山川无
发布时间：2018-11-11 21:46
【摘要】：正2016年11月25日,由中国美术家协会、广东省美术家协会、广东美术馆联合主办的山川无尽——罗一平水墨山水画展在广东美术馆开幕。该展由山川、树林、小品三大板块构成,其中分为“境域系列”、“鼎湖山系列”、“三清山系列”、“滇川系列”、“马尔代夫系列”、“小品系列”,是继2013年广州艺术博物院举办的岫·远意——罗一平山水作品展后又一个展。2013年展出的作品是他在广东美术馆工作间隙中断断续续创作而成,多画心中的山、理想的山,对传统图式的演绎大于对现实山川的感悟与再创造;本次在广东美术馆展出的作
[Abstract]:On November 25, 2016, the Chinese artists Association, the Guangdong artists Association, and the Guangdong Art Museum jointly sponsored the exhibition of endless mountains and rivers-painting exhibition by Luo Yiping in Guangdong Art Museum. The exhibition is composed of three major plates: mountains, forests and sketches, which are divided into three parts, namely, "Sea area Series", "Dinghushan Series", "Sanqing Mountain Series", "Yunnan and Sichuan Series", "Maldives Series" and "short essay Series". It is another exhibition after Xiu Yuanyi-Luo Yiping's works of landscape, held by Guangzhou Art Museum in 2013. The work on display in 2013 is his intermittent creation in the gap of work of Guangdong Art Museum, with more paintings of mountains in mind and ideal mountains. The deduction of traditional schemata is greater than the perception and re-creation of realistic mountains and rivers. This exhibition at the Guangdong Art Museum
本文编号：2326227
[Abstract]:On November 25, 2016, the Chinese artists Association, the Guangdong artists Association, and the Guangdong Art Museum jointly sponsored the exhibition of endless mountains and rivers-painting exhibition by Luo Yiping in Guangdong Art Museum. The exhibition is composed of three major plates: mountains, forests and sketches, which are divided into three parts, namely, "Sea area Series", "Dinghushan Series", "Sanqing Mountain Series", "Yunnan and Sichuan Series", "Maldives Series" and "short essay Series". It is another exhibition after Xiu Yuanyi-Luo Yiping's works of landscape, held by Guangzhou Art Museum in 2013. The work on display in 2013 is his intermittent creation in the gap of work of Guangdong Art Museum, with more paintings of mountains in mind and ideal mountains. The deduction of traditional schemata is greater than the perception and re-creation of realistic mountains and rivers. This exhibition at the Guangdong Art Museum
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