写生在主观风景油画创作过程中的重要性
发布时间：2018-08-25 15:44
【摘要】：风景油画是以大自然为描绘对象进行创作的绘画。其审美情感价值高低在于从事艺术创作的艺术家是否真实地表达了自己的审美理想，是否使被描绘的景象传达出人文的神韵和气息，从而引起观赏者情感的共鸣，给予观赏者的美的情感享受。 写生的过程并不是对外界客观事物的机械描绘，而应该发挥画家的自觉能动性，使画家的主观意识能够在作品中得到体现。作为一个画家，应该知道绘画的价值在什么地方，“外师造化，中得心源”，，风景写生是一个双料过程，既要注重主观意识的表达，又要尊重客观物象的规律。风景油画的创作对于色彩组合与运用的要求要明显的高于风景油画写生。在风景油画的创作实践中，对于光线、色彩的变化感受，不能拘泥于是否符合色彩理论，更不能只是单纯的复制自然景物。“写意”渗透了中国本土文化艺术创造的基本要素和文化积淀，这种超越于形象与技法的艺术表现方式，再现的是艺术家的心灵深处以及宇宙万物的精神融合。通过风景写生这一方式来实践油画民族化的理论命题。但是当前的油画领域，有一部分人对本土文化有一种自卑感，他们虽然用油画技法表现了中国本土的山山水水，却很难感动人心，这其中所缺失的民族精神不能不说与之无关。 在今天，我们在这个大的时代环境下，要勇于面对新的社会责任与文化使命，勤奋的探索，努力使油画艺术在新的时代背景之下呈现出更为缤纷多姿的面貌。不论是表现手段、还是绘画题材、创作手段、表现语言的等方面，我们当代艺术从业者都在寻找创新与突破……
[Abstract]:Landscape oil painting is a painting that is created with nature as the object of description. The value of its aesthetic emotion lies in whether the artist engaged in artistic creation truly expresses his aesthetic ideal, whether the painted scene conveys the charm and breath of humanism, thus arousing the emotional resonance of the viewer. The emotional enjoyment of beauty to the viewer. The process of sketching is not the mechanical description of the external objective things, but the exertion of the painters' conscious initiative so that the painter's subjective consciousness can be reflected in his works. As a painter, we should know where the value of painting lies, "the outside teacher creates, the heart source", the landscape sketch is a two-material process, should pay attention to the expression of subjective consciousness, but also to respect the law of objective objects. The requirement of color combination and application of landscape oil painting is obviously higher than that of landscape painting. In the creative practice of landscape oil painting, the changes of light and color can not be confined to the theory of color or not, nor can it simply copy the natural scenery. "freehand brushwork" permeates the basic elements and cultural accumulation of Chinese native culture and art creation, which transcends the artistic expression of image and technique, and reproduces the soul of the artist and the spiritual fusion of all things in the universe. Through the landscape sketch this way to practice the oil painting nationalization theory proposition. However, in the field of oil painting, some people have a sense of inferiority to native culture. Although they use oil painting techniques to express the landscape of Chinese native land, it is difficult to be moved by the people. The national spirit that is lacking in this field cannot but be said to have nothing to do with it. Today, we must face the new social responsibility and cultural mission, diligently explore, and strive to make the oil painting art show a more colorful face under the new era background. Whether it is means of expression, painting, creative means, performance language and other aspects, we contemporary art practitioners are looking for innovation and breakthrough.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
本文编号：2203374
[Abstract]:Landscape oil painting is a painting that is created with nature as the object of description. The value of its aesthetic emotion lies in whether the artist engaged in artistic creation truly expresses his aesthetic ideal, whether the painted scene conveys the charm and breath of humanism, thus arousing the emotional resonance of the viewer. The emotional enjoyment of beauty to the viewer. The process of sketching is not the mechanical description of the external objective things, but the exertion of the painters' conscious initiative so that the painter's subjective consciousness can be reflected in his works. As a painter, we should know where the value of painting lies, "the outside teacher creates, the heart source", the landscape sketch is a two-material process, should pay attention to the expression of subjective consciousness, but also to respect the law of objective objects. The requirement of color combination and application of landscape oil painting is obviously higher than that of landscape painting. In the creative practice of landscape oil painting, the changes of light and color can not be confined to the theory of color or not, nor can it simply copy the natural scenery. "freehand brushwork" permeates the basic elements and cultural accumulation of Chinese native culture and art creation, which transcends the artistic expression of image and technique, and reproduces the soul of the artist and the spiritual fusion of all things in the universe. Through the landscape sketch this way to practice the oil painting nationalization theory proposition. However, in the field of oil painting, some people have a sense of inferiority to native culture. Although they use oil painting techniques to express the landscape of Chinese native land, it is difficult to be moved by the people. The national spirit that is lacking in this field cannot but be said to have nothing to do with it. Today, we must face the new social responsibility and cultural mission, diligently explore, and strive to make the oil painting art show a more colorful face under the new era background. Whether it is means of expression, painting, creative means, performance language and other aspects, we contemporary art practitioners are looking for innovation and breakthrough.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
【参考文献】
相关期刊论文 前1条
1 吴大鹏;;风景油画创作中的东方审美情趣[J];神州;2011年23期
本文编号：2203374
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