插画的空间表现与构建方式研究
发布时间：2018-09-03 13:50
【摘要】：意大利文艺复兴使绘画空间完成了从二维到三维的蜕变，对画面真实感的重现达到了极致。但在现代摄影技术发明之后，终于将绘画从描摹自然、记录事物原貌的责任中解放出来，现代绘画的各个流派实现了由“再现”到“表现”的转变。从绘画艺术发展的历史中我们可以牵引出一条以时空表现为主的线索，从中找到现代插画丰富空间表现的源头。实际上，只有介绍外观特征的功能型插图需要描绘出符合人日常视觉经验的画面，以装饰表现为主的插画作品更加注重于表现艺术家意识中的世界，在没有传统绘画中光影、质感、透视束缚之下的插画作品表现更加主观、肆意，能够让画家以自己的直觉再创造出一个全新的画面空间。插画作为一门应用型艺术，在适当的地方都能够发挥所长——可以解释说明文字、满足画面的装饰需求、表达情感，，或是渲染氛围，合理安排画面空间能够更巧妙地迎合需求，让插画的表现与应用最大程度地契合艺术家的所求所想。
[Abstract]:The Italian Renaissance made the painting space complete the transformation from two-dimensional to three-dimensional. However, after the invention of modern photography technology, painting was finally liberated from the responsibility of describing nature and recording the original appearance of things, and all schools of modern painting realized the transformation from "reproduction" to "expression". From the history of the development of painting art, we can draw a clue based on the expression of time and space, from which we can find the source of the rich space performance of modern illustrations. In fact, only functional illustrations that introduce the features of appearance need to depict pictures that conform to people's daily visual experience. Illustrations that are mainly decorative and expressive are more focused on the world of the artist's consciousness, and light and shadow in the absence of traditional painting. Texture, perspective under the constraints of illustration performance more subjective, wanton, can let the painter with his intuition to create a new picture space. Illustration, as an applied art, is able to play its best in the right place-it can explain the words, satisfy the decorative needs of the picture, express the emotion, or render the atmosphere, and arrange the picture space more skillfully to meet the demand. Let the performance and application of illustration match the artist's desire to the greatest extent.
【学位授予单位】：北京服装学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.5
[Abstract]:The Italian Renaissance made the painting space complete the transformation from two-dimensional to three-dimensional. However, after the invention of modern photography technology, painting was finally liberated from the responsibility of describing nature and recording the original appearance of things, and all schools of modern painting realized the transformation from "reproduction" to "expression". From the history of the development of painting art, we can draw a clue based on the expression of time and space, from which we can find the source of the rich space performance of modern illustrations. In fact, only functional illustrations that introduce the features of appearance need to depict pictures that conform to people's daily visual experience. Illustrations that are mainly decorative and expressive are more focused on the world of the artist's consciousness, and light and shadow in the absence of traditional painting. Texture, perspective under the constraints of illustration performance more subjective, wanton, can let the painter with his intuition to create a new picture space. Illustration, as an applied art, is able to play its best in the right place-it can explain the words, satisfy the decorative needs of the picture, express the emotion, or render the atmosphere, and arrange the picture space more skillfully to meet the demand. Let the performance and application of illustration match the artist's desire to the greatest extent.
【学位授予单位】：北京服装学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.5
【参考文献】
相关期刊论文 前8条
1 廖漫云;陈淑贤;;浅探绘画的空间方法[J];大众科技;2006年04期
2 梁艳;;现代绘画艺术的空间意识转换[J];飞天;2011年10期
3 姜耕玉;艺术虚构中感性时空的超越与真实[J];江苏社会科学;2003年03期
4 尚z
本文编号：2220151
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2220151.html
