探析古典绘画精神的现实意义
发布时间：2018-11-11 10:22
【摘要】：靳尚谊曾经说过艺术是需要传承的,而科技是需要创新的。就是说我们绘画艺术要以传承为主,传承的意思就是继承,继承就要我们像古代学习;而现代科技要以创新为主,因为没有新科技那就没有社会的发展。但从艺术的角度来说,我们还是要以传承为主,而学习古典艺术,就是以传承古典精神为主,继而对现代绘画的发展有更深刻的现实意义。这也是我这篇论文的中心思想所在。在传承艺术当中我们要重提古典精神在现代的作用和意义,这便是我为什么要探析古典精神的实质内涵,从而更贴切地触入到现代绘画的绘画创作中,创作出具有实现主义意味的给画便是本文的目的。本文分析古典主义精神的产生、了解古典主义精神和分析古典主义精神的在艺术发展历史中不同阶段的体现,结合其发展和影响,以及和社会、种族、国家的关联,严谨地探析古典绘画在不同时期、阶段的技法和表现内容的精神体现,通过举例和分析来展示油画所传达的古典精神,也是对传统古典主义绘画精神一次重温。首先,从阐释绘画的古典精神,解析古典绘画的精神实质。从古希腊到19世纪法国美术的艺术历史中,分析古典精神的体现和在各种风格不同的绘画中的弘扬及体现现代古典精神的永恒性方面,研究绘画在这方面的古典精神体现和特征性;并从艺术发展的不同时期分别受宗教影响,受戏剧影响,受文学的影响。绘画的古典精神的体现方面,与其他的横向的姊妹艺术之间作比较,探究其中的不同和特点是研究的重点其后,我对古典精神的重新认识,从为宗教服务而绘画的中世纪艺术,研判人们对上帝和宗教的崇尚精神的内容实质,以及中世纪绘画体现的平面性装饰性的绘画现象所体现的精神。从乔托的绘画及精神表现(即有对宗教的崇尚又有现实生活当中人物的表现),到文艺复兴的绘画里面,技法和古典精神的体现,通过分析其发生的背景、时代与技巧、特点,来体现古典的绘画精神异曲同工。从论及拉斐尔的画里面的圣灵、圣母和圣子人性化的精神。到后来慢慢出现的现实主义,到鲁本斯、伦勃朗等完全世俗化的艺术家,他们不再以宗教为主了,表现得都是人文主义精神作系统分析。最后,主要通过谈中国当代的艺术发展的一些趋势、现状,通过举例阐明古典主义绘画精神对中国当代一些画家油画的影响,来体现古典主义精神在现代艺术中的体现以及现实意义。
[Abstract]:Jin Shangyi once said that art needs to be passed on, and science and technology need to be innovated. That is to say, our painting art should be inherited primarily, inheritance means inheritance, inheritance requires us to study like ancient times; and modern science and technology should focus on innovation, because without new technology, there would be no social development. But from the artistic point of view, we still have to inherit the main, and learn classical art, is to inherit the classical spirit, and then for the development of modern painting has a more profound practical significance. This is the central idea of my thesis. In the process of inheriting art, we should mention again the role and significance of classical spirit in modern times. This is why I want to explore the essential connotation of classical spirit, so as to touch more closely into the painting creation of modern painting. The purpose of this paper is to create the painting with the sense of realization. This paper analyzes the emergence of the spirit of classicism, understands the spirit of classicism and analyzes the embodiment of the spirit of classicism in different stages of the history of art development, combining its development and influence, as well as its connection with society, race and country. It is also a reexamination of the spirit of the traditional classicism painting to rigorously analyze the spirit of the techniques and performance contents of the classical painting in different periods and to show the classical spirit conveyed by the oil painting through examples and analysis. First of all, from the interpretation of the classical spirit of painting, the spirit of the essence of classical painting. From ancient Greece to the art history of French art in the 19th century, this paper analyzes the embodiment of classical spirit and its promotion in various paintings of different styles and the immutability of modern classical spirit. To study the classical spirit and characteristics of painting in this respect; It is influenced by religion, drama and literature in different periods of artistic development. The embodiment of the classical spirit of painting is compared with other horizontal sister arts, and exploring the differences and characteristics among them is the focus of the study. After that, my new understanding of the classical spirit begins with the medieval art of painting for the service of religion. To study the essence of the spiritual worship of God and religion, and the spirit embodied in the decorative painting of the Middle Ages. From Joto's paintings and spiritual expressions (that is, the worship of religion and the performance of characters in real life) to the Renaissance paintings, techniques and the embodiment of classical spirit, through the analysis of the background, times and skills, characteristics, To reflect the spirit of classical painting the same work. The spirit of humanity of the Holy Spirit, the Virgin and the son in Raphael's paintings. To the later realism, to Rubens, Rembrandt and other completely secularized artists, they no longer focus on religion, they all show a systematic analysis of humanism. Finally, mainly through talking about some trends of contemporary Chinese art development, the present situation, through illustrating the influence of classicism painting spirit on the oil paintings of some contemporary Chinese painters, To reflect the spirit of classicism in the embodiment of modern art and practical significance.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
本文编号：2324551
[Abstract]:Jin Shangyi once said that art needs to be passed on, and science and technology need to be innovated. That is to say, our painting art should be inherited primarily, inheritance means inheritance, inheritance requires us to study like ancient times; and modern science and technology should focus on innovation, because without new technology, there would be no social development. But from the artistic point of view, we still have to inherit the main, and learn classical art, is to inherit the classical spirit, and then for the development of modern painting has a more profound practical significance. This is the central idea of my thesis. In the process of inheriting art, we should mention again the role and significance of classical spirit in modern times. This is why I want to explore the essential connotation of classical spirit, so as to touch more closely into the painting creation of modern painting. The purpose of this paper is to create the painting with the sense of realization. This paper analyzes the emergence of the spirit of classicism, understands the spirit of classicism and analyzes the embodiment of the spirit of classicism in different stages of the history of art development, combining its development and influence, as well as its connection with society, race and country. It is also a reexamination of the spirit of the traditional classicism painting to rigorously analyze the spirit of the techniques and performance contents of the classical painting in different periods and to show the classical spirit conveyed by the oil painting through examples and analysis. First of all, from the interpretation of the classical spirit of painting, the spirit of the essence of classical painting. From ancient Greece to the art history of French art in the 19th century, this paper analyzes the embodiment of classical spirit and its promotion in various paintings of different styles and the immutability of modern classical spirit. To study the classical spirit and characteristics of painting in this respect; It is influenced by religion, drama and literature in different periods of artistic development. The embodiment of the classical spirit of painting is compared with other horizontal sister arts, and exploring the differences and characteristics among them is the focus of the study. After that, my new understanding of the classical spirit begins with the medieval art of painting for the service of religion. To study the essence of the spiritual worship of God and religion, and the spirit embodied in the decorative painting of the Middle Ages. From Joto's paintings and spiritual expressions (that is, the worship of religion and the performance of characters in real life) to the Renaissance paintings, techniques and the embodiment of classical spirit, through the analysis of the background, times and skills, characteristics, To reflect the spirit of classical painting the same work. The spirit of humanity of the Holy Spirit, the Virgin and the son in Raphael's paintings. To the later realism, to Rubens, Rembrandt and other completely secularized artists, they no longer focus on religion, they all show a systematic analysis of humanism. Finally, mainly through talking about some trends of contemporary Chinese art development, the present situation, through illustrating the influence of classicism painting spirit on the oil paintings of some contemporary Chinese painters, To reflect the spirit of classicism in the embodiment of modern art and practical significance.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205
【参考文献】
相关期刊论文 前1条
1 朱平;早期绘画技法与油画的发明[J];江苏教育学院学报(社会科学版);2004年05期
，本文编号：2324551
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2324551.html
