版画创作中的边界与延伸

发布时间：2018-10-07 17:29

【摘要】：笔者在版画的学习和实践中，对版画特有的形式语言表达不够明确。因此会学习借鉴许多前辈和老师的经验或手法来处理画面，这样会使画面的图式语言有法可依，有据可循。但从反面来说，如果在作品中对他人的模仿或借鉴痕迹太多，仿佛就失去了艺术本应具有的想象力和创造性。在中西方版画史中，每一个时代都有太多优秀的作品传承下来，这些作品除了技法精湛、画面关系处理得当之外，更重要的是透过画面，都能反映出那个时代特有的精神面貌和时代特征。笔者目前作为学习版画的学生来说，应不断的学习和体会传统版画的精髓，但同时是否也应该在版画的图式语言上尝试寻找其他可能性，突破版画的某种内在边界。笔者此前在创作中也做过类似尝试，试图通过自身作品来探讨版画作品是不是一定要像“版画”，版画的边界在哪里以及它的延伸性有多大。本文意图通过文字论述和图片资料相结合的方式，从创作的角度来切入，探讨版画是否有其内在的边界及其通过版画创作所延伸出新的可能性。
[Abstract]:In the study and practice of printmaking, the expression of specific formal language is not clear enough. Therefore, we will learn to learn from the experiences and techniques of many predecessors and teachers to deal with the picture, so that the schematic language of the picture can be governed by law and evidence. But on the other hand, if there are too many imitations or references to others in the works, it seems that the imagination and creativity of art should be lost. In the history of Chinese and Western printmaking, there are too many excellent works passed down in every era. In addition to their exquisite techniques and proper handling of the picture relations, what is more important is to pass through the pictures. Can reflect the spirit of that era and the unique features of the times. The author, as a student studying printmaking, should constantly learn and understand the essence of traditional printmaking, but at the same time, should try to find other possibilities in the schematic language of printmaking to break through some inner boundary of printmaking. The author has also made a similar attempt in the past, trying to explore whether the printmaking works must be like "prints", where the boundary of printmaking is and how big its extensibility is. This paper intends to discuss whether the print has its inner boundary and the new possibility through the combination of the text and the picture materials from the angle of creation.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217

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