从“感觉的形象”到“自足之物”——当代艺术中的身体叙事
发布时间：2018-08-11 20:16
【摘要】：正身体是人存在、行动、欲望、体验和感知的根本场所,也是具有多重意义的文化符号,与社会、历史、政治和宗教息息相关。在当代艺术领域,艺术家从自己的视角和思考议题出发,对身体进行了不同维度的探索与实践,既在视觉上呈现了颠覆性,也在观念的层面上将思想的"不可见"变得"可见"。一、感觉的形象
[Abstract]:Positive body is the fundamental place of human existence, action, desire, experience and perception, and it is also a cultural symbol with many meanings, which is closely related to society, history, politics and religion. In the field of contemporary art, the artist explores and practices the body in different dimensions from his own angle of view and thinking topic, which not only presents subversion in vision, but also turns the "invisible" of thought into "visible" on the level of concept. One, the image of feeling
【作者单位】： 东北师范大学美术学院;
【基金】：国家留学基金委艺术类专项(项目编号:201406625038) 吉林省社科基金项目《跨学科视野下的当代艺术实践研究》(项目编号:2014B55)的阶段性成果
【分类号】：J205
本文编号：2178127
[Abstract]:Positive body is the fundamental place of human existence, action, desire, experience and perception, and it is also a cultural symbol with many meanings, which is closely related to society, history, politics and religion. In the field of contemporary art, the artist explores and practices the body in different dimensions from his own angle of view and thinking topic, which not only presents subversion in vision, but also turns the "invisible" of thought into "visible" on the level of concept. One, the image of feeling
【作者单位】： 东北师范大学美术学院;
【基金】：国家留学基金委艺术类专项(项目编号:201406625038) 吉林省社科基金项目《跨学科视野下的当代艺术实践研究》(项目编号:2014B55)的阶段性成果
【分类号】：J205
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