中国当代语境下的观念具象绘画研究
发布时间：2018-08-18 13:18
【摘要】：观念具象绘画作为中国当代语境下比较活跃的艺术表达形式,对中国当代语境中讨论具象绘画的表述比较多见,很少有人去关注观念具象绘画,现在,作为艺术现场比较多见的观念具象绘画和传统具象绘画或写实绘画有很多异同点,具象绘画或写实绘画相对于观念具象绘画更注重绘画本身的表达诸如艺术语言形式或材料运用等等,而观念具象绘画更多的是在表达观念,从这个层面上讲观念具象绘画和具象绘画相比,增加了观念的维度,是具象绘画语言的传承和发展。中国当代艺术语境也是这篇文章着重讨论的对象,当今人们接收到的信息呈爆炸态势,作为艺术主体艺术家在当下信息的狂轰乱炸之下,其主体性力量遭到了一定程度的冲击。人们感知物象没有原先的单一具象,也没有说复杂到极端以致抽象,而是在抽象与具象之间,具体而观念的把握事物,同时由于现代艺术之后的艺术形态呈现出多元的发展态势,艺术理论和艺术思潮也如雨后春笋般的呈现,加之随着工业、科技、信息化、政治环境的长足发展使信息的传播途径更为便捷有效,国际间的文化交流相较之前变得更加全方位、多层次、宽领域。国外的前卫经验很快的被我们知晓,借鉴、学习、运用、发展、革新,这些呈现在具象绘画领域便是本篇文章所涉及的观念具象绘画。针对这些状况,该研究通过文献检索和整理,对中国国当代艺术语境和观念具象绘画进行了剖析,探索全球化背景下的观念具象绘画的处境,以及观念具象绘画的艺术策略、以及观念具象绘画的力量维度方面进行讨论。放眼全球具象绘画在纷繁复杂的艺术活动中越来越边缘化,但是具象绘画由于和其他艺术形式的结合由于和观念的结合迸发出了强大的生命力,以及观念具象绘画在中国仍然有着成长的土壤和文化基因,中国与西方国家在艺术语境方面有着差异,这种差异在以信息互联网为形式的全球化背景下在逐步的趋同,随着上世纪西方现代主义和后现代主义的影响出现了很多新的艺术形式,今天这些艺术形式以综合的形态呈现在中国艺术现场中。各种艺术实践形式结合中国具体的现实不断融合或在吸收其他艺术门类的精华过程中呈现新的形式,为中国艺术的发展提供者养料。
[Abstract]:As a more active form of artistic expression in the contemporary context of China, conceptual figurative painting is often discussed in the contemporary context of China. Very few people pay attention to conceptual figurative painting. Now, As an art scene, there are many similarities and differences between the concept of concrete painting and traditional figurative painting or realistic painting. Concrete painting or realistic painting pays more attention to the expression of painting itself, such as the form of artistic language or the use of materials, etc. Compared with figurative painting and figurative painting on this level, it increases the dimension of concept and is the inheritance and development of figurative painting language. The context of contemporary Chinese art is also the object of this article. Nowadays, the information received by people is explosive. As the subject of art, the subjective force of the artist has been impacted to a certain extent under the explosion of the present information. People do not have the original single concrete image, nor do they say that it is so complicated as to be abstract, but between abstract and concrete, concrete and conceptual grasp things, At the same time, due to the pluralistic development trend of the art form after modern art, art theories and trends of thought are also springing up, in addition, with industry, science and technology, information, With the rapid development of political environment, the dissemination of information becomes more convenient and effective, and the international cultural exchange becomes more omni-directional, multi-level and wide than before. Foreign avant-garde experience is quickly known to us, learning, application, development, innovation, these presented in the field of figurative painting is the concept of concrete painting involved in this article. In view of these conditions, the study analyzed the contemporary artistic context and concept figurative painting of China through literature retrieval and collation, and explored the situation of conceptual figurative painting under the background of globalization, as well as the artistic strategy of conceptual figurative painting. As well as the concept of figurative painting dimension of the strength of the discussion. Global figurative painting is becoming more and more marginalized in the complicated artistic activities, but the combination of figurative painting and other art forms has burst out a strong vitality because of the combination of ideas. And the concept of figurative painting in China still has a growing soil and cultural genes, China and Western countries in the context of artistic differences, this difference in the form of the information Internet in the context of globalization in the gradual convergence, With the influence of western modernism and postmodernism in the last century, many new artistic forms have emerged. Today, these artistic forms are presented in the Chinese art scene in a comprehensive form. Various forms of art practice combine with the concrete reality of China or present new forms in the process of absorbing the essence of other art categories to nourish the development of Chinese art.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2189588
[Abstract]:As a more active form of artistic expression in the contemporary context of China, conceptual figurative painting is often discussed in the contemporary context of China. Very few people pay attention to conceptual figurative painting. Now, As an art scene, there are many similarities and differences between the concept of concrete painting and traditional figurative painting or realistic painting. Concrete painting or realistic painting pays more attention to the expression of painting itself, such as the form of artistic language or the use of materials, etc. Compared with figurative painting and figurative painting on this level, it increases the dimension of concept and is the inheritance and development of figurative painting language. The context of contemporary Chinese art is also the object of this article. Nowadays, the information received by people is explosive. As the subject of art, the subjective force of the artist has been impacted to a certain extent under the explosion of the present information. People do not have the original single concrete image, nor do they say that it is so complicated as to be abstract, but between abstract and concrete, concrete and conceptual grasp things, At the same time, due to the pluralistic development trend of the art form after modern art, art theories and trends of thought are also springing up, in addition, with industry, science and technology, information, With the rapid development of political environment, the dissemination of information becomes more convenient and effective, and the international cultural exchange becomes more omni-directional, multi-level and wide than before. Foreign avant-garde experience is quickly known to us, learning, application, development, innovation, these presented in the field of figurative painting is the concept of concrete painting involved in this article. In view of these conditions, the study analyzed the contemporary artistic context and concept figurative painting of China through literature retrieval and collation, and explored the situation of conceptual figurative painting under the background of globalization, as well as the artistic strategy of conceptual figurative painting. As well as the concept of figurative painting dimension of the strength of the discussion. Global figurative painting is becoming more and more marginalized in the complicated artistic activities, but the combination of figurative painting and other art forms has burst out a strong vitality because of the combination of ideas. And the concept of figurative painting in China still has a growing soil and cultural genes, China and Western countries in the context of artistic differences, this difference in the form of the information Internet in the context of globalization in the gradual convergence, With the influence of western modernism and postmodernism in the last century, many new artistic forms have emerged. Today, these artistic forms are presented in the Chinese art scene in a comprehensive form. Various forms of art practice combine with the concrete reality of China or present new forms in the process of absorbing the essence of other art categories to nourish the development of Chinese art.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
【参考文献】
相关期刊论文 前1条
1 饶龙隼;;晚周观念具象述论[J];文学评论;2009年01期
，本文编号：2189588
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