山西宝宁寺水陆画内容与年代考释

发布时间：2018-10-24 20:51

【摘要】：水陆画是举办水陆法会时用到的神yG鬼灵的图像,它是元明清时期宗教美术的重要表现形式之一。本文研究的山西右玉宝宁寺旧藏水陆画,绘制精美、保存完好,是众多遗存水陆卷轴画中的代表性作品。本文的研究重点为宝宁寺水陆画内容及绘制年代考释。学术界普遍认为此堂水陆画是以"敕赐镇边"之名赏赐给宝宁寺的,但绘于何时,由谁赏赐?目前存在些许争论。本文绪论部分全面梳理了目前水陆画领域的学术研究现状,进而提出所要解决的问题。之后紧扣宝宁寺水陆画这一选题,首先对此堂水陆画的由来、艺术特色进行梳理、分析,确认其遵循的修斋仪轨为《天地冥阳水陆仪文》。在此基础上,以各组神yG为单位,结合仪文、典籍对画中涉及的神yG鬼灵图像进行解读。第三章着重考证宝宁寺水陆画的绘制年代问题。通过对宝宁寺水陆画中人物服饰、神yG谱系、表现技法的研究,以及与元明两代卷轴画、水陆卷轴画及水陆壁画的对比,认为宝宁寺水陆画采用元代粉本,绘制时间是在元末明初(元末红巾军出现以后),是元末明初具有代表性的水陆卷轴画作品。本文考释神yG鬼灵图像,探究其源流、含义,从而对水陆画内容进行了系统的整理分析。此外,创新之处还在于以图像、史料为基础,利用图像学、风格学,运用对比等多种方法解决年代考证这一问题。并在这一过程中,兼论元明两代水陆卷轴画的粉本问题、风格流变问题。
[Abstract]:The painting of land and water is the image of yG ghost, which is one of the important forms of religious art in Yuan, Ming and Qing dynasties. The waterfront paintings of Shanxi Youyu Baongning Temple, which are beautifully drawn and well preserved, are the representative works of many relic water- land scroll paintings. The research focus of this paper is the content of the painting of the Baongning Temple and the textual research of its drawing age. Academic circles generally believe that this hall of water and land painting was given to the Boning Temple in the name of "Chi Zhi Zhen Bian", but when was it painted, and by whom? There is some debate. The introduction part of this paper comprehensively combs the present academic research status in the field of land and water painting, and then puts forward the problems to be solved. Then close to Baongning Temple water and land painting this topic, first of all, the origin of the waterfront painting, the art characteristics of combing, analysis, confirmed that it followed the Zhai ritual for the "heaven and earth Ming Yang water and land instrument text". On this basis, taking each group of gods yG as the unit, combined with the Yi Wen, the ancient books to the picture of the god yG ghost image interpretation. The third chapter focuses on textual research on the drawing age of the painting of Baoning Temple. Based on the study of the dress of characters, the pedigree of God yG, the techniques of expression, and the comparison with the scroll painting of Yuan and Ming dynasties, the scroll painting of water and land and the murals of water and land, it is considered that the painting of water and land in Baoning Temple adopts the pink version of Yuan Dynasty. The drawing time was in the late Yuan Dynasty and the early Ming Dynasty (after the appearance of the Red napkin Army at the end of Yuan Dynasty), and it was a representative painting work of the land and water scrolls in the late Yuan Dynasty and the early Ming Dynasty. This paper studies the image of yG ghost, explores its origin and meaning, and makes a systematic arrangement and analysis of the contents of the waterfront painting. In addition, the innovation is based on image and historical data, and uses many methods, such as graphology, stylistics, contrast and so on, to solve the problem of chronology. In this process, the paper also discusses the painting of water and land scrolls in Yuan and Ming dynasties.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J219

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