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浅谈抽象语言在绘画中的呈现方式

发布时间:2018-09-03 12:49
【摘要】:绘画作为一门视觉艺术,在人类艺术史上不断的发展创新,出现了丰富而广博的艺术形式,艺术家们也创造了多种多样的语言体系,有抽象语言、具象语言、意象语言等,随着人们观念的不断更新,抽象艺术已经成为了西方现代艺术的潮流。抽象语言突破了传统的写实手法,具备了理性与巧妙的双重特性,它不仅体现了冷静严密的逻辑思考,也带给人们无限的视觉冲击力,这些都影响着现代绘画的创作,本文以“抽象语言在绘画中的呈现方式”为研究课题,第一部分先阐述抽象语言的起源和发展历史,以及分析了呈现在绘画中的基本形式要素;第二部分向大师致敬,以中国和西方现代绘画大师的作品作为实例,从绘画作品的创作背景、思维方式、创作技法等多方位进行探讨分析;第三部分是我的个人创作,汲取了艺术大师们的营养,为我的创作提供了丰富的素材和灵感,我的作品来源于蝴蝶情节,最早在宋代《太平广记》中出现,化蝶之衍生的思想灵感,如沐春风之感,让人感觉到化蝶衍生过程的美丽和纯真,给人以审美和思想的熏陶,经过半年的主题探讨,以蝴蝶、太湖石为根基,逐渐把外界的写实形态关注转移到内心世界的关注上,运用泼洒这种比较自由的手法来表现,通过偶然间形成的抽象语言,找到适合自己的作画方式,在探索中总结对绘画创作的认识,并在创新中不断的给自己带来惊喜。
[Abstract]:As a visual art, painting has been developing and innovating continuously in the history of human art. The artists have also created a variety of language systems, such as abstract language, figurative language, image language and so on. With the constant renewal of people's ideas, abstract art has become the trend of western modern art. Abstract language breaks through the traditional realism technique and has the dual characteristics of rationality and ingenuity. It not only reflects the calm and rigorous logical thinking, but also brings people infinite visual impact, which affects the creation of modern painting. In the first part of this paper, the origin and development history of abstract language and the basic elements of form in painting are analyzed, and the second part pays tribute to the master. Taking the works of modern Chinese and western painting masters as examples, this paper discusses and analyzes the creative background, mode of thinking, creative techniques and other aspects of painting works. The third part is my personal creation, which draws on the nutrition of the artists. For my creation to provide rich material and inspiration, my works originated from the butterfly plot, first appeared in the Song Dynasty "Taiping Guang Ji", the spawning of the butterfly's ideological inspiration, such as a feeling of spring breeze, Let people feel the beauty and innocence of the spin-derived process, giving people the edification of aesthetics and thought. After half a year's thematic discussion, taking butterflies and Taihu stone as the foundation, they gradually transferred the attention of the outside realistic form to the concern of the inner world. Through the abstract language formed by chance, we can find the right way of painting, sum up the understanding of painting creation in exploration, and constantly surprise ourselves in innovation.
【学位授予单位】:天津美术学院
【学位级别】:硕士
【学位授予年份】:2016
【分类号】:J205

【参考文献】

相关期刊论文 前2条

1 王佳宝;;蝴蝶意象与中华民族审美文化心理[J];云南电大学报;2009年02期

2 沈乐;;找寻自我──论美国抽象表现主义艺术的创作观念[J];巢湖学院学报;2006年06期



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