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元代散佚十八罗汉图考

发布时间:2018-11-13 06:48
【摘要】:本文搜集到分藏于各博物馆和单位以及散佚的罗汉图轴14件,因笔墨、款署、风格、材质、尺寸一致或非常接近,研究认定原应属同一套十八罗汉图。为研究其画史意义,首先对十八罗汉的图示源流进行梳理,并统计和分析了宋元时期存世的十六和十八罗汉图,然后对这14幅罗汉图逐一从名称、画法、流传等方面进行考察,再对比同期的罗汉图,认为这套罗汉图是存世唯一一套有明确纪年的元代十八罗汉图,且是没有摹写母本的新创作,可能是宁波地区的职业画家根据民间信仰所绘制的一套水陆画。
[Abstract]:In this paper, 14 pieces of Luo Han's drawings, which are collected in various museums and units and lost, are found to belong to the same set of eighteen arhats because of the same style, material, size, or similarity of pen and ink, section, style, material and size. In order to study the historical significance of his paintings, the origin and stream of the pictorial figures of the eighteen Arhats are first combed, and the sixteen and eighteen Arhat drawings of the Song and Yuan dynasties are statistically and analytically analyzed. Then, the 14 drawings of Luo Han are examined one by one from the aspects of name, drawing method, circulation, and so on. Comparing with Luo Han's pictures of the same period, he thinks that this set of Luo Han pictures is the only one of the eighteen Arhats of the Yuan Dynasty with a definite chronology in existence, and that it is a new creation without a copy of the mother book. It may be a set of waterfront paintings drawn by professional painters in Ningbo area according to folk beliefs.
【作者单位】: 南京大学历史学院;
【分类号】:J209


本文编号:2328325

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