浅析周氏兄弟的绘画艺术
发布时间：2018-08-26 16:41
【摘要】：周氏兄弟的绘画艺术深受其家乡广西花山岩画的影响,他们在绘画中注入少数民族原始的精神力量,把壮族祖先的原始艺术和其他中国传统艺术形式结合在西方现代绘画艺术实践中,创作出独具一格的抽象绘画风格,使民族艺术融汇于当今世界艺术中。在20世纪80年代中期,周氏兄弟的抽象表现绘画风格促进了中国美术界新艺术发展时期的到来,但是他们在国内新潮美术运动到达高潮之前离开了中国,所以在国内美术界少有人知晓他们的名字。在周氏兄弟的绘画艺术中,既体现了对中国古代艺术精神的永久价值的追求,也融入了对西方现代艺术的理解,是“古为今用”和“洋为中用”的成功典范。本论文从周氏兄弟所生活的时代背景出发,重点分析周氏兄弟在本土时期的绘画演变过程和在国外各个时期的艺术语言特征,并得出以下结论：在当代多元艺术背景下,中国丰富的民族艺术形式和悠久的传统文化可以成为滋养中国艺术家获得艺术灵感的源泉。通过借鉴和发展中国的传统艺术表现形式,能使中国当代艺术焕发出新的生机和光彩。
[Abstract]:The Zhou brothers' painting art was deeply influenced by the rock paintings in their hometown of Huashan, Guangxi. They injected the original spiritual strength of the minority nationalities into their paintings. Combining the primitive art of Zhuang ancestors with other traditional Chinese art forms in the practice of western modern painting art, it creates a unique abstract painting style, which makes the national art merge into the art of the world today. In the mid-1980s, the Zhou brothers' abstract style of painting promoted the arrival of the new art development period in Chinese art circles, but they left China before the upsurge of the domestic trendy art movement. So few people in the domestic art world know their names. In the painting art of the Zhou brothers, it not only embodies the pursuit of the eternal value of the ancient Chinese artistic spirit, but also integrates the understanding of the western modern art. It is a successful example of "using the past for the present" and "using the foreign as the Chinese". Starting from the background of the times in which the brothers lived, this paper focuses on the evolution of their paintings in the local period and the characteristics of their artistic language in various periods abroad, and draws the following conclusions: under the background of contemporary pluralistic art, China's rich national art forms and long-standing traditional culture can nourish Chinese artists to get the source of artistic inspiration. By drawing lessons from and developing Chinese traditional art forms, Chinese contemporary art can radiate new vitality and brilliance.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
本文编号：2205520
[Abstract]:The Zhou brothers' painting art was deeply influenced by the rock paintings in their hometown of Huashan, Guangxi. They injected the original spiritual strength of the minority nationalities into their paintings. Combining the primitive art of Zhuang ancestors with other traditional Chinese art forms in the practice of western modern painting art, it creates a unique abstract painting style, which makes the national art merge into the art of the world today. In the mid-1980s, the Zhou brothers' abstract style of painting promoted the arrival of the new art development period in Chinese art circles, but they left China before the upsurge of the domestic trendy art movement. So few people in the domestic art world know their names. In the painting art of the Zhou brothers, it not only embodies the pursuit of the eternal value of the ancient Chinese artistic spirit, but also integrates the understanding of the western modern art. It is a successful example of "using the past for the present" and "using the foreign as the Chinese". Starting from the background of the times in which the brothers lived, this paper focuses on the evolution of their paintings in the local period and the characteristics of their artistic language in various periods abroad, and draws the following conclusions: under the background of contemporary pluralistic art, China's rich national art forms and long-standing traditional culture can nourish Chinese artists to get the source of artistic inspiration. By drawing lessons from and developing Chinese traditional art forms, Chinese contemporary art can radiate new vitality and brilliance.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
【参考文献】
相关期刊论文 前3条
1 孟立丛;浅谈绘画中的线条[J];开封大学学报;2003年04期
2 张涛;;笔触与肌理[J];美术教育研究;2011年05期
3 赵成清;;过程的意义——意象油画的生发与演变[J];美术界;2007年12期
，本文编号：2205520
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