托古出新:董其昌的“模古”
发布时间：2018-11-13 06:40
【摘要】：建立在心学和禅宗基础的南北宗论,是与董其昌不断观摩古画和验证其绘画实践紧密相连的。他认为临古画须不拘于形似,应学其神韵,方得出蓝之胜;他提出"模古"以求与古人之"合"的途径是"变",故"模古"的本质乃是托古出新,本文旨在通过他对王维、董源、黄公望风格的阐释及其作品的解析来具体探讨董其昌的"模古"之道。
[Abstract]:The theory of North and South Buddhism, which is based on the study of mind and Zen, is closely related to Dong Qichang's continuous observation of ancient paintings and the verification of his painting practice. He thought that the Lin ancient painting must not be in the shape resemblance, should learn its charm, only then obtains the blue victory; He put forward that the way of "Mogu" in order to "combine" with the ancients is to "change", so the essence of "Mogu" is to produce new from Togu. The purpose of this paper is to make use of his views on Wang Wei and Dong Yuan. The explanation of Huang Gongwang's style and the analysis of his works are to discuss Dong Qichang's the way of "model ancient".
【作者单位】： 华东师范大学美术学院;
【分类号】：J212
本文编号：2328301
[Abstract]:The theory of North and South Buddhism, which is based on the study of mind and Zen, is closely related to Dong Qichang's continuous observation of ancient paintings and the verification of his painting practice. He thought that the Lin ancient painting must not be in the shape resemblance, should learn its charm, only then obtains the blue victory; He put forward that the way of "Mogu" in order to "combine" with the ancients is to "change", so the essence of "Mogu" is to produce new from Togu. The purpose of this paper is to make use of his views on Wang Wei and Dong Yuan. The explanation of Huang Gongwang's style and the analysis of his works are to discuss Dong Qichang's the way of "model ancient".
【作者单位】： 华东师范大学美术学院;
【分类号】：J212
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1 胡圣元;论如何理解与运用董其昌《青弁图》[D];上海师范大学;2017年
2 王铭浩;从《烟江叠嶂》浅析董其昌所倡导的平淡天真[D];上海师范大学;2017年
3 陈铁男;董其昌《烟江叠嶂图》的形式分析与重构[D];上海师范大学;2017年
，本文编号：2328301
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