从张大千泼彩山水看“墨色”协调问题

发布时间：2018-11-12 19:28

【摘要】：中国画极具重视墨色,是中国画的特点之一,墨色是画家必须掌控解决的问题。中国绘画自古以来就以用墨为主,设色为辅；及古代文人画家提出“墨分五彩”注重墨的使用,墨的浓、淡、干、湿即表达出具有彩色的感受。进入20世纪中国绘画出现百家争鸣百花齐放的繁荣盛期,画家们对色彩有了新的认识与理解,而色彩本身的视觉传达功能也是非常明显有效的,成为新时代研习中国画者特别注重与认识的范畴。张大千在保持中国画传统的特色基础上,创造出了一种半抽象的泼墨泼彩山水画,形成新的一种山水图式,推动了现代中国山水画发展,表现别具一格的诗意。深入研究张大千泼彩山水墨色协调问题是现代山水画创新的必然,也有助于拓宽我们绘画创新的研究视野,更好地在绘画创作中得以实践,强化和丰富山水画语言和内涵,具有无可否认的价值和意义。本文首先介绍张大千泼彩山水作品中遇到的色墨问题进行分析,并介绍张大千是怎样解决色墨问题,及作品所呈现的画面特色效果,着重分析其墨色如何协调问题。重点阐述对泼彩技法在创作当的运用中所遇到的问题,包括在技法上容易跑墨、色墨不容、画面沉闷等现象进行分析并在自己不断试验研习其作品从中寻得启发加以解决。最后在张大千泼彩山水画的基础上力求突破再次创新。
[Abstract]:Chinese painting attaches great importance to ink, is one of the characteristics of Chinese painting, ink is the painter must be controlled to solve the problem. Since ancient times, Chinese painting has mainly used ink, supplemented by color; and ancient literati painters put forward that "ink is divided into five colors" pay attention to the use of ink, ink thick, light, dry, wet express the feeling of color. In the 20th century, when Chinese painting had a prosperous period of a hundred schools of thought and a hundred flowers in full bloom, the painters had a new understanding and understanding of the color, and the visual communication function of the color itself was also very effective. Become a new era to study Chinese painting special attention and understanding of the category. On the basis of maintaining the traditional characteristics of Chinese painting, Zhang Daqian created a kind of semi-abstract painting with splash-ink and color landscape painting, formed a new landscape pattern, promoted the development of modern Chinese landscape painting, and displayed a unique poetic meaning. It is necessary for the innovation of modern landscape painting to study the coordination of painting ink with Zhang Daqian, which is also helpful to broaden the research field of our painting innovation, to better practice in painting creation, and to strengthen and enrich the language and connotation of landscape painting. Have undeniable value and significance. This paper first introduces the color ink problem encountered in Zhang Daqian's color landscape works, and introduces how Zhang Daqian solves the color ink problem, and the picture characteristic effect presented in his works, especially how to coordinate the ink color. This paper focuses on the analysis of the problems encountered in the application of the color throwing technique in the creation, including the easy running of ink in the technique, the intolerability of color ink, the dull picture and so on. Finally, Zhang Daqian on the basis of color landscape painting strive to break through again innovation.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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