宋元文人山水画题款研究

发布时间：2018-10-24 17:42

【摘要】：宋元文人山水画作为中国传统文化中的一部分，至今仍在画坛上产生着深刻而广泛的影响。它是将哲学、美学、文学、诗歌、书法、宗教等多种特殊文化融合在一起的一门艺术。其中题款艺术是宋元文人山水画最为耀眼的光环，它光芒四射，最终成为中国绘画史上的璀璨明珠。题款研究对文人山水画的内容解读和形式美的创造有伟大的现实意义。宋朝，文人画题款开始萌芽。元以降，文人画的题款得到逐渐发展，并出现日益繁荣的景象。本论文以文人山水画题款的内容与形式为视角,展开对宋元文人山水画做深入的整理、分析、研究。进一步阐述文人山水画题款更深层次的内涵与意义。本文对宋元文人山水画题款的研究分四个部分。第一部分，阐述宋元文人山水画发展状况及“题款”渊源。结合文献资料对宋代文人山水画的形成进行了讨论，得知宋代文人山水画是特殊政治环境下相互作用的结果。在中国绘画史上民族特色极为鲜明，意义尤为重大。元代文人山水画题款新的突破与发展正是建立在宋代基础之上的。第二部分，讲述宋代文人山水画“题款”的萌芽（滋生）与发展。通过对宋代文人山水画出现的历史背景分析并结合当时的思想引出宋代文人山水画题款出现的成因。接着采用图片分析的方法，介绍文人山水画家的题款作品，并选取一些有代表性的文人山水画题款作品探讨宋代文人山水画创造的思想根基。第三部分，，元代多元文化冲击下的绘画思想裂变之题款多样式发展。本章是论文的重点部分，主要从思想根源、内在精神、传播者等方面展开论述元代多元文化思想裂变下，题款的多样性发展。并结合元代文人山水画的题款作品，深入分析元代文人山水画题款的“内容”及“形式”。研究表明元代文人山水画题款内容丰富、形式多样，是极具个性特色的。论文的第四部分讨论了宋元文人山水画题款对后世的影响及宋元文人山水画题款的历史地位及意义。
[Abstract]:As a part of Chinese traditional culture, literati landscape painting in Song and Yuan dynasties still exerts profound and extensive influence on the painting world. It is an art that combines philosophy, aesthetics, literature, poetry, calligraphy, religion and other special cultures. The title art is the most dazzling halo of the literati landscape paintings in Song and Yuan dynasties, and it is a brilliant pearl in the history of Chinese painting. The theme study has great practical significance for the interpretation of literati landscape painting content and the creation of formal beauty. In the Song Dynasty, literati paintings began to sprout. In the Yuan Dynasty, the literati paintings gradually developed, and increasingly prosperous scene. From the angle of view of the content and form of literati landscape painting, this paper makes a thorough arrangement, analysis and research on the literati landscape painting in Song and Yuan dynasties. Further elaborated the literati landscape painting title deeper level connotation and significance. This paper is divided into four parts on the theme of literati landscape painting in Song and Yuan dynasties. The first part expounds the development of literati landscape painting in Song and Yuan dynasties and its origin. This paper discusses the formation of literati landscape painting in Song Dynasty and finds out that it is the result of interaction under the special political environment. In the history of Chinese painting, the national characteristics are very bright, especially significant. The new breakthrough and development of literati landscape painting in Yuan Dynasty was based on Song Dynasty. The second part is about the sprout (breeding) and development of literati landscape painting in Song Dynasty. By analyzing the historical background of the emergence of literati landscape painting in Song Dynasty and combining with the thought at that time, the causes of the emergence of the title of landscape painting of literati in Song Dynasty were introduced. Then by using the method of picture analysis, this paper introduces the theme works of literati landscape painters, and selects some representative works of literati landscape paintings to discuss the ideological foundation of the creation of literati landscape paintings in Song Dynasty. The third part, the multi-style development of painting thought under the impact of multi-culture in Yuan Dynasty. This chapter is the key part of the thesis, mainly from the ideological roots, internal spirit, propagator and other aspects to discuss the Yuan Dynasty multicultural thought fission, the theme of the diversity of development. Combined with the literati landscape painting in Yuan Dynasty, the content and form of landscape painting in Yuan Dynasty are analyzed. The research shows that the literati landscape painting in Yuan Dynasty has rich contents and various forms. The fourth part of the paper discusses the influence of literati landscape painting in Song and Yuan dynasties on later generations and the historical status and significance of literati landscape painting in Song and Yuan dynasties.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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