论中国画中的光影元素
发布时间：2018-08-25 18:47
【摘要】：光是人认知世界的前提，有了光才有颜色和体积。光是重要的绘画语言，西方绘画中，对于光影的运用与表现，使得西方绘画在世界艺术宝库中显得如此璀璨夺目，熠熠生辉。而中国绘画经过数千年的不断丰富、创新和发展，形成了独具中国韵味的绘画语言体系，笔墨在宣纸上氤氲变幻的特殊效果与我们传统的人文精神与哲学思想不谋而合。“外师造化，中的心缘”一句话完整阐明了中国画的创作特点。长久以来，对于意境的追求，要远远大于直接描绘肉眼看到的客观存在，所以较为现实的光影在传统中国绘画中就比较少见。以至光影表现普遍被理解为是西方绘画上的特色,甚至认为宣纸不适合用来描绘光影。毋庸置疑,意境是中国画的灵魂，然而,光影表现也绝不是西方绘画的专利。本文通过对古代表现光感的绘画作品的分析证明中国古人并非不识光，而是在表现手法上与西方有所不同。随着时代的发展，西学东渐的盛行，中国画坛也展开了最大的胸怀，放眼世界，中西融合，取长补短。中国画就此步入到了由传统型向现代型的转换时期，“光”在中国画中的应用和发展也日益被重视，历经数代大师的探索，已取得了较为突出的成绩。现今的中国画坛已经有越来越多的艺术家开始尝试如何用传统的笔墨表现“光影”这一现代元素。但当今对于中国画如何表现光影，还没有形成具体的理论系统，在没有理论指导的探索过程中有不少画家被炫目的光影蒙蔽了双眼。本文就以归纳光影在中国画中的表现的发展历程作为代表，借鉴几位大师的作品，，尝试学习如何以传统笔墨描绘先进的“光”的概念，从这个学习过程中试图找到中国画的发展之路。
[Abstract]:Light is the premise for people to know the world. Only with light can they have color and volume. Light is an important painting language. The use and expression of light and shadow in Western painting make western painting so dazzling and brilliant in the treasure house of the world art. Chinese painting has been enriched, innovated and developed for thousands of years, forming its own unique. The painting language system of Chinese charm, the special effect of ink and brush changing on Xuan paper coincides with our traditional humanistic spirit and philosophical thought. There is no doubt that the artistic conception is the soul of Chinese painting. However, the expression of light and shadow is by no means the patent of Western painting. The analysis of the paintings expressing the sense of light proves that the ancients in China were not ignorant of light, but were different from the West in the way of expression.With the development of the times, the spread of Western learning to the east, the Chinese painting circle has also expanded its biggest mind, looking at the world, the integration of Chinese and Western, and learning from each other's strengths and weaknesses. During this period, the application and development of "light" in Chinese painting have been paid more and more attention. After several generations of Masters'exploration, more and more artists have begun to try to express the modern element of "light and shadow" with traditional brush and ink. In the process of exploration without theoretical guidance, many painters have been blinded by dazzling light and shadow. This paper tries to learn how to describe the advanced concept of "light" with traditional brush and ink, taking the development of light and shadow in Chinese painting as a representative and drawing on the works of several masters. From this learning process, we try to find the way of the development of Chinese painting.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
本文编号：2203776
[Abstract]:Light is the premise for people to know the world. Only with light can they have color and volume. Light is an important painting language. The use and expression of light and shadow in Western painting make western painting so dazzling and brilliant in the treasure house of the world art. Chinese painting has been enriched, innovated and developed for thousands of years, forming its own unique. The painting language system of Chinese charm, the special effect of ink and brush changing on Xuan paper coincides with our traditional humanistic spirit and philosophical thought. There is no doubt that the artistic conception is the soul of Chinese painting. However, the expression of light and shadow is by no means the patent of Western painting. The analysis of the paintings expressing the sense of light proves that the ancients in China were not ignorant of light, but were different from the West in the way of expression.With the development of the times, the spread of Western learning to the east, the Chinese painting circle has also expanded its biggest mind, looking at the world, the integration of Chinese and Western, and learning from each other's strengths and weaknesses. During this period, the application and development of "light" in Chinese painting have been paid more and more attention. After several generations of Masters'exploration, more and more artists have begun to try to express the modern element of "light and shadow" with traditional brush and ink. In the process of exploration without theoretical guidance, many painters have been blinded by dazzling light and shadow. This paper tries to learn how to describe the advanced concept of "light" with traditional brush and ink, taking the development of light and shadow in Chinese painting as a representative and drawing on the works of several masters. From this learning process, we try to find the way of the development of Chinese painting.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
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本文编号：2203776
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