秋天的朦胧美在我绘画中的表现
发布时间：2018-11-12 06:55
【摘要】：中国画是中国传统的艺术形式,其特有的民族审美意识与艺术底蕴具有不可替代的文化价值,并一直延续至今。基于此,新时代的中国画就需要艺术家们在不断继承和深研传统的同时,注入更多富有时代精神的视觉符号和新鲜血液。作为中国画人物方向的研究生,努力创作出具有时代气息的作品是我们的责任,也是时代赋予我们的新的机会和挑战。本文结合我对自然的感知,对生活的体会,以记忆深处的美为切入点,表达我对秋天的朦胧美的喜爱。人生不过一般风雨,一半晴天,四季轮回是矛盾的统一,层林尽染是岁月的沉香,秋意朦胧如镜澄明,写尽兴衰,不悲不喜。从自然得秋天到对秋意的体悟,心情随着理解的深入幻化出不同的表达方式,可以是悲悯,可以是喜悦,正如蹁跹的蝴蝶,盘旋中感知秋的深层意蕴。正如一句古话,前人栽树,后人乘凉。很多优秀的画家通过自身对生活的观察,创作出众多与秋天相关的上乘作品。田埂上的野趣、树下的安详,以及花间的物语,在艺术家笔下显得深沉、踏实,值得后人学习。这种秋天的朦胧美对我的绘画创作具有重要影响,通过分析与研究秋天的朦胧美,使我更好地学习了传统的绘画语言,并在传统的基础上赋予生活给我的新的感受,创新图式、激活构思、灵活挥洒、感悟人生,在墨与色、虚与实、落红与情思之间探寻中国画独特的艺术魅力。不求在艺术领域做出多么重大的贡献,但求在不断创作过程中,发掘、体悟个人的人生态度与生活哲思,以小小之我见带来不同的视觉体验。本文主体共分为五部分:前言部分对秋天进行了简要概述,并说明了我选题的原因。第一章主要从自然中秋天的美展开,进一步说明我对秋意美的体悟即朦胧美。第二章通过举例分析了秋天的朦胧美,分别是朦胧美的深邃温婉、朦胧美的温情细腻、朦胧美的诗化韵味。第三章是写我自己的创作。从构思、视觉效果、意境三方面分析了秋天的朦胧美在我创作中的表现。最后是我对整篇论文的一个总结。
[Abstract]:Chinese painting is the traditional art form of China, its unique national aesthetic consciousness and artistic background have irreplaceable cultural value, and continue to this day. Based on this, the Chinese painting of the new era requires artists to inject more visual symbols and fresh blood of the spirit of the times while inheriting and deeply studying the tradition. As a graduate student in the direction of Chinese painting, it is our responsibility and new opportunity and challenge to create the works with the flavor of the times. This article combines my perception of nature and my experience of life to express my love of autumn's obscurity with the deep beauty of memory as the starting point. Life is a general wind and rain, half sunny day, four seasons cycle is the unity of contradictions, layer forest dye is the years, autumn dim like mirror clear, write all rise and fall, not sad not happy. From the natural autumn to the understanding of the autumn, the mood with the understanding of the depth of disillusionment out of different expressions, can be compassion, can be happy, just like the butterflies fluttering, the deep meaning of perception of autumn in the hovering. As an old saying goes, forebears plant trees and later generations take advantage of the cold. Through their own observation of life, many excellent painters have created many excellent works related to autumn. The wild interest on the ridge of the field, the serenity under the tree, and the libretto among the flowers are deep and steadfast in the works of the artist, and are worth learning from later generations. This kind of hazy beauty of autumn has an important influence on my painting creation. By analyzing and studying the hazy beauty of autumn, I have learned the traditional painting language better, and on the basis of tradition, I have given my life a new feeling and innovative schemata. Activate the idea, flexibly wield, realize the life, explore the unique artistic charm of Chinese painting between ink and color, deficiency and reality, falling red and feeling. Not to make great contributions in the field of art, but to explore and understand the personal attitude and philosophy of life in the process of continuous creation, and to bring different visual experiences to small personal views. The main body of this paper is divided into five parts: the foreword gives a brief overview of autumn and explains the reason why I selected this topic. The first chapter mainly starts from the beauty of autumn in nature, and further explains my understanding of the beauty of autumn meaning, that is, hazy beauty. The second chapter analyzes the hazy beauty of autumn with examples, which are the deep and gentle beauty, the tender feeling and the poetic charm of hazy beauty. The third chapter is about my own creation. From the conception, visual effect and artistic conception, this paper analyzes the expression of the hazy beauty of autumn in my creation. Finally, I have a summary of the whole paper.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
本文编号：2326372
[Abstract]:Chinese painting is the traditional art form of China, its unique national aesthetic consciousness and artistic background have irreplaceable cultural value, and continue to this day. Based on this, the Chinese painting of the new era requires artists to inject more visual symbols and fresh blood of the spirit of the times while inheriting and deeply studying the tradition. As a graduate student in the direction of Chinese painting, it is our responsibility and new opportunity and challenge to create the works with the flavor of the times. This article combines my perception of nature and my experience of life to express my love of autumn's obscurity with the deep beauty of memory as the starting point. Life is a general wind and rain, half sunny day, four seasons cycle is the unity of contradictions, layer forest dye is the years, autumn dim like mirror clear, write all rise and fall, not sad not happy. From the natural autumn to the understanding of the autumn, the mood with the understanding of the depth of disillusionment out of different expressions, can be compassion, can be happy, just like the butterflies fluttering, the deep meaning of perception of autumn in the hovering. As an old saying goes, forebears plant trees and later generations take advantage of the cold. Through their own observation of life, many excellent painters have created many excellent works related to autumn. The wild interest on the ridge of the field, the serenity under the tree, and the libretto among the flowers are deep and steadfast in the works of the artist, and are worth learning from later generations. This kind of hazy beauty of autumn has an important influence on my painting creation. By analyzing and studying the hazy beauty of autumn, I have learned the traditional painting language better, and on the basis of tradition, I have given my life a new feeling and innovative schemata. Activate the idea, flexibly wield, realize the life, explore the unique artistic charm of Chinese painting between ink and color, deficiency and reality, falling red and feeling. Not to make great contributions in the field of art, but to explore and understand the personal attitude and philosophy of life in the process of continuous creation, and to bring different visual experiences to small personal views. The main body of this paper is divided into five parts: the foreword gives a brief overview of autumn and explains the reason why I selected this topic. The first chapter mainly starts from the beauty of autumn in nature, and further explains my understanding of the beauty of autumn meaning, that is, hazy beauty. The second chapter analyzes the hazy beauty of autumn with examples, which are the deep and gentle beauty, the tender feeling and the poetic charm of hazy beauty. The third chapter is about my own creation. From the conception, visual effect and artistic conception, this paper analyzes the expression of the hazy beauty of autumn in my creation. Finally, I have a summary of the whole paper.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212
【参考文献】
相关博士学位论文 前1条
1 蔡青;新中国“十七年”中国画研究[D];中国艺术研究院;2007年
相关硕士学位论文 前2条
1 赵东;论中国画画风中的朦胧体格[D];中央民族大学;2006年
2 丁素玫;论中国画的朦胧美[D];西安美术学院;2007年
，本文编号：2326372
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