关于油画创作中主观色彩应用的几点思考
发布时间：2018-10-18 18:02
【摘要】：油画创作中,主观色彩无疑是具有强烈冲击性的绘画语言。它强化了画家在作品中情感和内心的表达,使油画具有丰富表现力的同时,更赋予作品强大的感情力量。我们以往在描绘客观事物时,通常会用个人经验理性的确定色相、明暗等,这种客观再现的作品可以带给人们感官上的冲击,却难以带给观者心灵上的触动。主观色彩的使用加强了作品的内涵,对丰富语言表达起着关键作用。由此才能更好地强化精神层面的表达,使作品具有个性以及独特魅力。油画色彩的主观性发端于印象派。在印象派画家的启迪中,绘画语言越加自我,人们都在追求个性的表达。在绘画观念更加开放的现代,艺术家个体情感在绘画中占据越来越大的比重,甚至成为个人名片。我们都期待自己的作品被受众认可,希望受众能够读懂自己的作品,而最直接的方式就是通过作品中色彩的表现来拉近作者与观者间的距离。本篇文章在研究与探索油画创作中主观性色彩应用的同时,结合本人的毕业创作—《莲》系列油画创作的回顾与梳理,谈了几点个人对主观色彩应用的理解,既总结了这次毕业创作的经验,也为以后更好的艺术实践打下坚实基础。
[Abstract]:In oil painting, subjective color is undoubtedly a strong impact of painting language. It strengthens the expression of the painter's emotion and heart in his works, makes the oil painting have rich expressive power, and gives the work a powerful emotional power. In the past, when we describe objective things, we usually use personal experience to determine the color, light and shade, etc. This kind of objectively reproduced works can bring people the impact on the senses, but it is difficult to give the viewer the touch of the soul. The use of subjective color strengthens the connotation of the work and plays a key role in enriching language expression. In this way, the expression of spiritual level can be strengthened better and the work has its own personality and unique charm. The subjectivity of oil painting color originates from impressionism. In the inspiration of Impressionist painters, painting language is more self-enhancing, people are pursuing the expression of personality. In the modern painting concept more open, the artist's individual emotion occupies more and more proportion in the painting, and even becomes the personal business card. We all expect our works to be accepted by the audience, and we hope that the audience can understand their works, and the most direct way is to narrow the distance between the author and the viewer through the expression of color in the works. While researching and exploring the application of subjective color in oil painting creation, this article, combined with the retrospect and combing of my graduation creation-"Lian" series oil painting creation, discusses several personal understandings on the application of subjective color. Not only summarized the experience of this graduation creation, but also laid a solid foundation for better art practice in the future.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
本文编号：2279934
[Abstract]:In oil painting, subjective color is undoubtedly a strong impact of painting language. It strengthens the expression of the painter's emotion and heart in his works, makes the oil painting have rich expressive power, and gives the work a powerful emotional power. In the past, when we describe objective things, we usually use personal experience to determine the color, light and shade, etc. This kind of objectively reproduced works can bring people the impact on the senses, but it is difficult to give the viewer the touch of the soul. The use of subjective color strengthens the connotation of the work and plays a key role in enriching language expression. In this way, the expression of spiritual level can be strengthened better and the work has its own personality and unique charm. The subjectivity of oil painting color originates from impressionism. In the inspiration of Impressionist painters, painting language is more self-enhancing, people are pursuing the expression of personality. In the modern painting concept more open, the artist's individual emotion occupies more and more proportion in the painting, and even becomes the personal business card. We all expect our works to be accepted by the audience, and we hope that the audience can understand their works, and the most direct way is to narrow the distance between the author and the viewer through the expression of color in the works. While researching and exploring the application of subjective color in oil painting creation, this article, combined with the retrospect and combing of my graduation creation-"Lian" series oil painting creation, discusses several personal understandings on the application of subjective color. Not only summarized the experience of this graduation creation, but also laid a solid foundation for better art practice in the future.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213
【参考文献】
相关期刊论文 前1条
1 梁健;;1954年后贾科梅蒂绘画作品风格的演变分析[J];美术教育研究;2010年07期
，本文编号：2279934
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