当代文化背景下的水墨人物画转型与展望
发布时间：2018-11-15 22:35
【摘要】：中国画作为中国最具代表性的艺术形式存在于世界艺术之林，而水墨人物画作为中国画中最具时代感的艺术形式总是引来无数的关注。在不同的时代和社会背景下，滋生出的文化不同，那么在不同的文化背景下，水墨人物画的社会功能和文化概念也全然不同，这其间的关系值得去研究。出于这样的理由，我则有必要把水墨人物画发展至今的脉络和在当今文化背景下的现状做适当的解释。 文化背景是指不同的地域、时代和时代造就的生活习惯而产生的文化上的差异。文化背景的差异会造就不同的艺术样式，同时不同的艺术样式也会反映相应的文化背景。 在美术圈把与当代社会发生关系的水墨人物画家的作品称之为“当代水墨人物画”。“当代都市水墨人物画”这个概念我认为有两层含义，第一是是生活在当代的艺术家的作品，第二是画中表现的一定是与当代生活有关的人。这个概念的形成期应该是在85新潮之后，然后逐渐完善至今，这样算下来也有三十余年，那么按照出生年代来划分这批水墨人物画家，我们可以大致将其可以分为60后群体，70后群体，还有正在成长中的我们80后一代。 由60后引出的80后的这些艺术家们都是生活在不同的城市，，接受着不同艺术教育的人群。接下来我用自己的观察和理解来分析这些艺术家的个性和共性问题。以我看来，北京、上海、江浙一带、南京、西安是盛产水墨画家的几大版图。 展望：作为参与在当代水墨人物画创作其中的一员，我对未来这种新艺术样式的前景还是有足够信心的。一方面我们这个时代需要更多元化的艺术样式存在，以满足不同人群审美的需求。另一方面，通过美术史我们就可以了解，任何艺术门类的发展都是以新的观念冲击传统观念、以新图式打破传统程式为必然方式的。只有这样艺术的发展才不会停滞不前。
[Abstract]:As the most representative art form of China, Chinese painting exists in the forest of world art, while the ink figure painting as the most contemporary art form in Chinese painting has always attracted countless attention. In different times and social background, different cultures breed, then under different cultural background, the social function and cultural concept of ink figure painting are completely different, and the relationship between them is worth studying. For this reason, it is necessary for me to make a proper explanation of the development of ink figure painting and the current situation in the present cultural background. Cultural background refers to the cultural differences caused by different regions, times and habits of life created by times. The difference of cultural background will result in different artistic styles, and different artistic styles will also reflect the corresponding cultural background. In the circle of art, the works of ink and wash figure painters who have relations with contemporary society are called "contemporary ink figure painting". I think the concept of "contemporary urban ink figure painting" has two meanings: the first is the work of the artist living in the contemporary age, the second is that the painting must be related to the contemporary life. The period of formation of this concept should be after 85 new trends, and then gradually improve up to now. In this way, it has been calculated for more than 30 years. Well, according to the age of birth, we can roughly divide this group of ink and wash painters into post-60 groups. The 70 s group, and the growing generation of us in the 80 s. The artists of the '80s are people who live in different cities and receive different art education. Then I use my own observation and understanding to analyze the characteristics and commonalities of these artists. In my opinion, Beijing, Shanghai, Jiangsu and Zhejiang areas, Nanjing, Xi'an are rich in ink painting several major map. Outlook: as a participant in the creation of contemporary ink figure painting, I have enough confidence in the future of this new art style. On the one hand, our times need more diversified artistic styles to meet the aesthetic needs of different groups. On the other hand, through the history of art, we can understand that the development of any category of art is a new concept of impact on the traditional concept, with the new schema to break the traditional formula is the inevitable way. Only in this way will the development of art not stand still.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
[Abstract]:As the most representative art form of China, Chinese painting exists in the forest of world art, while the ink figure painting as the most contemporary art form in Chinese painting has always attracted countless attention. In different times and social background, different cultures breed, then under different cultural background, the social function and cultural concept of ink figure painting are completely different, and the relationship between them is worth studying. For this reason, it is necessary for me to make a proper explanation of the development of ink figure painting and the current situation in the present cultural background. Cultural background refers to the cultural differences caused by different regions, times and habits of life created by times. The difference of cultural background will result in different artistic styles, and different artistic styles will also reflect the corresponding cultural background. In the circle of art, the works of ink and wash figure painters who have relations with contemporary society are called "contemporary ink figure painting". I think the concept of "contemporary urban ink figure painting" has two meanings: the first is the work of the artist living in the contemporary age, the second is that the painting must be related to the contemporary life. The period of formation of this concept should be after 85 new trends, and then gradually improve up to now. In this way, it has been calculated for more than 30 years. Well, according to the age of birth, we can roughly divide this group of ink and wash painters into post-60 groups. The 70 s group, and the growing generation of us in the 80 s. The artists of the '80s are people who live in different cities and receive different art education. Then I use my own observation and understanding to analyze the characteristics and commonalities of these artists. In my opinion, Beijing, Shanghai, Jiangsu and Zhejiang areas, Nanjing, Xi'an are rich in ink painting several major map. Outlook: as a participant in the creation of contemporary ink figure painting, I have enough confidence in the future of this new art style. On the one hand, our times need more diversified artistic styles to meet the aesthetic needs of different groups. On the other hand, through the history of art, we can understand that the development of any category of art is a new concept of impact on the traditional concept, with the new schema to break the traditional formula is the inevitable way. Only in this way will the development of art not stand still.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212
【共引文献】
相关期刊论文 前10条
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3 王宁;;浅谈宋代以苏轼为代表的“尚意”书风对文人画兴起的影响[J];成都纺织高等专科学校学报;2012年01期
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