浅论综合材料在当代绘画中的运用
发布时间：2018-08-19 14:55
【摘要】：20世纪60年代以来，随着信息技术的迅猛发展，促使社会呈现多元文化，各学科之间的相互渗透，交融。那么，在绘画艺术领域亦是如此，多种媒介材料的介入、多种艺术观念的融合使得绘画种类之间的界限开始模糊，因此，绘画艺术走向综合是艺术发展的必然，也是社会历史发展的必然。 综合材料的运用给中国当代绘画艺术的发展注入了新鲜活力，艺术家们都用各种材料来表达自己的思想观念和艺术情感，在形式上的不断创新使画面更具生命力和感染力。但在这个发展的过程中，对于很多艺术现象也不得不引人深思。一是艺术家们过于迷恋材料的运用和技法的表现，没有认识到综合绘画当代化及个人化的重要意义。二是很多艺术家的作品没有关注当下，即作品的精神性或观念性与当代人的关系。 在此，本文围绕综合绘画的当代性问题，以综合材料在绘画中的运用及发展脉络为主线，从实践和理论的角度来进行探讨：当代绘画走向综合的社会背景是什么？综合材料给传统绘画带来了哪些活力和启发？当代综合绘画的主要问题是什么？如何使综合绘画当代化？通过综合材料在绘画艺术中的实践与探索，对于综合材料在当代绘画中的运用，笔者有个人的实践感悟和见解，并对未来综合性绘画的发展提出了新的展望。本文一共分为四个部分： 第一部分简要交代选题的缘由及其研究的意义。第二部分首先对综合绘画的概念进行了界定及绘画走向综合的社会背景进行了交代。然后分别论述了东西方综合材料在绘画中的运用实践发展历程及代表人物作品的分析，，总结出综合材料给当代绘画的发展注入了新鲜活力；同时，通过艺术实践调查与分析提出了综合绘画的当代性问题及个人见解。第三部分主要交代了笔者在绘画中对综合材料的实践与探索，获得了新的实践感悟和体会。第四部分分析总结了当代综合绘画中材料运用、表现技法与艺术观念的重要性，并对未来综合性绘画艺术的发展提出了新的展望和个人设想。
[Abstract]:Since 1960s, with the rapid development of information technology, the society presents multiculturalism. Well, this is also true in the field of painting art. The involvement of various media materials and the fusion of various artistic concepts have made the boundary between the types of painting blurred. Therefore, the integration of painting art is the necessity of the development of art. It is also the necessity of social and historical development. The use of comprehensive materials has injected fresh vitality into the development of Chinese contemporary painting art. Artists use various materials to express their ideas and artistic feelings, and the continuous innovation in form makes the picture more vitality and appeal. But in this development process, for a lot of art phenomenon also have to be thought-provoking. The first is that artists are too infatuated with the use of materials and the expression of techniques, and fail to realize the significance of the contemporary and individualized comprehensive painting. Second, many artists' works do not pay attention to the present, that is, the spiritual or ideological nature of the work and the relationship between contemporary people. In this paper, around the contemporary problem of comprehensive painting, with the use and development of comprehensive materials in painting as the main line, from the perspective of practice and theory to explore: what is the social background of contemporary painting towards synthesis? What vitality and inspiration does the comprehensive material bring to the traditional painting? What is the main problem of contemporary comprehensive painting? How to make comprehensive painting contemporary? Through the practice and exploration of comprehensive materials in painting art, the author has a personal experience and opinion for the application of comprehensive materials in contemporary painting, and puts forward a new prospect for the development of comprehensive painting in the future. This paper is divided into four parts: the first part gives a brief account of the reasons for the topic and the significance of the study. In the second part, the concept of comprehensive painting is defined and the social background of painting is explained. Then it discusses the application and development course of East-West comprehensive materials in painting and the analysis of representative characters' works, and concludes that the comprehensive materials infuse fresh vitality into the development of contemporary painting; at the same time, Through the investigation and analysis of art practice, this paper puts forward the contemporary problems and personal opinions of comprehensive painting. The third part mainly explains the author's practice and exploration of comprehensive materials in painting, and obtains new practical insights and experiences. The fourth part analyzes and summarizes the importance of the application of materials, performance techniques and artistic concepts in contemporary comprehensive painting, and puts forward new prospects and personal ideas for the future development of comprehensive painting art.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
本文编号：2191996
[Abstract]:Since 1960s, with the rapid development of information technology, the society presents multiculturalism. Well, this is also true in the field of painting art. The involvement of various media materials and the fusion of various artistic concepts have made the boundary between the types of painting blurred. Therefore, the integration of painting art is the necessity of the development of art. It is also the necessity of social and historical development. The use of comprehensive materials has injected fresh vitality into the development of Chinese contemporary painting art. Artists use various materials to express their ideas and artistic feelings, and the continuous innovation in form makes the picture more vitality and appeal. But in this development process, for a lot of art phenomenon also have to be thought-provoking. The first is that artists are too infatuated with the use of materials and the expression of techniques, and fail to realize the significance of the contemporary and individualized comprehensive painting. Second, many artists' works do not pay attention to the present, that is, the spiritual or ideological nature of the work and the relationship between contemporary people. In this paper, around the contemporary problem of comprehensive painting, with the use and development of comprehensive materials in painting as the main line, from the perspective of practice and theory to explore: what is the social background of contemporary painting towards synthesis? What vitality and inspiration does the comprehensive material bring to the traditional painting? What is the main problem of contemporary comprehensive painting? How to make comprehensive painting contemporary? Through the practice and exploration of comprehensive materials in painting art, the author has a personal experience and opinion for the application of comprehensive materials in contemporary painting, and puts forward a new prospect for the development of comprehensive painting in the future. This paper is divided into four parts: the first part gives a brief account of the reasons for the topic and the significance of the study. In the second part, the concept of comprehensive painting is defined and the social background of painting is explained. Then it discusses the application and development course of East-West comprehensive materials in painting and the analysis of representative characters' works, and concludes that the comprehensive materials infuse fresh vitality into the development of contemporary painting; at the same time, Through the investigation and analysis of art practice, this paper puts forward the contemporary problems and personal opinions of comprehensive painting. The third part mainly explains the author's practice and exploration of comprehensive materials in painting, and obtains new practical insights and experiences. The fourth part analyzes and summarizes the importance of the application of materials, performance techniques and artistic concepts in contemporary comprehensive painting, and puts forward new prospects and personal ideas for the future development of comprehensive painting art.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205
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本文编号：2191996
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