明代渔父题材绘画研究
发布时间：2018-08-26 16:47
【摘要】：本文以明代渔父题材绘画为主要研究对象,通过对明代渔父题材绘画与前代同类题材的对比发现,在明代,渔父题材绘画总体趋向于世俗化,各且个阶段又有其特色,针对这一现象,本文展开研究。 本文的研究目的是探讨渔父题材绘画,由元代的隐逸发展到明代初期的世俗化、中晚期的亦隐亦俗以及末期的形式化的表现及其成因。 为了解决这个问题,文章首先梳理了明代之前此类绘画题材在各个时期的不同特点及其代表画家,并对明代的社会背景和绘画特征进行整体的把握。 在此基础上,文章提出了渔父题材绘画的四个视觉要素,并对其进行分析,发现渔父题材绘画视觉要素在明代发生了变化,并与这类题材的主题思想变化相呼应。 文章通过进一步分析职业画家和文人画家的渔父题材绘画作品发现,职业画家渔父题材绘画作品的世俗化是通过对画面意境的削弱、渔父形象的扩大、对渔父现实生活的描写等几点来实现的；而文人画家的此类题材无论是在表现具有世俗意味的“渔乐”图还是具有“隐逸”情怀的渔隐图,都呈现出亦俗亦隐的特征,到了末期,文人画家在创作此类题材时,则更为形式化。本文分析产生这两种现象的原因得出：明前期职业画家渔父题材的世俗化是和贵族品味、文化思潮及其画家的社会地位相关的；而导致这种世俗关怀到明中晚期发生转变的原因,则是由主流艺术品味的变化以及文人科考失意所造成的。末期渔父题材绘画形的形式化则是源于社会思潮及艺术观念的巨变。
[Abstract]:In this paper, the Ming Dynasty fisherman paintings as the main object of study, through the Ming Dynasty fisherman paintings and the same theme of the previous generation of comparison found that in the Ming Dynasty, fisherman paintings tend to be generally secular, and each stage has its own characteristics, for this phenomenon, this paper launched a study.
The purpose of this study is to explore the fisherman theme painting, from the Yuan Dynasty seclusion to the early Ming Dynasty secularization, the middle and late seclusion is also vulgar and the late formalization of the performance and its causes.
In order to solve this problem, the article first combs the different characteristics of this kind of paintings before the Ming Dynasty and their representative painters in various periods, and grasps the social background and painting characteristics of the Ming Dynasty as a whole.
On this basis, the article puts forward four visual elements of fisherman theme painting, and analyzes them. It is found that the visual elements of fisherman theme painting have changed in the Ming Dynasty, and correspond to the changes of thematic ideas of such subjects.
Through further analysis of the fisherman themes painted by professional painters and literati painters, this paper finds that the secularization of the fisherman themes painted by professional painters is realized by weakening the artistic conception of the picture, expanding the image of the fisherman, and describing the fisherman's real life, etc. The secular "fishing music" picture or the seclusive "fishing recluse" picture shows the secular and secluded characteristics. At the end of this period, the literati painters in the creation of such themes, it is more formal. This paper analyzes the reasons for these two phenomena: the secularization of the early Ming Dynasty professional painter fisherman theme is and noble taste, literature. In the late Ming Dynasty, the formalization of fishermen's paintings originated from the tremendous changes of social thoughts and artistic concepts.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
本文编号：2205538
[Abstract]:In this paper, the Ming Dynasty fisherman paintings as the main object of study, through the Ming Dynasty fisherman paintings and the same theme of the previous generation of comparison found that in the Ming Dynasty, fisherman paintings tend to be generally secular, and each stage has its own characteristics, for this phenomenon, this paper launched a study.
The purpose of this study is to explore the fisherman theme painting, from the Yuan Dynasty seclusion to the early Ming Dynasty secularization, the middle and late seclusion is also vulgar and the late formalization of the performance and its causes.
In order to solve this problem, the article first combs the different characteristics of this kind of paintings before the Ming Dynasty and their representative painters in various periods, and grasps the social background and painting characteristics of the Ming Dynasty as a whole.
On this basis, the article puts forward four visual elements of fisherman theme painting, and analyzes them. It is found that the visual elements of fisherman theme painting have changed in the Ming Dynasty, and correspond to the changes of thematic ideas of such subjects.
Through further analysis of the fisherman themes painted by professional painters and literati painters, this paper finds that the secularization of the fisherman themes painted by professional painters is realized by weakening the artistic conception of the picture, expanding the image of the fisherman, and describing the fisherman's real life, etc. The secular "fishing music" picture or the seclusive "fishing recluse" picture shows the secular and secluded characteristics. At the end of this period, the literati painters in the creation of such themes, it is more formal. This paper analyzes the reasons for these two phenomena: the secularization of the early Ming Dynasty professional painter fisherman theme is and noble taste, literature. In the late Ming Dynasty, the formalization of fishermen's paintings originated from the tremendous changes of social thoughts and artistic concepts.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
【参考文献】
相关博士学位论文 前1条
1 罗中峰;沈周的生活世界[D];中国美术学院;2011年
，本文编号：2205538
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