中国水彩画造型中的意象表现
发布时间：2018-11-11 11:04
【摘要】：意象是我国传统的重要美学概念,它是介于具象和抽象之间的一种审美,是主体与客体之间相互交融的结果,实际上,意象不属于任何一个极点。对绘画中的意象造型来讲,它所追求的是一种情景交融的形式美感,同时还要具有象征意义。在中国的传统绘画中,写意是绘画讲究的重点,意象造型正是写意画讲究的表现形式。本文主要从三大章节进行叙述和分析。第一章主要从三个部分叙述,“意象”的美学阐释,水彩画的意象表现形式以及水彩画的意象造型特点。第二章首先叙述中国当代水彩画发展状况,水彩画中的意象表现作为水彩画中的一种表现形式,因此接下来简述中国当代意象水彩画的发展。第三章是对当代水彩画意象造型的一个思考,分两部分,第一部分是“意象”对传统文化的传承,第二部分是中国当代意象水彩画家对社会的反思。试分析水彩画中的意象造型对传统文化的继承和发展。
[Abstract]:Image is an important aesthetic concept in the tradition of our country. It is a kind of aesthetics between concrete and abstract. It is the result of the intermingling of subject and object. In fact, image does not belong to any pole. For the image modeling in painting, what it pursues is a kind of aesthetic sense of form, which is also symbolic. In Chinese traditional painting, freehand brushwork is the focus of painting, image modeling is the expressive form of freehand brushwork. This article mainly carries on the narration and the analysis from the three big chapters. The first chapter mainly narrates from three parts, the esthetics explanation of "image", the image expression form of watercolor painting and the characteristic of image modeling of watercolor painting. The second chapter first describes the development of contemporary Chinese watercolor painting, watercolor in the image as a form of expression in watercolor painting, so the development of Chinese contemporary image watercolor painting. The third chapter is a reflection on the image modeling of contemporary watercolor painting, which is divided into two parts. The first part is the inheritance of traditional culture by "image", and the second part is the reflection on the society by Chinese contemporary watercolor artists. This paper tries to analyze the inheritance and development of traditional culture by image modeling in watercolor painting.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J215
本文编号：2324642
[Abstract]:Image is an important aesthetic concept in the tradition of our country. It is a kind of aesthetics between concrete and abstract. It is the result of the intermingling of subject and object. In fact, image does not belong to any pole. For the image modeling in painting, what it pursues is a kind of aesthetic sense of form, which is also symbolic. In Chinese traditional painting, freehand brushwork is the focus of painting, image modeling is the expressive form of freehand brushwork. This article mainly carries on the narration and the analysis from the three big chapters. The first chapter mainly narrates from three parts, the esthetics explanation of "image", the image expression form of watercolor painting and the characteristic of image modeling of watercolor painting. The second chapter first describes the development of contemporary Chinese watercolor painting, watercolor in the image as a form of expression in watercolor painting, so the development of Chinese contemporary image watercolor painting. The third chapter is a reflection on the image modeling of contemporary watercolor painting, which is divided into two parts. The first part is the inheritance of traditional culture by "image", and the second part is the reflection on the society by Chinese contemporary watercolor artists. This paper tries to analyze the inheritance and development of traditional culture by image modeling in watercolor painting.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J215
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