谈中国山水画中“藏”与“露”
发布时间：2018-08-20 18:12
【摘要】：中国山水画作为我国中华民族独具特色的一部分,其中“藏与露”在绘画对立统一规律中是一个重要、赋有特色的范畴,更是对处理中国山水画气韵、用笔用墨、构图、意境和色彩等关系的一种重要艺术技巧。“藏”是隐藏、蕴藏,体现山水画的高度和隐喻着画家的真实情感;“露”是显露、显示,是技术与艺术的结合。从形式上、笔墨上、精神层面上对“藏与露”来讲,中国画中讲究“以形写神”,追求意境的表现。露则是造型技法,藏则是表现艺术家的修养与内涵,围绕着“为何藏、藏什么;为何露、露什么”,结合艺术家的作品从山水画的笔墨、布局、意境、色彩的方面进行探究,分别应用大量的事实论据来证明。中国山水画中“藏与露”二者之间的关系尤为重要,二者互相影响、互相包含、相互依存,藏什么与露什么,决定于艺术家的艺术造诣、艺术修养、自己所要表达的情感。中国山水画贵在“藏”,以藏来显露,以露来暗藏,使之互相的渗透,互相影响,做到意和象的相互统一、使情与理相互掩映。努力做到“巧藏妙露”能使艺术作品提升画面的审美价值,使画面更具含蓄之美,韵味幽深。同时欣赏者,也会从有限的画面中展开无限空间的想象,给人以无穷无尽的遐想。
[Abstract]:Chinese landscape painting is a part of the unique characteristics of the Chinese nation, in which "Tibet and dew" is an important and characteristic category in the law of unity of opposites in painting. An important artistic skill in the relationship between artistic conception and color. "hiding" is hiding, reflecting the height of landscape painting and metaphorical painter's true emotion; "dew" is the combination of technology and art. In form, pen and ink and spirit, Chinese painting stresses the expression of "writing spirit with form" and pursuing artistic conception. Dew is a modeling technique, while Tibet is an expression of the artist's accomplishment and connotation. It revolves around "why hide, hide what; why dew, show what?" and combine the artist's works from the aspects of landscape painting, layout, artistic conception, and color. A great deal of factual evidence is applied to prove it. The relationship between "hide and dew" in Chinese landscape painting is particularly important. They influence each other, include each other, depend on each other, hide what and what to reveal, which is determined by the artist's artistic attainments, artistic accomplishment and the emotion he wants to express. Chinese landscape painting lies in "hide", to hide, to reveal, to reveal to hide, to make each other infiltrate, influence each other, to achieve the mutual unity of meaning and image, so that feelings and principles mutual mask. Making great efforts to make the art works enhance the aesthetic value of the picture, make the picture more implicit beauty and profound charm. At the same time, the viewer will also expand the infinite space imagination from the limited picture, giving people endless reverie.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2194549
[Abstract]:Chinese landscape painting is a part of the unique characteristics of the Chinese nation, in which "Tibet and dew" is an important and characteristic category in the law of unity of opposites in painting. An important artistic skill in the relationship between artistic conception and color. "hiding" is hiding, reflecting the height of landscape painting and metaphorical painter's true emotion; "dew" is the combination of technology and art. In form, pen and ink and spirit, Chinese painting stresses the expression of "writing spirit with form" and pursuing artistic conception. Dew is a modeling technique, while Tibet is an expression of the artist's accomplishment and connotation. It revolves around "why hide, hide what; why dew, show what?" and combine the artist's works from the aspects of landscape painting, layout, artistic conception, and color. A great deal of factual evidence is applied to prove it. The relationship between "hide and dew" in Chinese landscape painting is particularly important. They influence each other, include each other, depend on each other, hide what and what to reveal, which is determined by the artist's artistic attainments, artistic accomplishment and the emotion he wants to express. Chinese landscape painting lies in "hide", to hide, to reveal, to reveal to hide, to make each other infiltrate, influence each other, to achieve the mutual unity of meaning and image, so that feelings and principles mutual mask. Making great efforts to make the art works enhance the aesthetic value of the picture, make the picture more implicit beauty and profound charm. At the same time, the viewer will also expand the infinite space imagination from the limited picture, giving people endless reverie.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
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1 孙竹青;谈中国山水画中“藏”与“露”[D];河北师范大学;2017年
，本文编号：2194549
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