孙隆没骨花鸟画艺术特点研究
发布时间：2018-08-11 15:21
【摘要】：“没骨图”名称是由北宋花鸟画家徐崇嗣所创。明前期杰出的花鸟画家孙隆继承和发展了北宋徐崇嗣的“画花不墨卷”的没骨画,融合了书法的用笔,拓展了没骨花鸟画技法,丰富了“没骨”的表现力,发展了前人的没骨花鸟画。我们研究孙隆的没骨花鸟画艺术特点,是从一个侧面来反映中国没骨花鸟画的艺术特点、发展变化以及艺术成就,有助于我们理清中国没骨花鸟画艺术的独特魅力和价值。本毕业论文试图从分析没骨花鸟画在不同时期表现出的艺术特点以及发展历程作为论文主题的切入点,在此基础上探讨孙隆没骨花鸟画的艺术风格特点,最后结合其同时期以及当代画家所创作的作品来对比分析孙隆没骨花鸟画艺术特点在不同时代花鸟画中的运用和创新。他的画作代表了明代宫廷没骨花鸟画时期风格,在继承了宋元时期没骨花鸟画的艺术韵味又不失其独特的创新点。他的作品旨在突出个性趣味,强调笔墨情趣,追求意境的形式美,气韵生动,将宫廷绘画中的富丽华贵和水墨绘画中的闲情野逸巧妙地融为一体。给明代宫廷画家以及后世都产生了长足的影响,在中国花鸟画发展的历史领域中做出了很大的贡献。
[Abstract]:The name "Bones without bones" was coined by Xu Chongsi, a flower and bird painter in the Northern Song Dynasty. In the early Ming Dynasty, Sun long, an outstanding painter of flowers and birds, inherited and developed the boneless paintings of Xu Chongsi in the Northern Song Dynasty, merged the calligraphy pen, expanded the techniques of flower-and-bird painting without bones, and enriched the expressive power of "no bones". Developed the previous boneless flowers and birds painting. Our research on the artistic characteristics of Sun long's boneless flower and bird painting is to reflect the artistic characteristics, development and achievements of Chinese boneless flower and bird painting from one side, which will help us to understand the unique charm and value of Chinese boneless flower and bird painting art. This thesis attempts to analyze the artistic characteristics and development process of the flower and bird painting without bone in different periods as the entry point of the thesis, and then discusses the artistic style characteristics of the flower and bird painting without bone in Sun long. Finally, combining the works of the same period and contemporary painters, this paper compares and analyzes the application and innovation of the artistic characteristics of Sun long's flower and bird painting without bone in different times. His paintings represent the style of the Ming Dynasty court no bone flowers and birds painting period, in the Song and Yuan dynasties no bone flowers and birds painting artistic flavor without losing its unique innovation. His works aim to highlight his personality, emphasize the taste of pen and ink, pursue the formal beauty of artistic conception and vividly rhyme, and combine the rich beauty of court painting with the ease of leisure in ink painting. It has made great contribution to the development of Chinese flower and bird painting.
【学位授予单位】：青岛科技大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2177388
[Abstract]:The name "Bones without bones" was coined by Xu Chongsi, a flower and bird painter in the Northern Song Dynasty. In the early Ming Dynasty, Sun long, an outstanding painter of flowers and birds, inherited and developed the boneless paintings of Xu Chongsi in the Northern Song Dynasty, merged the calligraphy pen, expanded the techniques of flower-and-bird painting without bones, and enriched the expressive power of "no bones". Developed the previous boneless flowers and birds painting. Our research on the artistic characteristics of Sun long's boneless flower and bird painting is to reflect the artistic characteristics, development and achievements of Chinese boneless flower and bird painting from one side, which will help us to understand the unique charm and value of Chinese boneless flower and bird painting art. This thesis attempts to analyze the artistic characteristics and development process of the flower and bird painting without bone in different periods as the entry point of the thesis, and then discusses the artistic style characteristics of the flower and bird painting without bone in Sun long. Finally, combining the works of the same period and contemporary painters, this paper compares and analyzes the application and innovation of the artistic characteristics of Sun long's flower and bird painting without bone in different times. His paintings represent the style of the Ming Dynasty court no bone flowers and birds painting period, in the Song and Yuan dynasties no bone flowers and birds painting artistic flavor without losing its unique innovation. His works aim to highlight his personality, emphasize the taste of pen and ink, pursue the formal beauty of artistic conception and vividly rhyme, and combine the rich beauty of court painting with the ease of leisure in ink painting. It has made great contribution to the development of Chinese flower and bird painting.
【学位授予单位】：青岛科技大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【参考文献】
相关期刊论文 前2条
1 荆桂秋;;明代孙隆没骨花鸟画研究[J];书画世界;2006年02期
2 荆桂秋;;孙隆没骨写意花鸟画新特色[J];国画家;2004年01期
，本文编号：2177388
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