多元文化下中国意象表现性油画的文化特征和发展态势
发布时间：2018-08-11 10:02
【摘要】：随着中国综合实力不断的增强,在中西方文化交流融合的今天,中国油画从西方油画的描摹模仿中,逐渐构建起了符合中国绘画审美的多种表现形式、多种风格语言。受中国传统文化精神的影响,中国艺术家们渐渐地找到了融合西方绘画艺术观念和中国传统意象思维的意象表现性油画。在世界多元文化背景下,意象表现性油画不仅吸收了西方绘画艺术的观念和材料技法,更融合传承了中国传统文人画的笔墨逸趣和写意精神,这使中国绘画有了新的突破。本文正是从多元文化的含义和意象表现性油画的概念和历史背景切入研究课题,以中国传统美学思想为逻辑起点,从创作方法、时间性、绘画空间等方面来阐述中国传统美学思想对意象表现性油画的影响。其次,在与德国新表现主义绘画的比较以及与具象表现绘画的对比差异中,剖析深受多种文化影响的中国意象表现性油画的独特绘画风格,在中国艺术家的代表作中阐述意象表现性油画在中国的发展中形成独特的画面语言,并且列举意象表现性油画画家之代表吴冠中、洪凌、崔建军、陈子君等,解读各个画家在意象表现性油画创作的这条道路上努力和坚持。最后对意象表现性油画的发展趋势与实践进行探索分析,以访谈的形式记录侯吉明画家对意象表现性油画的创作经历和艺术追求,对工作室合作机制下的学生作品进行分析,总结中国意象表现性油画的当下态势。
[Abstract]:With the continuous strengthening of China's comprehensive strength and the integration of Chinese and Western cultural exchanges, Chinese oil paintings from the description of Western oil painting imitation, gradually constructed a variety of forms of expression in line with the Chinese painting aesthetic, a variety of styles and languages. Influenced by the spirit of Chinese traditional culture, Chinese artists have gradually found a combination of Western painting art concept and Chinese traditional image thinking of image expression oil painting. Under the background of multi-culture in the world, imagery expressional oil painting not only absorbs the idea and material technique of western painting art, but also inherits the Chinese traditional literati painting's easy-brushwork and freehand brushwork spirit, which makes Chinese painting have a new breakthrough. This paper is just from the meaning of multiculturalism and the concept and historical background of image expressive oil painting, taking the Chinese traditional aesthetic thought as the logical starting point, from the creative method, time, Painting space and other aspects to explain the impact of Chinese traditional aesthetic thinking on imagery expressive oil painting. Secondly, in the comparison with the German neo-expressionism painting and the contrast with the figurative representation painting, the unique painting style of the Chinese imagery expressionistic oil painting, which is deeply influenced by various cultures, is analyzed. In the representative works of Chinese artists, this paper expounds the unique picture language formed in the development of image expressiveness oil painting in China, and lists Wu Guanzhong, Hong Ling, Cui Jianjun, Chen Zijun, the representatives of image expressive oil painting painters, and so on. Unscramble each painter in the image expressive oil painting creation this road diligently and persisted. Finally, the development trend and practice of image expressive oil painting are explored and analyzed, and the creation experience and artistic pursuit of image expressive oil painting by Hou Jiming painters are recorded in the form of interview, and the students' works under the cooperation mechanism of the studio are analyzed. Summarize the present situation of Chinese imagery expressive oil painting.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2176667
[Abstract]:With the continuous strengthening of China's comprehensive strength and the integration of Chinese and Western cultural exchanges, Chinese oil paintings from the description of Western oil painting imitation, gradually constructed a variety of forms of expression in line with the Chinese painting aesthetic, a variety of styles and languages. Influenced by the spirit of Chinese traditional culture, Chinese artists have gradually found a combination of Western painting art concept and Chinese traditional image thinking of image expression oil painting. Under the background of multi-culture in the world, imagery expressional oil painting not only absorbs the idea and material technique of western painting art, but also inherits the Chinese traditional literati painting's easy-brushwork and freehand brushwork spirit, which makes Chinese painting have a new breakthrough. This paper is just from the meaning of multiculturalism and the concept and historical background of image expressive oil painting, taking the Chinese traditional aesthetic thought as the logical starting point, from the creative method, time, Painting space and other aspects to explain the impact of Chinese traditional aesthetic thinking on imagery expressive oil painting. Secondly, in the comparison with the German neo-expressionism painting and the contrast with the figurative representation painting, the unique painting style of the Chinese imagery expressionistic oil painting, which is deeply influenced by various cultures, is analyzed. In the representative works of Chinese artists, this paper expounds the unique picture language formed in the development of image expressiveness oil painting in China, and lists Wu Guanzhong, Hong Ling, Cui Jianjun, Chen Zijun, the representatives of image expressive oil painting painters, and so on. Unscramble each painter in the image expressive oil painting creation this road diligently and persisted. Finally, the development trend and practice of image expressive oil painting are explored and analyzed, and the creation experience and artistic pursuit of image expressive oil painting by Hou Jiming painters are recorded in the form of interview, and the students' works under the cooperation mechanism of the studio are analyzed. Summarize the present situation of Chinese imagery expressive oil painting.
【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
【参考文献】
相关期刊论文 前1条
1 汪裕雄;;意象与中国文化[J];中国社会科学;1993年05期
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