the transformation of the layout, the rendering of the environment and the characterization of the characters, and the different lines. They have different emotions, mainly depending on the situation. These connections determine that if our simple imitation can only be on the surface forever, among the characters in some Japanese comics, those personalities are very popular, and these features often have a permanent impression of national culture, more or less. The character and interest of some ethnic groups are not fabricated. If they are to describe a similar person for the sake of popularity, it is not vivid enough. So if you want to break through, you need to make a real self and less imitation. In addition to the different glamour to the story comics, the story comic can also reflect the creator. The author's personality has an important influence on the quality and innovation of his works. This personality has provided the impetus to the development of the variety of the story comics. In the following paper, the author thinks and puts forward some suggestions on the development of the story comics. The Chinese story caricatures of the soil are more of the style of Japanese comics. This fusion has its natural reasons and needs to discover its own characteristics. In addition to learning the excellent side of each other, we should also learn from the experience of learning from other cultures in the innovation of our own culture. The analysis of the internal and external factors of the development of painting to understand the current situation of the development of Chinese story Comics: the Chinese original cartoon website began to increase in the early twenty-first Century. The Internet makes the comic circulation more convenient but also the comic market is mixed, and the style of painting is based on Japanese style. The creation of personality comics, through the appreciation of excellent Chinese traditional comic art language, to taste the charm of our own culture and to find lessons for contemporary story comic creation, such as the inheritance of traditional Chinese painting, from literary works to find inspiration, and rich ways of expression and folklore content, and so on. The national aesthetic view and value concept in the series of comic books should also remind us that we should distinguish between non black and white, art pursuit of truth, good and beauty, which is a criterion. So it can be seen that the story comics in our country have rich resources as the motive force of exploring the road. Human being is the content of the story. There are many excellent comic writers in contemporary China. Many of them are devoted to the creation of their own style of work. No matter which way, do not forget to be faithful to the heart and life, it is possible to give the life of the story manga.
【学位授予单位】：沈阳建筑大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.2
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1 仙子;故事漫画的魅力及中国故事漫画的潜力研究[D];沈阳建筑大学;2014年
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