香港水墨的回归和展望
发布时间：2018-08-11 10:47
【摘要】：正回顾水墨画在香港跨世纪发展的历程,特别是近10年来的发展情况,体现了香港水墨画坚韧的生命力,也验证传统中国画向现当代转换之可能。香港因其地缘位置和政治环境之关系,在回归祖国之前,由于港英当局一贯采取对文化艺术不干预、不支持的放任态度,又偏重于重商轻文、尊西贬中的文化政策,只注重商业和经济的发展,忽略了文化艺术在文明社会中的软实力作用,缺乏对文化艺术长时期的支持。在港英统治时期,殖民文化占据了主体文化的位置,西方
[Abstract]:Reviewing the development of ink painting in Hong Kong in the past century, especially in the past 10 years, reflects the tenacious vitality of Hong Kong ink painting and verifies the possibility of transformation from traditional Chinese painting to modern and contemporary Chinese painting. Because of its geographical location and political environment, before the reunification with the motherland, Hong Kong and the British authorities had always adopted a laissez-faire attitude of not interfering with the arts and culture, and had also focused on the cultural policy of valuing the west and valuing the west. It only pays attention to the development of commerce and economy, neglects the soft power of culture and art in civilized society, and lacks the support to culture and art for a long time. During the reign of Hong Kong and Britain, colonial culture occupied the position of the main culture.
【作者单位】： 中国画学会(香港);
【分类号】：J212
，
本文编号：2176779
[Abstract]:Reviewing the development of ink painting in Hong Kong in the past century, especially in the past 10 years, reflects the tenacious vitality of Hong Kong ink painting and verifies the possibility of transformation from traditional Chinese painting to modern and contemporary Chinese painting. Because of its geographical location and political environment, before the reunification with the motherland, Hong Kong and the British authorities had always adopted a laissez-faire attitude of not interfering with the arts and culture, and had also focused on the cultural policy of valuing the west and valuing the west. It only pays attention to the development of commerce and economy, neglects the soft power of culture and art in civilized society, and lacks the support to culture and art for a long time. During the reign of Hong Kong and Britain, colonial culture occupied the position of the main culture.
【作者单位】： 中国画学会(香港);
【分类号】：J212
，
本文编号：2176779
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